• Friday, Aug. 29, 2014
Autodesk sets lineup for IBC
Artist's rendering of Autodesk's IBC booth.
SAN FRANCISCO -- 

Autodesk is heading to Amsterdam for the International Broadcasting Convention (IBC, September 12–16) with updates to its VFX, postproduction and 3D animation creative tools. In Hall 7, Stand D.25, Autodesk will feature a lineup of speakers from creative shops around the world and also host a special Flame Awards event in celebration of this year’s most outstanding Flame talent.

Visitors to the Autodesk stand can check out the newest feature additions to Flame and Flame Premium 2015 visual effects software; upgrades to Smoke 2015 video editing and effects software and its new desktop subscription model; and cutting-edge technology integrated into Maya 2015 and 3ds Max 2015 releases. For the first time since its acquisition of Shotgun Software in June, Autodesk will also showcase new developments integrated into Shotgun’s production management solution. Autodesk software will also be featured at partner booths: NVIDIA stand 7.J39 (Maya); AMD 7.H35 (Maya and 3ds Max); and Promise 6.C11 (Maya and Smoke).

Autodesk will also stream product demonstrations and customer showcases during IBC--live in the Autodesk booth and on demand virtually on AREA . Presentations include:
-- Framestore’s Oliver Bersey will demonstrate how the Oscar-winning VFX studio for “Gravity” is using Flame 2015 to create film and commercial VFX;
-- Postproduction manager and sr. VFX compositor Emilio Pérez from Madrid and Dubai-based boutique creative shop, Serena Digital, will showcase its newest projects;
-- Production Tools Developer Alex Jackson is slated to speak about Framestore UK’s Shotgun workflow in films such as “Guardians of the Galaxy” and “The Tale of Despereaux”
-- Andreas Rathmacher, from German creative shop Velvet, will present its VFX and animation workflow;
-- US-based design and VFX artist Greg-Paul Malone will demo the full capabilities of Flame 2015.

And on Saturday, September 15, at 6 pm CET, Autodesk will celebrate the achievements and awe-inspiring work of the Flame community during a special after-hours IBC 2014 Flame Award event. The festivities will include the unveiling of the 2014 Flame Award Winner, as well as special recognition honors and a live on-stage Flame demonstration from design and VFX artist Malone.

  • Wednesday, Aug. 27, 2014
New resources at Canon Digital Learning Center
A scene from the Canon XF 200/205 Camcorder Tutorial Series.
MELVILLE, NY -- 

To help photographers and filmmakers better understand the features of their equipment, The Canon Digital Learning Center has posted several new educational resources created with the professional image maker in mind. Here’s a snapshot of the most recent content:

Canon XF 200/205 Camcorder Tutorial Series
In this brand new video tutorial series, Canon Digital Learning Center contributor Jem Schofield explains how to use the top features of the XF200 and XF205 HD camcorders. The series discusses several key benefits of the cameras, including the optics and zoom range, how to quickly access features, and understanding all the tools that help control image quality, such as Wide DR gamma, waveform monitor and dynamic range. To watch the series, visit here.

RC-V100 Remote Control Unit Walkthrough
In this video, learn how the RC-V100 Remote Control Unit is a tool designed for those who need flexibility in shooting situations where direct camera control may not be possible or ideal. Viewers will understand which cameras the remote controller is compatible with, how to connect the remote controller and customize settings, and basic operations that will help users maximize the benefits of the tool to its fullest and allow for easier production. To access the video, visit here

Canon Quick Tip Series
To keep expanding your Canon knowledge base, keep an eye out on the Quick Tips series, where Canon Technical Advisors are constantly sharing helpful imaging tips, unique product insights and key technologies. Recent tips include how to remove dust spots in images, a discussion of RAW Image Fundamentals, and how to use the High Speed Sync Speedlite feature.

Look out for upcoming Quick Tip videos on Manual Focus and STM Lenses, Magnification Shift in Cinema EOS cameras, and Highlight Tone Priority.

To watch the series, visit here

  • Wednesday, Aug. 27, 2014
Tickets to go on sale for PLASA’s Behind the Scenes fundraiser
LAS VEGAS -- 

The Behind the Scenes Happy Hour, hosted by PLASA, will go on sale to the public on September 2. The biggest pre-LDI party of the year will take place on Thursday, November 20, from 6pm-8pm at the Westgate Las Vegas (formerly The Las Vegas Hotel). Tickets are $50 each and includes an open bar, hors d’oeuvres and music. All proceeds go to benefit Behind the Scenes, the only industry charity that provides grants to ill or injured entertainment technician professionals. $30 of each ticket is tax deductible, and tickets are expected to sell quickly.

Starting September 2, tickets can be purchased online here or they can be ordered through people’s LDI registration.

Current sponsors for the Behind the Scenes Happy Hour include: 4Wall Entertainment (Diamond), Altman Lighting (Diamond), CHAUVET Professional (Diamond), I.A.T.S.E. (Diamond), LDI (Platinum), Ultratec (Platinum), Barbizon Lighting Company (Gold), PixelFLEX (Gold), RC4 Wireless (Gold), Stage Equipment and Lighting, Inc. (Gold), TOMCAT USA, INC. (Gold), Total Structures (Gold), TRUSST (Gold), Heartland Scenic Studio, Inc. (Silver), iWeiss Theatrical Solutions (Silver) LEX Products (Silver), Alan Rowe & Tristan Smith (Silver), Sapsis Rigging Inc (Silver), Shepard Exposition Services (Silver), Stan Pressner (Silver) and Mike Wood Consulting, LLC (Silver). Official media sponsors: Lighting&Sound America and Protocol.

The goal of Behind the Scenes Happy Hour is not only to throw a great party but also to raise money for the Behind the Scenes charity, which provides financial support to entertainment technology professionals when they are ill or injured or to their surviving family members. Funds are granted which can be used towards medical care, basic living costs and funeral expenses. Behind the Scenes, an initiative of the PLASA Foundation (formerly the ESTA Foundation) brings help and hope in times of great need. At this time, it will replace the Rock Our World Awards and Cocktail Reception.

  • Tuesday, Aug. 26, 2014
Robert Rodriguez, Troublemaker Studios adopt Avid Everywhere for “Sin City: A Dame To Kill For”
BURLINGTON, Mass. -- 

Director Robert Rodriguez and his team at Troublemaker Studios have embraced Avid Everywhere to create the 3D feature film Sin City: A Dame To Kill For. Rodriguez’s vision for his latest feature was brought to life by the Avid MediaCentral Platform, using solutions from the Avid Artist Suite and Avid Storage Suite, to power fast, efficient and collaborative workflows. By relying on Avid, the editorial team was able to focus completely on the creative storytelling for the movie while meeting aggressive project deadlines and budgets.

“The performance of Avid’s solutions has allowed me to keep my post process quick, streamlined, and personal,” said Robert Rodriguez whose other directorial credits include Machete, Planet Terror, Sin City, the Mexico Trilogy, and From Dusk Til Dawn. “These products, and the workflows they drive, enable me to collaborate with a close creative team to make big features in a family environment.”

Co-editor Ian Silverstein worked collaboratively with Rodriguez using the Avid Media Composer | Software (part of the Avid Artist Suite) to cut multiple versions of scenes in a continually evolving, sculpting process involving constant back and forth between them. “Media Composer takes you into the stratosphere of a completely different realm of what you can do. It’s just got better and better over the years,” said Silverstein.

Avid’s ISIS shared storage solution (part of the Avid Storage Suite) enabled multiple editors to work on sequences at the same time, and provided expanded storage capacity. “The way ISIS handles project sharing helped streamline the whole process and make it all run smoothly,” said Jay Mahavier, digital conform editor and first assistant editor.

Media Composer also helped the team cope with time pressures and the multiple deliverables needed for a stereo 3D film. “We had to deliver three full features: the mono version, the left eye and the right eye,” explained Mahavier. “The ability to manage all of that data is one of the strengths of Media Composer. A lot of people look at it as merely a video editing tool, but as an assistant editor, it’s also a database of information that I can use to manage and organize the project, and make sure that it gets done right.”

The sound department’s workflow was centered on the Avid Artist Suite’s industry-standard Avid Pro Tools | Software for sound editing and mixing. The mix stage included Pro Tools systems for dialogue, music, effects, and recording – all networked together using Satellite Link. The sound team used Pro Tools | HDX, enabling all the sound effects elements from the editors to be carried through to the final mix without any pre-dubbing or premixing. Some reels feature 500 or more sound effects.

The speed of Pro Tools | HDX enabled the team to experiment with different creative ideas while adhering to demanding time and budget pressures. “Usually in feature films, there’s never really time to experiment creatively because the stage time is so expensive,” said Brad Engleking, sound supervisor/re-recording mixer. “But the processing power of Pro Tools | HDX frees up more time to try things you might not have otherwise, enabling the creative process. Your actions become more intuitive so that you think about what you’re trying to accomplish instead of how you’re going to accomplish it. That’s what Rodriguez calls ‘mixing at the speed of thought.’”

“Avid Everywhere is delivering the advanced workflows and innovation that enable filmmakers like Robert Rodriguez and his team at Troublemaker Studios to focus on bringing their creative visions to life - to amaze and inspire their audiences,” said Jennifer Smith, senior VP and chief marketing officer, Avid. “The underlying principle of Avid Everywhere is to help creative professionals strengthen their connection with their audiences.”

  • Tuesday, Aug. 26, 2014
SMPTE announces 2014 honorees and award winners
WHITE PLAINS, NY -- 

The Society of Motion Picture and Television Engineers (SMPTE) revealed the outstanding industry members who will be recognized Thursday, Oct. 23, at the SMPTE 2014 Honors & Awards held in conjunction with the SMPTE 2014 Annual Technical Conference & Exhibition at the Loews Hollywood Hotel in Los Angeles.

Honorary Membership in the Society recognizes individuals who have performed eminent service in the advancement of engineering in motion pictures, television, or in the allied arts and sciences. It is the Society’s highest accolade. This year, SMPTE honors three technologists for their innovations, which have left a lasting impression on the industry.

--George Lucas is best known as a writer, director, and producer responsible for iconic American films, but Lucas is also a pioneer in the adoption of new technologies for motion picture production and exhibition. Lucas founded Industrial Light & Magic (ILM) in 1975, and it has gone on to produce visual effects (VFX) for nearly 300 films. Among many other innovations, ILM invented the OpenEXR file format in 2000 to support high dynamic range (HDR) imaging. The animation studio Pixar was founded as the Graphix Group of Lucasfilm in 1979. In 1981, Lucas co-founded the sound company THX to advance the quality of theatrical sound systems. In 2002, “Star Wars: Episode II-Attack of the Clones” was the first major Hollywood feature to be captured digitally, on 24p high-definition (HD) video cameras. In his determination to push the medium of cinema with new technologies and techniques, Lucas encountered both support and skepticism. It is now clear that his perseverance and vision were key factors in the eventual widespread adoption of digital cinematography in motion picture production.

--Leonardo Chiariglione is generally considered to be the driving force behind the development of the MPEG set of standards that underpin today’s many digital moving pictures applications. Chiariglione’s constant push for a simple, standardized moving pictures toolbox began in 1988 with the founding of the International Standards Organization (ISO) Moving Pictures Experts Group (MPEG) group, and it continues to the present day. Chiariglione has forcefully maintained focus on timely standardization, technical simplicity, and efficiency. The wide adoption of MPEG-2 to MPEG-4, in particular, is apt testimony to the contribution Chiariglione and the MPEG group has made to date.

--The Honor Roll posthumously recognizes individuals who were not awarded Honorary Membership during their lifetimes but whose contributions would have been sufficient to warrant such an honor. John Logie Baird (1888-1946) is inducted into the SMPTE Honor Roll in recognition of his lifelong contributions as a pioneer in television technology. His accomplishments include the first live television demonstration (in 1925), the first publicly shown color television system (1928), and the first fully electronic color television picture tube. The British Broadcasting Company (BBC) began transmitting with the Baird system in 1929. Baird continued to develop new technology including a mechanical color system in 1939 (adopted by CBS/RCA); a 500-line 3-D system in 1941; and an electronic 600-line color display in 1944. Baird lobbied for post-war standardization of his 1,000-line electronic color television system.

Medals, other honors
The Progress Medal is the highest SMPTE medal award, and it recognizes outstanding technical contributions to the progress of engineering phases of the motion picture, television, or motion imaging industries. Ioan Allen has earned the 2014 Progress Medal Award in recognition of his many contributions to the motion picture and television industry, specifically his innovations in sound research and development programs at Dolby Laboratories, including Dolby Stereo®, Dolby Spectral Recording (SR), and Dolby Digital, as well as his ongoing contributions to worldwide standards organizations.

The Archival Technology Medal recognizes significant technical advancements or contributions related to the invention or development of technology, techniques, workflows, or infrastructure for the long-term storage, archive, or preservation of media content essence. The 2014 award will be presented to Neil Beagrie in recognition of his long-term contributions to the research and implementation of strategies and solutions for digital preservation. Beagrie played a key role in the development of a collaborative approach to the study and dissemination of knowledge relating to research data management, digital preservation, digital curation, and data archive. He was responsible for establishing the Digital Preservation Coalition, with more than 35 major members from industry, national libraries, broadcasters, and archives. In addition, he was responsible for establishing the digital preservation program within the Joint Information Systems Committee. This program helped to create the Digital Curation Center, which seeks to actively manage, preserve, and curate digital data throughout the research life cycle.

The David Sarnoff Medal recognizes outstanding contributions to the development of new techniques or equipment that have contributed to the improvement of the engineering phases of television technology, including large-venue presentations. Clyde D. Smith Jr. will receive the 2014 award in recognition of his pioneering work in the application and deployment of digital technologies in the broadcast network environment, including the development of automated, server-based closed-captioning systems, as well as optimization of digital media to address the issue of audience disaggregation and to provide the capability to seek out viewers on their preferred platform and make a rich selection of programming available to them in their preferred environment. Smith’s experiences, contributions, and support have provided critical guidance to the development of a meaningful educational experience for local broadcast engineers.

The Digital Processing Medal recognizes significant technical achievements related to the development of digital processing of content for cinema, television, games, or other related media. The 2014 award will be presented to Barry Haskell for his contributions to the digital transmission and coding of images over a 44-year career. Haskell has published more than 70 technical papers and holds more than 125 patents. He is the author or co-author of three books, including one of the foundational books on MPEG. Haskell managed the compression research group at Bell Labs, making major contributions to the MPEG standards, and followed that at Apple Computer, where his research team made significant contributions to the H.264/AVC standard.

The Kodak Educational Award honors an individual who advances the educational process at any level through innovative and inspirational methods, and it recognizes outstanding contributions in new or unique educational programs utilizing the technologies of film. Steve Wright will receive the 2014 award for his service in visual effects as an accomplished practitioner and master trainer. Wright’s specialization is in the digital domain, but he has long been an advocate for visual effects education in workflow for both film and digital intermediates. He has worked to perfect and to implement color management paradigms in compositing, cementing the place of film in digital postproduction and promoting stronger understanding of film’s value in digital compositing. Wright has been a master visual effects trainer since 2005, and his two books, “Compositing Visual Effects: Essentials for the Aspiring Artist” and “Digital Compositing for Film and Video,” are among the very few that actively instruct in film color science for digital intermediate and compositing.

The Samuel L. Warner Memorial Medal recognizes outstanding contributions in the design and development of new and improved methods and/or apparatus for motion picture sound, including any step in the process. Ville Pulkki will receive the 2014 award for his outstanding contributions in the field of spatial sound reproduction and multichannel audio rendering, including the two-dimensional and three-dimensional panning methods of vector-base amplitude panning (VBAP) and non-unitary vector-base amplitude panning (NVBAP). The value of Pulkki’s contributions is underscored by the emergence of immersive sound in the cinematic and broadcast arts.

The Technicolor/Herbert T. Kalmus Medal recognizes outstanding contributions that reflect a commitment to the highest standards of quality and innovation in motion picture postproduction and distribution services. The 2014 award will be presented to Jim Houston for his leadership and contributions in the application of digital technologies to motion picture production and postproduction processes. As an industry leader, he established a state-of-the-art digital finishing facility for a wide range of postproduction processes including digital intermediates, digital cinema mastering, and restoration. Houston has played a key role in the development of standards related to the Academy of Motion Picture Arts and Sciences’ Academy Color Encoding System (ACES), as well as various standards for video and motion picture mastering.

The Workflow Systems Medal recognizes outstanding contributions related to the development and integration of IT file-based systems and infrastructures into production processes. Philip Tudor will receive the 2014 award for his foundational contributions to professional media file formats and for early implementations of file-based workflows. Tudor has worked tirelessly in numerous SMPTE committees and in the Advanced Media Workflow Association (AMWA), focusing on developing standards and specifications for file-based essence and metadata interchange. His pioneering work on tapeless audio and video capture, Material eXchange Format (MXF), and the Advanced Authoring Format (AAF) led to the implementation of workflows at the BBC. Tudor continues file-based workflow innovation with the Digital Production Partnership (DPP) and IP Studio, which focuses on file-based workflows for live television production within an Internet protocol (IP) environment.

The Camera Origination and Imaging Medal honors the recipient by recognizing significant technical achievements related to invention or advances in imaging technology including sensors, imaging processing electronics, and the overall embodiment and application of image capture devices. Eric R. Fossum will receive the 2014 award in recognition of his leadership in the invention and development of the complementary metal-oxide-semiconductor (CMOS) active pixel sensor (APS) technology. This advancement was first published in 1993 while Fossum worked at NASA’s Jet Propulsion Laboratory. Additionally, he promoted the new technology to a broad range of manufacturers as a new way of making camera image sensors. CMOS image sensor technology is now widely deployed in motion picture and television cameras, cell phones, medical devices, security systems, and many other professional and consumer applications.

Each year, one SMPTE Journal Award is presented to the author of the most outstanding paper originally published in the SMPTE Motion Imaging Journal during the preceding calendar year. The 2014 SMPTE Journal Award will be presented to Andrew B. Watson for “High Frame Rates and Human Vision: A View Through the Window of Visibility,” published in the March 2013 issue of the SMPTE Motion Imaging Journal. Journal Certificates of Merit will also be presented to Benjamin Bross, Heiko Schwarz, and Detlev Marpe for their May/June 2013 Journal article titled “The New High-Efficiency Video Coding Standard.”

Citations
The Citation for Outstanding Service to the Society, which recognizes individuals for dedicated service for the betterment of the Society over a sustained period of time, will be conferred upon five SMPTE members:

--John Beckhaus, for his dedication and service to the Australia Section over the past decade. Beckhaus has served on the Section board since 2003, taking on the additional roles of membership chair, providing a contact point for queries from regional membership, and minute secretary, ensuring comprehensive reporting of both Section board and subcommittee meetings. He has also served six terms as audio visual (AV) chair for the biennial Australia Section conferences, managing the complex requirements of conference presenters. Beckhaus is a dedicated Section member, always working behind the scenes to ensure the success of the Australia Section meetings.

--Siegfried G. Heep, for his contributions to the Hollywood Section, as well as his instrumental role in the reinvention of the Society’s annual Honors & Awards Ceremony. Heep has served as a role model for active involvement in SMPTE as both a Hollywood Section member and manager. In 2007, he was enlisted as the technical director for the newly reimagined Honors & Awards Ceremony, transforming the event from a small ceremony to the full-fledged, high-quality awards event that it has become today. Heep has reprised his role each year since, helping to improve the show in terms of technical production, quality, and prestige.

--Federico Savina, for his leadership and support of the Italy Section over the past 25 years. As one of the original SMPTE Members who petitioned for the formation of the Italy Section in 1989, Savina has been a long-term contributor to the Section, serving the Section board for 10 years in the roles of secretary/treasurer and manager. Savina attends and contributes to all Section activities and was instrumental in bringing the SMPTE Regional Seminar to Rome in 2013. A professor at Roma University, Savina strives to raise the bar in digital cinema (D-Cinema) education, and he is working to provide his students with an introduction to the industry through participation in SMPTE.

--T.J. Scott Jr. for his leadership and commitment to raising the standard of quality for Atlanta Section events. His close alignment with developing trends and innovative technologies, as well as his substantial contacts in the industry, have led to a collection of well-executed, technically inspired monthly meetings. Through Scott’s efforts, the Atlanta Section has seen growth in both its membership and meeting attendance. His contributions to the production of the Section’s 2007 “Video Over IP” seminar in particular set the bar for excellence in special event programming. All subsequent special events have been sold out, reinforcing SMPTE’s reputation for producing exceptional and inspired events.

--Peter M. Weitzel for his instrumental role in re-establishing the SMPTE U.K. Section, and for his leadership in driving the growth of the Section and the quality of programming provided to its members. A driving force behind the U.K. Section, Weitzel’s enthusiasm, determination, and outreach, especially to students and universities, have contributed to the 200-percent increase in the Section’s membership during its first two years of operation. His passion for the Society’s core mission and goals is ever-present as he works to increase the visibility and impact of SMPTE at both a global and regional level.

Standards bearer
The Excellence in Standards Award recognizes individuals or companies that have been actively involved in advancing the Society’s standards activities and processes. The 2014 award will be presented to John Hudson for his sustained efforts in the development and evolution of standards relating to real-time electrical and optical streaming media interfaces for video and D-Cinema production. Hudson authored the SMPTE 3Gb/s serial digital interface (SDI) standard in parallel with his work developing the necessary components, resulting in a rapid and successful adoption of the interface by the industry, and he is a key player in the development of 6Gb/s and 12Gb/s UHDTV SDI interfaces. Hudson’s SMPTE work is characterized by commitment and competence, combined with an attitude of cooperation and collegial relations with colleagues and competitors.

As previously announced, eight new SMPTE Fellows also will be recognized during the event: Hanno Basse, Thomas G. Edwards, Joseph J. Kane, Jr., John McCoskey, Andrew Quested, Vince Roberts, Jim Starzynski, and Colin R. Wright.

  • Tuesday, Aug. 26, 2014
Telestream expands file-based workflow capabilities with Vantage v.6.3
Telestream's Vantage, v. 6.3
NEVADA CITY, Calif. -- 

Telestream, a provider of video transcoding and workflow solutions, announced a new release for its Vantage platform, which provides a broad range of enterprise-class transcoding and file-based workflow automation software products. Available immediately through Telestream’s worldwide sales distribution network, the latest version of Vantage (v.6.3) brings new content production automation features, support for more transcoding formats to facilitate multiscreen delivery and new device interoperability capabilities.

“With the latest release of Vantage, we continue to enhance our automation capabilities to eliminate pain points in our customers’ workflows,” said Paul Turner, VP of enterprise product management at Telestream.  “From templated output created via popular NLEs to auto assembling DPP compliant bundles, the new features in Vantage further reduce the need for manual intervention, allowing our customers to become more efficient and profitable.”

Focusing on the growing needs of content owners seeking to develop multi-platform distribution architectures, the latest version of Vantage includes support for more transcoding formats across the Vantage Transcode product family.  Full 4K support and HEVC encoding are now available in Vantage Transcode Multiscreen and Vantage Transcode IPTV VOD.  In addition, XAVC decoding and ProRes 4444 encoding have been added to Vantage Transcode Pro.

Automated content production is now even easier with Telestream’s Post Producer application, which runs on the Vantage platform. With Vantage 6.3, editors can design production templates in Avid, Adobe and Final Cut Pro editing systems. Post Producer can then use those templates to mass-produce hundreds of customized outputs automatically. This facilitates the creation of templates and lets users visualize how a template will look prior to rendering.

With the Digital Production Partnership (DPP) initiative’s October deadline quickly approaching, Vantage adds several new capabilities for assembling and encoding DPP AS-11 MXF files.  The Vantage DPP Workflow Portal allows entry of DPP metadata and the creation of multi-part DPP packages from one or more media files.  Post Producer automatically assembles the DPP timeline, including bars, tones, slates and correct multi-part spacing. The entire DPP solution is completely unified and includes full encoding, timeline rendering and metadata assembly without requiring editing personnel or XML programmers.

Vantage 6.3 also adds the ability to accept work orders from a standard spreadsheet, allowing hundreds of jobs to be submitted easily using a spreadsheet exported as a CSV.  This simplifies submission for Vantage users who typically organize media metadata and instructions in a spreadsheet; these sheets can now be provided directly to Vantage.  A single work order can contain instructions for hundreds of jobs, each with a different source file including instructions for content assembly and graphics application, transcoding parameters, delivery information, subtitle files, titles to be applied, FTP destination, and more.  Work order structure is entirely customizable to allow complete control over process automation.  This powerful new feature streamlines the automation of Vantage transcoding and Post Producer workflows, and is included in all products on the Vantage platform.

Vantage now includes a new proxy viewer for the Web Workflow Portal, improving frame accuracy and adding features such as title safe guides, captioning, and hot key control (JKL-style).  This improves the usability of the Web Workflow Portal, and allows operators to be more efficient.

Vantage 6.3 brings additional new features to users. Improved dashboard metrics – including storage space remaining, CPU load, database size, and other metrics – provide a full picture of the hardware utilization across a Vantage Array.  When using the reporting option, Vantage now allows historical reports showing usage levels across multiple machines and services. Reports can also be generated showing daily, hourly, or weekly usage and peak server capacity to ensure proper resource planning and improve turnaround. A new SQL deployment tool offers improved database support, allowing easier installation into SQL enterprise environments.

Vantage partner integrations have also been expanded with the addition of Nexidia QC integration which automates quality control for closed captions, languages, and video descriptions. The Nexidia QC integration enables Telestream Vantage users to utilize Nexidia QC’s full functionality anywhere in the Vantage workflow, ensuring media meets FCC regulations.

  • Monday, Aug. 25, 2014
LG bets on pricey OLED technology as future of TVs
LG sets on display (AP file photo).
SEOUL, South Korea (AP) -- 

LG Electronics Inc. announced two new giant OLED TVs with ultra-high definition screens Monday, sticking with its strategy of using the exceptionally expensive OLED display technology.

The South Korean company said it will ship 65-inch OLED TVs starting September in South Korea, Europe and North America. A 77-inch model will hit shelves later this year.

While major TV makers are pushing to make ultra HD TVs mainstream, they use LCD screens. The super-high resolution picture, also known as 4K, packs four times more pixels than regular HD televisions.

Making ultra HD quality TVs with OLED screens remain costly. LG's 65-inch model will cost 12 million won ($11,765). Other types of ultra HD televisions sell for less than $3,000.

OLED features deeper color saturation and a sharper image quality than LCD. But for years, its cost and high production error rate prevented the technology from catching on among mainstream consumers.

LG said it is committed to OLED because the cost will come down and its advanced screen will eventually replace LCD screens. It forecasts that OLED TV sales will overtake LCD TV sales "within a few years."

"OLED is where we must head next," said Ha Hyun-hwoi, head of LG's TV business. "It is a matter of time."

LG's aggressive bet on OLED TVs is in contrast with its rival Samsung Electronics Co. After rolling out a 55-inch curved TV that uses an OLED display last year, Samsung has not announced an upgrade to its OLED TV for this year. Samsung uses OLED technology mostly for small devices, such as smartphones and tablet computers.

  • Monday, Aug. 25, 2014
BACK9NETWORK outfits new studio with Grass Valley and Belden products
LDX Compact
MONTREAL -- 

BACK9NETWORK, a golf lifestyle television network based in Hartford, Connecticut, is working closely with Grass Valley, a Belden brand, for its launch on DirecTV on Sept. 29. Grass Valley and Belden developed a customized suite of production solutions, backed by knowledge and experience from similar projects, to support BACK9NETWORK’s studio operations.

“We chose Grass Valley because their team brought the strongest, most flexible solution for our small, independent network,” said Charles Cox, CEO at BACK9NETWORK. “The majority of our original programming will be studio-based, so it was essential that we select a partner that offered the right products and expertise for studio production and understood our entrepreneurial needs. With Grass Valley’s end-to-end solution, we now have the ability as a startup network to deliver over one thousand hours of first-run studio programming in year one—providing compelling content with the production quality that our audience demands.”

Another deciding factor for BACK9NETWORK was Grass Valley’s ability to provide a comprehensive solution with minimal training requirements. According to Harry Goldberg, VP of engineering & operations at BACK9NETWORK, “a seamless, efficient workflow is essential with the network launch happening in a compressed timeframe.”

“We didn’t have time to work through vendor-to-vendor issues and needed to know that the system will work right out of the gate,” said Goldberg. “As we add more engineering and technical staff, we know there will be little to no learning curve because Grass Valley equipment is such an industry standard.”

BACK9NETWORK uses a variety of products from Grass Valley’s portfolio that encompasses acquisition through delivery:

·     LDX Compact Première advanced imaging cameras are built for tight spaces, remote pan/tilt heads, and POV applications, delivering superior imaging, processing and performance.

·     Karrera video production center 2 M/E switcher with K-Frame delivers superior performance with a wide variety of configuration options and features including 1080p 3G and 4K/UHD support.

·     NVISION 8144 hybrid router, part of the NVISION 8500 Enterprise Class router series, operates reliably, integrates smoothly and upgrades readily to larger configurations and the latest capabilities.

·     3RU Densité 3 Frame simultaneously processes 3Gbps, HD/SD and analog video.

·     K2 Summit 3G production client server delivers speed and stability for live event production.

·     Vertigo advanced channel branding solutions provide highly versatile graphics automation and asset management tools that offer a choice of productive workflows, including prerendering using Adobe After Effects, and a choice of dynamic rendering models using graphics templates.

·     Kaleido multiviewer offers superior picture quality, ultimate layout flexibility and precise signal probing capabilities.

·     Belden cables deliver signal transmission solutions.

·     Belden racks meet security, availability and efficiency challenges.

  • Thursday, Aug. 21, 2014
SMPTE confers “Fellow” status on 8 members of motion-imaging technology industry
WHITE PLAINS, NY -- 

The Society of Motion Picture and Television Engineers has granted SMPTE Fellow membership status to eight industry leaders. This honor is conferred on individuals who have, through their proficiency and contributions to the industries, attained an outstanding rank among members of the Society.

New SMPTE Fellows will be inducted on Wednesday, Oct. 22, during the Fellows Luncheon, and further recognized on Thursday, Oct. 23, at the SMPTE Honors and Awards Ceremony. Both events will be held in conjunction with the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) at the Loews Hollywood Hotel in Los Angeles. The Fellows Luncheon will feature a keynote by SMPTE Fellow Darcy Antonellis, who serves as CEO at Vubiquity.

The 2014 SMPTE Fellows are:

Hanno Basse, chief technology officer (CTO) at 20th Century Fox Film Corp., oversees technology strategy and engineering, including home entertainment, theatrical distribution, and postproduction. He earlier spent more than 14 years at DirecTV, ultimately as senior VP of broadcast systems engineering, with accomplishments including the 2005 launch of the largest HD channel rollout to date and the 2009 implementation of DirecTV’s video-on-demand infrastructure, as well as significant contributions to DirecTV’s broadcast infrastructure and construction of its Los Angeles Broadcast Center. Basse began his career in 1991 as a scientist-engineer at the Institut für Rundfunktechnik GmbH (IRT) in Munich, Germany, and worked as a systems engineer at ProSiebenSat.1 Media AG. He has been awarded 18 patents.

Thomas G. Edwards, VP of engineering and development at Fox Networks Engineering & Operations, works on advanced technology projects such as mobile digital television, 3D, and the Fox network satellite distribution system. Before joining Fox, he was senior manager of interconnection engineering at PBS, where he was responsible for the engineering planning of the PBS Next Generation Interconnection System. He was also involved in streaming media production and delivery at the Internet service provider DIGEX and the IP-over-satellite company Cidera. Edwards has contributed to the Report of the SMPTE Study Group on Media Production System Network Architecture, the Report of the SMPTE Task Force on 3D to the Home, and the National Association of Broadcasters Engineering Handbook. In addition to SMPTE, he is a member of the Institute of Electrical and Electronics Engineers (IEEE).

Joseph J. Kane Jr. specializes in the sciences of electronic imaging and accurate reproduction of video signals on display devices, both of which are the focus of his company, Joe Kane Productions, founded in 1982. Kane has a long history of participating in standardization of the canvas on which electronic art is created and making it possible for a mass audience to be able to see that art as it was intended to be seen. He is currently working with higher-definition formats and the concept of a new video system based on the capability of current and future display technologies. Kane is also a manager of the SMPTE Hollywood Section.

John McCoskey is the SMPTE Eastern region governor and executive vice president and CTO at the Motion Picture Association of American (MPAA), where he is responsible for development and execution of MPAA’s global technology strategy. Previously McCoskey served as the first CTO at PBS, where he was responsible for all technology strategy, development, operations, and infrastructure serving more than 350 full-power public television stations. He earlier was vice president of product development at Comcast; CTO and co-founder at Brief Original Broadcasts; and senior vice president of technology and CTO at Discovery Communications. McCoskey is an inventor with more than 40 issued or pending U.S. utility patents related to technology and media.

Andrew Quested joined the BBC as a trainee engineer in 1978 and became a video editor working across the BBC’s output, including all episodes of the “Keeping Up Appearances” program. In his tenure as a BBC editor, Quested introduced nonlinear editing, as well as stereo and widescreen production; oversaw the introduction of end-to-end tapeless production; served as the technical lead on the BBC’s first HD channel; and lead HD pilot projects such as overseeing the workflow for the series “Planet Earth.” Quested currently chairs the Strategic Programme on Quality Control (QC) for the European Broadcasting Union (EBU), authors the BBC technical standards for international exchange, and is part of the U.K.’s Digital Production Partnership (DPP), which is responsible for the AS-11 DPP Compliance and Certification Programme. Quested has chaired International Telecommunications Union (ITU) Rapporteur Groups for 3D, image dynamic range, IP contribution, and quality control. As a manager of the SMPTE U.K. Section, he focuses on career development and education of new graduates and the U.K.’s new apprenticeship schemes.

Vince Roberts is executive vice president of global operations and CTO at Disney/ABC Television Group. He was a founding employee of Disney Channel in 1983 and ultimately led development of server-based broadcast operations. He established Disney’s first international broadcast operation, Walt Disney Television Singapore, and oversaw the launches of more than 90 entertainment channels and/or channel feeds in more than 160 countries and 30 languages. Prior to joining Disney, Roberts was in videodisc research and development with MCA and JVC/EMI/GE, earning a patent for a specialized quality control process device. During his two years at Color Systems Technology Inc. as senior vice president of production, the company earned an Emmy® Award for technical achievement for the video coloring process. Roberts co-chaired the Federal Communications Commission’s Video Programming Accessibility Advisory Committee on Internet closed captioning and is currently chairman of both the Innovation Advisory Board for Imagine Communications (formerly Harris Broadcast) and the Executive Board of the Entertainment Technology Center at the University of Southern California. He was awarded the 2014 Broadcast and Cable Technology Leadership Award and currently has four patents pending. In addition to SMPTE, he is a member of IEEE, Society of Cable Telecommunications Engineers, and the Academy of Television Arts & Sciences, and serves on the board of directors for the North American Broadcasters Association and the Emma L. Bowen Foundation.

Jim Starzynski is the director and principal audio engineer at NBCUniversal Advanced Engineering, where he oversees audio technologies and practices for all NBCUniversal television properties, including the company’s two broadcast networks, 26 owned stations, and 18 cable channels. Starzynski chairs the Advanced Television Systems Committee (ATSC) technical subgroup S34-2 on next-generation audio systems and S6-3 on digital television loudness. He is also the chair for the Sports Video Group DTV Audio Group and serves on the board of directors for the home audio division of the Consumer Electronics Association. Starzynski has received four Emmy Awards for technical achievement for multiple broadcasts of the Olympic Games, and he was the 2011 recipient of the ATSC’s highest technical honor, the Bernard J. Lechner Outstanding Contributor Award.

Colin R. Wright began his career at the Australian Broadcasting Control Board, where he worked on the introduction of color and stereo sound, and ultimately spent 35 years in key engineering roles with Australia’s Seven Network. During that time, he contributed to the creation of a global HDTV standard, led construction of Seven’s Los Angeles news studio, and introduced innovative techniques for carrying two television programs, data, and multiple sound channels on a single low-powered international satellite link. Wright worked closely with Hitachi to introduce charge-coupled device cameras and enhanced camera links for sport and studio work; and with Sony and EVS prior to the 1992 Barcelona Summer Games to improve disk record/replay systems. His contributions to Australian requirements for digital video broadcasting adoption helped to enable testing of Seven’s mobile broadcasting capabilities during the 2000 Sydney Summer Games. Wright holds editing and chairman roles on various Australian committees addressing digital television transmission and reception; quality monitoring, hybrid broadcast broadband television, IPTV, interactivity, spectrum planning, analog shutdown/channel restack, and audio loudness control; and 3D and UHDTV.

  • Wednesday, Aug. 20, 2014
FilmLight to showcase solutions at SET 2014
Baselight's FLIP
LONDON -- 

FilmLight, alongside local partner PSK, will demonstrate how its technology is helping broadcasters, movie producers and creative studios shorten timescales without compromising creativity or quality at the SET Expo 2014 taking place in Sao Paulo, Brazil, August 24-27.

“We have achieved significant success across the region in recent years and SET is a great platform to demonstrate FilmLight’s cost-effective and highly productive solutions, available at every stage of the workflow,” said Francisco Monje, LATAM sales manager, FilmLight. “Collaborative working allows our customers to be more creative and remain confident that all their decisions will be securely captured and preserved in their final deliverables.”

FilmLight manages color from set to screen. On display at SET 2014 will be FLIP, the real-time image processor for on-set grading of digital cameras, and Baselight DAILIES. Baselight DAILIES is an exciting new addition to FilmLight’s colour range, designed for mobile post-production on location.

Visitors will also be able to see Baselight Editions, which takes the color processing engine from full Baselight workstations and implements it as a plugin within the foremost professional editing and VFX packages—including Avid, Final Cut Pro and NUKE, with more planned. The grade can be exchanged and adjusted simultaneously between editorial and effects as well as the colour suite, in a highly efficient and render-free workflow.

The integrated workflow ends on a full Baselight system for professional finishing. At SET 2014, FilmLight will showcase Baselight ONE, the complete and cost-effective grading and finishing solution that combines powerful fully-featured Baselight software and dedicated high performance hardware.

Facilities around the world have chosen FilmLight systems to power their end-to-end color pipeline. Most recently Brazil’s largest broadcaster TV GLOBO turned to FilmLight and Baselight to handle 4K Ultra High Definition TV series.

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