postproduction
Award-winning sound pros Rick Ash and Ron Eng have joined the sound team at Periscope Post & Audio, Hollywood.
The SIGGRAPH 2019 Production Sessions program reveals lineup of behind-the-scenes looks at the “making of” the year’s biggest productions in film, streaming, cable, games, and VR.
Whitehouse Post has boosted its New York roster with the signing of editor
Light Iron, a Panavision company, has announced Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist. The highly regarded Sawyer brings over 20 years of color finishing experience to his role.
When they call the AMP Awards for Music & Sound the loudest show in the ad industry, they’re not kidding.
Editor Jim Helton of Final Cut won the Best in Show at the AICP Post Awards gala celebration held this evening at Navy Pier in Chicago.
Cinematic Media, Mexico City’s largest, full-service post-production facility focused on television and cinema content, is teaming with two-time Academy Award®-nominated supervising sound editor Martín Hernández to bring Hollywood-caliber sound services to Mexico.
Tomorrow is #PiDay, and while many across the globe celebrate the Greek letter “π” - in English, “pi” - those in the know immediately get hungry and think of one thing: “Pie.” Serving up a cinematic slice in honor of the holiday is
This creative force has been collaborating between offices and across the country for over 20 years.
Red earth stamped by horse hoofs, cheering crowds and clanging metal gates, honored tradition and new roads come together in the new YETI Presents film, “Navajo Son.” Derrick Begay is a quiet hero. Unassuming in person, bold in the ring, Begay knows the ropes of rodeo competition.