In its first collaboration with ad agency Team Detroit, ALMA MATER Director and Co-Founder Brian Mah showcased the 2015 Ford F-150’s many new features with a stunning launch package that premiered on New Year’s Day during ESPN’s College Football Playoff coverage. The campaign is highlighted by the anthem spot “Forward March” (:60) and three :30s, “Move It” and “What’s Next” and "Leadership." Two more :30 spots are to follow, including “Keep Going,” and “Marchando,” a Hispanic-market version.
ALMA MATER worked closely with Team Detroit to conceptualize an approach that would diverge from the graphic-focused nature of previous campaigns by bringing the truck into its real-world, utility-focused environments. In doing so, they chose to ground the campaign in gritty live-action versus any CG executions. Staying on brand, they carried over their instantly recognizable VO from the previous campaign.
Each spot showcases the truck’s unprecedented military-grade aluminum alloy body, game-changing fuel efficiency and hauling and towing capabilities, among a list of new innovative features. ALMA MATER visualized this by using a motion controlled, match-cut technique that depicts the F-150 seamlessly driving through various live-action environments, from farms to construction sites and across a wide variety of terrain.
“The great thing about using match-cuts for the campaign is that it allowed us to use the truck and the people who use it to connect completely varied locations, and industries,” explains Mah. “With this approach, we can fluidly follow the path of the F-150 through a wide breadth of weather and geographical contexts. We felt like this was the best way to highlight the extensive list of industries and functions within which this iconic truck thrives.”
To view “Forward March” see below or to watch on Vimeo visit: http://vimeo.com/118874998
Working directly with Team Detroit and SVP, Group Creative Director Brad Hensen, who was drawn to Mah’s previous work, ALMA MATER began developing campaign concepts during the summer months. By fall, this concept had become the frontrunner.
“Brian [Mah] and his team were incredibly collaborative throughout the entire process,” says Hensen. “He and ALMA MATER were completely new to me, so I didn’t know what to expect. I loved that no matter how many curveballs we threw or how many U-turns we made, he never got rattled. He always had a solution and a calm, reasoned and creative solution to offer. In production, Brian and his Executive Producer, Kathy Kelehan, were amazing partners. I never worried about anything. While automotive work was not their strong suit going in, that didn’t affect the work at all — it improved it. They brought their own particular brand of design magic & production science to bear on our project and made it look great. I can’t wait to work with them again.”
“The gravity of this assignment was immense, matched only by the creativity, skill, and craft of ALMA MATER,” adds Bob Rashid, Team Detroit Executive Producer. “Every detail was attended to with purpose and collaboration. Two crews for seven days can be exhausting, but Brian’s energy never waned. An impossible finishing schedule was embraced and accomplished with all hands energetically on deck.”
To accomplish this technique, and to express the expansive scope of the F-150's settings, ALMA MATER knew that they needed to cover a large quantity of shots for each spot in the campaign. From farms to a forest, shipyard, rock quarry and energy plant, ALMA MATER travelled across Southern California to shoot the various landscapes. To operate as effectively as possible during the seven-day shoot, ALMA MATER beefed up its crew to two full camera units working simultaneously, enabling them to cover the extensive list of truck and talent-driven shots within each locale.
Director of Photography Jordan Valenti shot on a 6K RED EPIC DRAGON during the packed production schedule. To create the match-cutting effect, ALMA MATER used a combination of motion control and safari arm rigs, which they attached directly to the body of the F-150, allowing the team to register and repeat camera moves within each environment.
“Each day was a race to beat the sunset,” says Mah. “We planned a very aggressive shoot schedule that needed to cover a wide amount of shots on the shortest days of the year. Jordan was amazing at achieving an incredible aesthetic for the shots in a fast and efficient manner.”
Although nearly 95% of the special effects used in the spot were shot practically, there were some elements that needed to be accentuated in post. Matte paintings, photo-real 3D elements, location extensions, and subtle atmospheric elements were added to the shots to accentuate the compositional connections between scenes even further. For these effects, ALMA MATER worked in Maya, After Effects, Nuke, Flame, Fume FX, PF Track, Photoshop & Illustrator.
James Anderson, ALMA MATER VFX Supervisor and Co-Founder, oversaw the post-production aspect of the project. “This campaign was a good fit for ALMA MATER because it combined our graphic sensibility of live-action with our technical expertise in post,” says Anderson. “We wanted to incorporate strategic elements within the scenes that would align with the subsequent shot. A telephone pole along a desert road in one scene transitions to a tree trunk in a forest-lined mountain road; a stack of hay bales in a farm shot becomes a stack of cinder blocks on a construction site. These are the kind of creative details we enjoy sinking our teeth into.”
The tight post-production schedule was equally demanding. Along with Hensen and Rashid, Creative Director/Art Director Beth Hambly and Creative Director/ Writer Dan Weber worked directly with ALMA MATER in the studio to finalize the project.
“Team Detroit was instrumental in enabling us meet the demands of this schedule,” concludes Kathy Kelehan, ALMA MATER Executive Producer and Co-Founder. “Their extensive knowledge and expertise with the F-150 and the Ford brand made the process incredibly efficient. We’re absolutely thrilled to have been able see this concept through to completion, and are grateful to Team Detroit for their confidence in entrusting us to take their already successful campaign in this new direction.”
ALMA MATER is a visual studio dedicated to a tradition of beautifully executed and thoughtfully considered design, live action, and animation. As alumni of Imaginary Forces, Brian Mah, James Anderson and Kathy Kelehan have worked closely together for years, developing a mutual trust and a shared design sensibility. The three principals founded ALMA MATER under a common commitment: Pursue new opportunities with creative enthusiasm and a high level of technical execution across all media disciplines and platforms. http://am.tv
Video Credits
Agency: Team Detroit
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
SVP, Group Creative Director: Truck: Brad Hensen
Creative Director / Art Director: Beth Hambly
Creative Director / Writer: Dan Weber
Executive Producer: Bob Rashid
Producer: Craig Mungons
Production Company: ALMA MATER
Director: Brian Mah
Executive Producer / Post Producer: Kathy Kelehan
VFX Supervisors: James Anderson & Robin Roepstorff
Designers: Brian Mah, James Anderson, Robin Roepstorff, Daesun Hwang
Editors: Keith Roberts, Joe Denk
Compositors: James Anderson, Robin Roepstorff, Brinton Jaecks, Jadan Duffin
3D Artists: Daesun Hwang, James Anderson, Robin Roepstorff
FX Artists: Tim Kadowaki, Yates Holley
Matte Painters: Steven Messing, Ivo Horvat, Dark Hoffman, Eric Mattson
Type Designer / Animator: Ken Pelletier
Flame Artists: Pilon Lectez, Alex Kolansinski, Elad Offer
Pre-Visualization: The Third Floor
Associate Producer: Joseph Abou-Sakher
Live Action Producer: Adam Lawson
Director of Photography: Jordan Valenti
2nd Unit DP: Dallas Sterling
Colorist: Dave Hussey, Company 3
Music/Composer: Jeff Dittenber, Yessian Music
Mixer: Rob Sayers, Sound Lounge
Kathy Kelehan
Executive Producer
ALMA MATER
323.801.8013
Contact Kathy via email
Contact:
PR & Marketing Contact:
Michele Lu Kumar
Priya PR, Inc.
310.922.0464
Contact Michele via email
2024 AICP Awards Tour Concludes with Stops in Dallas and Chicago
The 2024 AICP Awards Tour concludes with stops in Dallas and Chicago this month as it wraps up its tour of cities across the U.S. The National Tour brought presentations, panels and screenings to marketers, advertising agencies, production and post production companies. The AICP Awards will be in Dallas on Thursday, November 14th, at the Perot Museum of Nature and Science, followed by the Chicago event, set for Thursday, November 21st at The Old Post Office. Tickets are available now for both events at www.aicp.com. In Dallas, the program kicks off at 6:45 pm with a happy hour, followed by the screening and panel discussion at 7:30. The evening ends with a networking reception from 8:30 to 11:30. The Perot Museum of Nature and Science is located at 2201 N. Field Street in Dallas. Appearing in Dallas will be Abe Garcia, Chief Creative Officer, Dieste; Julia Melle, Director of Brand and Content, Southwest Airlines; and Isaac Pagรกn Muรฑoz, VP, Executive Creative Director of PepsiCo Foods. The panel will review selected winners from the suite of the AICP Awards programs, offering insights into what made them rise to the top of their respective categories and share their viewpoints on key trends in the industry. The Chicago stop starts at 6:00pm with a happy hour, followed by the presentation and screening at 7:00pm. A reception caps the event, starting at 8:00pm and concluding at 11:30pm. The Old Post Office is located at 433 W Van Buren Street in Chicago. The panel there will feature 2024 AICP Awards Curators and Winners from the marketer, agency, production and post production sectors whoโll highlight this yearโs winners. The conversation will include a discussion about the winning work, including insights... Read More