On August 2nd, DIRECTV became a new company comprising all of AT&T’s previously held U.S. video assets. A new overall look and feel introduced for DIRECTV is reflected in this first-ever advertising campaign for DIRECTV Stream, formally AT&T TV. Launched on social platforms and national TV, the “Get Your TV Together” campaign features tennis champion, and superstar Serena Williams mashed up with iconic films to bring to life the brand’s core features of having the best of both worlds–live and on-demand entertainment. The campaign tackles the fragmented consumer experience today where they are left having to sacrifice either their live viewing experience or spend time browsing on-demand without enjoying their content.
Developed in partnership with creative agency TBWAChiatDay LA, the creative platform is a call to consumers to un-complicate their entertainment lives. The mesh of live entertainment with on-demand fare reaches new heights in this "Wonder" commercial–directed by Traktor via production house Stink–in which a viewer shifts back and forth between Williams in a tennis match and the movie Wonder Woman 1984, yielding a Williams/Wonder Woman mashup hero combating evil tennis ball-spewing machines threatening to take over a giant mall. With racket in hand, Williams is up to the heroic task of saving shoppers and shopping.
Credits
Client DIRECTV Agency TBWAChiatDay Los Angeles Erin Riley, president; Renato Fernandez, chief creative officer; Ariel Abramovici, Bruno Acanfora, creative directors; Mark Winters, Ryan Buckley, associate creative directors; Will Holmes, art director; Tyler Archibald, copywriter; Andrew Bae, jr. art director; Yashashree Samant, jr. copywriter; Bruno Regalo, head of design; Jake Skirving, sr. designer; Andrea Nazarino, jr. designer; Guia Iacomin, director of content production; Jack Cutler, sr. producer; Brandon Loftin, associate producer; Hashi Clark, executive art producer; Jen Costello, chief strategy officer; Jesse Unger, group strategy director; Jonathan Handy, associate strategy director; Krystal Hawkins, sr. strategist; Hannan Schweitzer, jr. strategist; Laura Mayer, data director. Critical Mass Val Carlson, chief creative officer; Andrew Lavery, group creative director; James Maclean, creative director; Javier Olivares, Megahn O’Neil, associate creative directors; Ryan Mesnchuk, Megan King, sr. art directors; Taylor Lumley, art director; Ana Benitez Duarte, designer; Peter Lagosky, Melissa De Sa, sr. copywriters; Daisy Swain, copywriter; Jen Goldberg, group strategy director; Kyle Bottoms, strategy director; Sydney Woodman, executive producer; Audrie Sham, Ashleigh Fehmie, sr. producers; Vicky Patel, sr. producer; Christine Spitler, Lexi Scott, Sylvia Brach, Ethan Cole, producers. Production Stink Films Traktor, director; Daniel Bergmann, president, Mungo Maclagan, exec producer; Par M. Ekberg, DP; Leah Allina, line producer. Editorial Arcade Jeff Feruzzo, Brad Wasekwich, lead editors; Ryan Andrus, assistant editor; Alexa Atkin, exec producer. VFX JAMM, Culver City, Calif. Jake Montgomery, VFX supervisor/lead compositor; Andy Boyd, VFX supervisor/CG supervisor/lead CG; Patrick Muñoz, Lisa Kim, Flame artists; Brady Doyle, Jake Bohringer, Nuke artists; Stew Burris, animation supervisor; Zachary DiMaria, CG lead; Ben Martin, Connie Ho, Jonathan Chua, Anthony Thomas, Yuson Fuji, DeVon Beasley, CG artists; Ashley Greyson, sr. producer; Alexandra Rickards, production coordinator; Asher Edwards, exec producer; Adam Scott, colorist; Carver Moore, color assist; Anna Dood, color producer. (Toolbox: Flame, Nuke, Houdini, Maya, Baselight) Audio Post Lime Studios, Santa Monica, Calif. Matt Miller, head mixer; Ian Connie, assistant mixer; Susie Boyajan, exec producer. Sound Design String & Tins, London Culum Simpson, sound designer; Laura Leigh, producer. Music South Music and Sound, Santa Monica, Calif. Dan Pritikin, Matt Drenik, creative directors; Vladimir Berkhemer, Jon Darling, composers; Ann Haugen, exec producer; Ignacio Zax, producer
For World Cancer Day (Feb. 4), Gustave Roussy, a treatment center in France ranked number one in Europe and number four in the world in the fight against cancer, is once again speaking out through film. “Lucie” retraces the life of a young woman, from her birth, her joys, her encounters and her trials, in particular the illnesses she faced or may have faced (if not vaccinated) during her life but which did not kill her thanks to advances in science and medicine, including the discovery of her rare cancer at the age of 36.
Conceived by Publicis Conseil and directed by Jaco Van Dormael via production company Hamlet, “Lucie” takes the gamble of using almost exclusively scientific images to tell this story (scanners, MRIs, microscopes, 3D). It highlights the beauty of these images beyond their raw meaning, the poetry that can emerge from them to pay tribute to all the researchers, doctors and specialists who over the centuries have transformed what were once serious illnesses into benign ones, saving many lives in the process. Like most of us, Lucie lives her life without even thinking about all the times when science and medicine have enabled her to go on living.
“In a world where cancer affects one person in two and more and more young adults, we want to show that the disease is a stage in life from which the majority of sufferers are now recovering, thanks to scientific progress. Lucie’s story is the story of thousands of patients. This film makes Gustave Roussy, its doctors, researchers and professionals part of the history of major scientific advances,” said Professor Fabrice Barlesi, CEO of Gustave Roussy.
