Seventh Generation in partnership with agency 72andSunny New York has debuted “Trees and B’s,” a :60 musical spot with Maya Rudolph that brings to life the absurdity of cutting down trees, solely for use as toilet paper. Rudolph and her new friend, Mike the Tree, urge consumers to purchase brands like Seventh Generation that use recycled materials in their products.
Rudolph showcases her singing and musical chops in this anthem piece that premiered on NBC late night TV and will also run on social media.
Matt Piedmont of PRETTYBIRD directed "Trees and B's."
Credits
Client Seventh Generation Agency 72andSunny New York Production PRETTYBIRD Matt Piedmont, director. Editorial MackCut Erik Laroi, editor; Alyce Muhhamad, Danielle Minch, assistant editors. VFX The Mill New York Music Beacon Street Studios, Venice, Calif. Sound Design Sound Lounge, New York
Dancer turned director Ezra Hurwitz collaborates with Ailey II artistic director Francesca Harper, featuring movement as museum pieces against the Whitney Museum of American Art’s striking architecture for this short film titled Echoes of Ailey. Commissioned to celebrate “Edges of Ailey” at the Whitney Museum, the film accompanies the first large-scale exhibition on the life and enduring legacy of visionary artist and choreographer Alvin Ailey. “Edges of Ailey” is currently on view at the Whitney until February 9.
Animating iconic images from Alvin Ailey’s 20th-century repertory, the film expands on the exhibition by constructing a visual narrative around his storytelling and influences. Set to Radiohead’s “Everything In Its Right Place,” dancers from the Alvin Ailey American Dance Theater, Ailey II, and The Ailey School capture the emotional core of the company’s history--physically situating Ailey’s masterworks amongst the Whitney’s collection.
“As a child, my grandmother took me to Ailey’s Revelations once a year,” said Hurwitz. “No matter how often I saw it, the work captivated me. There isn’t one specific thing I hope viewers take away from the film--or one way to interpret its images. It’s meant to be an abstract work, like Ailey’s creations.”
Turning to his archive, Hurwitz and Harper illuminate key sequences symbolic of Ailey’s profound legacy, closing on an uninterrupted sequence from "I’ve Been Buked," the opening movement of Ailey’s legendary "Revelations." Carrying a watershed moment back to its own medium, Echoes of Ailey captures the multigenerational impact of Ailey’s work, continued by his organization. The short film first premiered on Nowness.
