A tamed down :30 of this online :60 for Kraft Heinz’s frozen food brand Devour is slated for this year’s Super Bowl.
In this uncensored version designed to generate buzz for the brand and its upcoming Super Sunday ad, a woman talks about her boyfriend’s addiction to “frozen food porn,” replete with obsessive watching of videos and a hidden stash of photos.
The Super Bowl work is from agency David Miami.
Client Kraft Heinz/Devour Agency David Miami Ignacio Ferioli, Joaquin Cubria, chief creative officers; Ricardo Casal, Juan Javier Pena Plaza, executive creative directors; Jean Zamprogno, Fernando Pellizzaro, associate creative directors; Melusi Mhlungu, sr. copywriter; Sofia Rosell, jr. art director; Veronica Beach, head of global production; Carlos Torres, sr. producer; Renata Neumann, Marina Rodrigues, producers. Production Landia Andy Fogwill, Agustin Carbonere, directors; Juan Taylor, exec producer. Laureana Ferrucci, producer; Julian Ledesma, DP; Ludmila Herms, head of production; Juan Cavia, Walter Cornas, production designers. Editorial & Online Cosmo Street Editorial Lorenzo Bombicci, editor; Yvette Cobarrubias, exec producer; Idalia Deshon, producer; Andrew Corrales, assistant editor; Tim Miller, Flame artist. Color Apache Quinn Alvarez, colorist; LaRue Anderson, exec producer. Music Beacon Street Studios Andrew Feltenstein, John Nau, composers; Adrea Lavezzoli, exec producer. Audio Post Beacon Street Studios Amber Tisue, miser; Aaron Cornacchio, mix assistant; Kate Vadnais, mix producer; Adrea Lavezzoli, exec producer.
Apple’s holiday ad--“Heartstrings,” launched ahead of International Day of Persons with Disabilities--introduces us to a father with mild-moderate hearing loss. But thanks to the clinical grade Hearing Aid feature on AirPods Pro 2, he can now hear his daughter playing the Crosby, Stills, Nash & Young classic “Our House” on her new guitar, just unwrapped on Christmas morning. The breakthrough ability to hear clearly is all the more impactful in that it comes after we journey with the dad down memory lane as he recalls his daughter’s first guitar, her birthday, her first day of school--though the sound of his flashbacks is muffled. But once he activates the Hearing Aid feature, dad can properly hear his daughter in the present--and with that even the memories can be heard clearly. “Heartstrings” was directed by Henry-Alex Rubin of production house SMUGGLER for TBWAMedia Arts Lab Los Angeles, with sound design by three-time Oscar winner Paul N.J. Ottoson who helps us experience the father’s hearing loss and then its restoration. (Ottoson won two Oscars for The Hurt Locker--for best sound mixing and best sound mixing--and another for best sound editing for Zero Dark Thirty.) Read More
