The Newport Beach Film Festival has released its official 2018 marquee trailer “Quota: Who Made the Cut.” A sci-fi drama set in a dystopian future, the trailer–directed by Jillian Martin of Untitled.tv for agency Garage Team Mazda (GTM)–features two crystal miners who are pitted against each other to achieve their mining quota, and fulfill their contract. That’s the only way they’ll be able to return home. The question–like the one facing all film entrants to the Newport Beach Fest–is “who made the cut?”
The trailer will open the festival in Newport Beach, Calif., and screen before each of the 350 films on this year’s program. The festival runs April 26 through May 3.
Festival co-founder/director of marketing Todd Quartararo said he “gave the GTM free range on the creative. After considering eight ideas, GTM and Martin’s treatment for ‘Quota’ far surpassed our expectations.”
“The festival is renown for its highly-anticipated marquee trailers, which challenge and capture people’s imaginations,” said Quartararo. “We believe the quality of our branding should be equal to the exceptional production and creative values our filmmakers bring to the festival. We set the bar high. GTM and Untitled.tv have done us proud.”
Martin, along with GTM creative director Melissa Webber and DP Robert Dalsey were inspired to write the script, eventually whittling down a nine page treatment into the three minute piece.
Credits
Client Newport Beach Film Festival Agency Garage Team Mazda, Costa Mesa, Calif. Erich Funke, chief creative officer; Melissa Webber, SVP, creative director, writer; Zak Masaki, associate creative director, art director; Jason Tucker, writer; Jeff Perino, sr. producer. Production Untitled.tv Jillian Martin, director, writer; Jim Evans, exec producer; Larry Edwards, general manager/producer; Christophe Faubert, Denny Kennedy, producers; Geoff Campbell, head of production; Robert Dalsey, DP, writer; Peter Etzweiller, assistant director; Melissa Broker, art director; David Brinkley, camera operator; Jordan Evans, data manger; Jen Eagen, wardrobe; Elizabeth Meredith, wardrobe/makeup; Zack Edwards, efects; Collin Burgess, drone pilot; Joe Makouske, Jonathen Zambella Spencer McBride, Ben Corso, riggers. Editorial jumP Editorial Betsy Beale, exec producer; Thom Reimerink, Flame artist; Erwin Fraterman, editor; Michael Wolfe, Kristin Yawata, assistant editors. VFX Method Studios Emily Irvine, lead Flame artist; Louis Schachte, Flame artist; Julia Paskert, sr. producer; Norris Houk, art director; Orey Spear, motion graphics artist; Ananda Reavis, head of production; Cara Lehr, exec producer. Color Company 3 Stefan Sonnenfeld, Stephen Nakamura, sr. colorists; Ashley McKim, exec producer; Katie Andrews, sr. producer. Audio Juice Studios Scott Burns, mixer; Vanessa Carey, producer; Dawn Redmann, exec producer. Music/Sound Design Yessian Music Andy Grush, creative director/composer; Jeff Dittenber, Mike Baluha, sound designers; David Gold, exec producer; Katie Overcash, sr. producer; Lars Makie, music supervisor; Michael Yessian, head of production, partner; Brian Yessian, chief creative officer. Casting Face In The Crowd Casting Maryclaire Sweeters, casting director. Talent Nate Scholz, Aion Boyd, Carson Bruner
Stain remover Vanish presents this emotional short film--created by BETC Havas, Sao Paulo, and produced by LOBO--that explores the profound consequences of bullying and highlights the importance of open conversations between parents and children. Titled The Bully Monster, the animated film premiered at the Maquinaria Festival in Rio de Janeiro on February 15 in a special edition featuring family-focused programming.
The filmโs protagonist is a boy who experiences bullying at school but keeps silent about his suffering. Isolation turns sadness into insecurity, creating invisible emotional scars that only grow in the absence of dialogue. When his mother notices stains on his uniform, these marks become the starting point for a revealing conversation. As words find space to make themselves heard, the stains begin to fade.
This initiative aligns with the Vanish Saves Your Uniform campaign, which, for the past three years during the back-to-school season, has engaged with parents by positioning the brand as a trusted partner in preserving school uniforms. This year, Vanish decided to broaden the conversation, bringing bullying into the debate as the real stain that can impact a childโs life.
The Bully Monster is being screened as preshow material in movie theaters starting February 20 and will also be available on streaming platforms and digital channels. In addition to the film, the campaign will include out-of-home activations and school initiatives through a partnership with Abrace โ Preventive Programs, the founding organization of the โBullying-Free Schoolsโ program, which has been equipping institutions with resources to combat school violence for 12 years.
โResearch indicates that stains on a uniform can... Read More
