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    Winter 2013 Top Ten Music & Sound Chart

    By SHOOTUpdated:No Comments5123 Views

    1:  Top Spot of the Week: Samsung’s “The Developer”

    Client:  Samsung  Agency:  Leo Burnett Shannon McGlothin, EVP/creative director; Brandon Rochon, Adam Kenney, SVPs/creative directors; Guy Seese, Brian Murphy, creative directors; Jennifer Dennis, SVP/executive producer; Gabe McDonough, VP/music director; Chris Clark, senior music producer. Production Company:  Furlined Adam Hashemi, director (who has since joined Reset); Eigil Bryld, DP; Eriks Krumins, David Thorne, executive producers; Stephen Scott, production designer.  Editorial:  Rock Paper Scissors Mikkel EG, editor.  Visual Effects:  The Mill, Los Angeles, Chicago, New York and London. Sue Troyan, executive producer; Jordan Sharon, VFX producer; La Rue Anderson, VFX producer/color; Andres Eguiguren, shoot supervisor; Tara Demarco, 2D lead artists; Josh Hatton, 3D lead artists; Adam Lambert, Jale Parsons, Sarah Eim, Margolit Steiner, 2D artists; Blake Sullivan, Isaac Irvin, Brett Angelilis, Bradley McLaughlin, 3D artists; Henrik Holmberg, Andrew Wheater, matte painting; Kyle Romaneck, Greg Park, Tom O’Neil, motion graphics; Greg Reese, colorist; Jillian Lynes, coordinator.  Music:  George Drakoulias, music supervisor.  Sound Design:  Stimmung Gus Koven, sound designer.  Audio:  Lime Studios Loren Silber, mixer.  Principal Actors:  Lionel Messi

    2:  Hennessy’s “The Man Who Couldn’t Slow Down”

    Music Q Department, New York. Q Department Song Name: “Follow The Rabbit” Sound Design Rasmus Winther Jensen, sound designer  Audio Sonic Union, New York David Papa, mixer Agency Droga5, New York Production Epoch Films, bicoastal Martin De Thurah, director.

     

    3:  Chipotle’s The Scarecrow (short)

    MUSIC/SOUND Fiona Apple’s rendition of “Pure Imagination” duotone audio group, New York
    music supervision AUDIO POST Zeitgeist Studios, Los Angeles Shawn Everett, mixer. AGENCY Creative Artists Agency (CAA), Los Angeles PRODUCTION Moonbot Studios, Shreveport, Louisiana

    4:  Pepsi MAX’s Uncle Drew, Chapter 3 (short)

    MUSIC/SOUND Beacon Street Studios, Venice, Calif. John Nau, Andrew Feltenstein, Colin Wolfe, composers; Mike Franklin, sound designer; Leslie DiLlullo, head of production; Adrea Lavezoli, exec producer. AUDIO POST Beacon Street Studios Mike Franklin, mixer. AGENCY Davie Brown Entertainment, Los Angeles PRODUCTION O Positive, bicoastal Jonathan Klein, director.
     

    5:  Intel’s “Award”

    MUSIC/SOUND Elias Arts, bicoastal Mike Fraumeni, composer; Brent Nichols, executive creative director; David Gold, head of production; Katie Overcash, producer; Ann Haugen, exec producer. AUDIO POST One Union Recording, San Francisco Joaby Deal, mixer AGENCY Venables Bell & Partners, San Francisco PRODUCTION Farm League, Venice, Calif. Britton Caillouette, director.

    6:  Gillette’s “Training Tracks”

    MUSIC/SOUND Phil Mossman & Liv Spencer, music. Henryboy, Brooklyn, NY Bill Chesley, sound designer AUDIO POST Final Cut, New York T. Terressa Tate, mixer. AGENCY BBDO New York PRODUCTION Partizan, bicoastal/international Michel Gondry, director.

    7:  Top Spot of the Week: NBA’s “Jingle Hoops”

    Client:  National Basketball Association (NBA)  Agency:  Goodby, Silverstein & Partners Jeff Goodby, executive creative director; Nick Klinkert, Adam Reeves, creative directors; Rus Chao, associate creative director/copywriter; Kevin Koller, associate creative director/art director; Benton Roman, producer; Tod Puckett, executive producer; Cindy Fluitt, director of broadcast production.  Production Company:  O Positive Films Jonathan Klein, director; Ralph Laucella, exec producer; Angie Revell, line producer; Eric Steelberg, DP.  Editorial:  Final Cut Matt Murphy, editor; Tara Wall, Nate Connella, assistant editors; Suzy Ramirez, producer; Saima Awan, exec producer.  Visual Effects:  MPC (The Moving Picture Company)
    Jake Montgomery, VFX supervisor/2D lead; Brendan Smith, Will Voss, Nuke; Eric Pascarelli, shoot supervisor; Casey McIntyre, design/animation; Juliet Tierney, sr. producer; Asher Edwards, exec producer.    eLevel. Brady Baltezore, creative director; Chris Carmichael, 2D artist.  Music:  Barking Owl, West Los Angeles. Kelly Bayett, creative director; Michael Anastasi, sound designer; Whitney Fromholtz, producer.  Audio:  Barking Owl, West Los Angeles. Brock Babcock, audio engineer.

    8:  NBC Blacklist’s “Classified” (promo)

    MUSIC/SOUND Yessian Music, NY/Detroit/L.A./Hamburg Jeff Dittenber, sound designer; Brian Yessian, chief creative officer; Gerard Smerek, exec producer; Michael Yessian, head of production. AUDIO POST Yessian Music, Detroit. Jeff Dittenber, mixer. AGENCY NBC, Burbank, Calif. PRODUCTION NBC Studios, Burbank. Kendall Bowlin, director.

    9:  Diageo/Ketel One’s “Name”

    MUSIC/SOUND Track: Devan Dubois-"Too Many Aces" AUDIO POST Heard City, New York Phil Loeb, mixer; Gloria Pitagorsky, exec producer. AGENCY Grey New York Zach Pollakoff, sr.  music roducer; Amy Rosen, director of licensing; Josh Rabinowitz, director of music. PRODUCTION @radicalmedia, bicoastal/international Derek Cianfrance, director

    10:  Time Warner Cable’s “Crazy”

    MUSIC/SOUND JSM Music, Inc. Joel Simon, creative director/exec producer; Doug Katsaros, composer. AUDIO POST Heard City, New York Keith Reynaud, mixer. AGENCY Ogilvy & Mather, New York Karl Westman, music producer. PRODUCTION Station Film, bicoastal David Gray, director


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