1:  University of Phoenix “We Can Do It”

Music/Sound: Beacon Street Studios, Venice, Calif. Andrew Feltenstein, John Nau, composers; Adrea Lavezzoli, Leslie DiLullo, exec producers; Lindsey Lerman, producer; Amber Tisue, sound design; Kate Vadnais, sr. producer. Good Ear Music Supervision, bicoastal Track: “Dreams” by the Cranberries Audio Post: Beacon Street Studios, Venice, Calif. Amber Tisue, mixer; Kate Vadnais, sr. mix producer Agency: 180LA Production: Hornet, New York Dan Abdo, Jason Patterson, directors Visual Effects/Animation: Hornet, New York; Hana Shimizu, EP; Sang-Jin Bae, head of prodn; Kristin Labriola, development producer; Nikke DiCesare, producer; HyeSung Park, art dir; Stephanie Andreou, editor; Kendelle Hoyer, storyboard artist; Aiden Sugano, character designer; Christina Faulkner, designer; Riley Spencer, coordinator; Richard G. Kim, CG lead, ltg & render TD; Fred Kim, lead compositor; David Soto, Pedro Conti, character modelers; Michael Altman, character TD-animator; Javier Leon, Esau Perez, Marta Pomb, Javier Jaen & Isabel Garciad, environment modelers; Gabe Askew, FX TD; Matt Parent, Andrew Boccio, previs artists; Roman Kobryn, lead animator; Ozan Basaldi, Hee-Jin Kim, animators; Aaron Baker, Christine Kim, ltg & rendering; Elizabeth Ku-Herrero, texture & look dev. artist; Dark Hoffman, matte painter; Shawn King, colorist. (Toolbox: Maya, Nuke, Adobe Creative Suite, Resolve, Vray)

2:  Clear’s “Butoh—Bridezilla”

Music/Sound: Yessian Music, New York Brian Yessian, chief creative officer; Michael Yessian, head of production; Mike Dragovic, composer; Weston Fonger, sound designer. Audio Post: Vinyl Mix, New York Weston Fonger, mixer Agency: Mullen Lowe Singapore Erick Rosa, executive creative director; Shengjin Ang, Daniel Kee, creative directors; Fuzzy Abideen, producer. Production: Bullet Production, Bangkok James Teh, director Editorial OMG Post/Bangkok Adam Hussey and Lester, editors. Postproduction The Post Bangkok

3:  Goodby Silverstein, Director Johnny Green Team On Specialized Foundation’s “Outride ADHD”

Client The Specialized Foundation Agency Goodby Silverstein & Partners Rich Silverstein, co-chairman; Roger Baran, Sam Luchini, creative directors; Nando Sperb, art director; Caroline Cappelli, copywriter; Tod Puckett, director of production; Benton Roman, executive producer. Production Tonic Films Johnny Green, director; Susan Neill, exec producer; Arturo Arroyo, line producer; Michael Gioulakis, DP; Monica Bidault, production designer. Editorial Work Editorial Neil Smith, editor; Keith Hamm, Ellie McNaughtan, cutting assistants; Marlo Baird, exec producer; Brandee Probasco, producer. Color Company 3 Sofie Borup, colorist; Alexandra Lubrano, color producer. VFX The Mill LA Tim Rudgard, VFX supervisor/2D lead artist; Felix Urquiza, VFX supervisor/3D lead artist; Ashley Forbito, Jake Albers, Jeff Langlois, Brett Lopinksy, Matthew Dobrez, Becky Porter, Bill Higgins, John Shirley, 2D artists; Tom Graham, 3D lighting lead; Juan Zavala, Juan Salazar, Katie Yoon, Daniel Soo, Jacob Bergman, Katie Yancie, Nole Murphy, Mathew Iongwell, Bridget Warrington, 3D artists; Greg Park, Sasha Vinogradova, Patrick Kipper, design; Erin Hicke, sr. producer; Sumer Zuberi, producer; Sardor Kaziyev, production coordinator; Bradley Rhone, Gary Marschka, art support. Music/Sound Q Department Audio Post Lime Studios Rohan Young, mixer; Susie Boyajan, exec producer.

4:  MJZ’s Matthijs Van Heijningen Helms “The Arrival” For Kia, David&Goliath

Client Kia Motors Agency David&Goliath, Los Angeles David Angelo, founder & chairman; Bobby Pearce, chief creative officer; Gustavo Sarkis, executive creative director; Basil Cowieson, James Cohen, creative directors; Paul Albanese, director of broadcast production; Curt O’Brien, executive broadcast producer. Production MJZ Matthijs Van Heijningen, director; Eriks Krumins, sr. exec producer; Donald Taylor, producer. Editorial Work Editorial Jono Griffith, editor; Mario Baird, exec producer; Brandee Probasco, producer; Josh Sasson, assistant editor. VFX JAMM Andy Boyd, VFX supervisor/lead CG; Jake Montgomery, VFX supervisor/lead compositor; Brian Hajek, lead compositor; Patrick Munoz, Mark Holden, Flame artists; Dylan Brown, Nuke artist; Brian Burke, Zachary DiMaria, Kristen Eggleston, Nha Ca Chau, JT Lawrence, Steward Burris, Joshua Merck, Ty Coyle, Jordan Harris, Joel Durham, George Saavedra, CG artists; Ashley Greyson, producer; Asher Edwards, EP. (Toolbox: Flame, Nuke, Maya, Houdini) Color MPC Mark Gethin, colorist; Meghan Lang, exec producer. Music Editing/Sound Design stimmung Rory Doggett, creative director; Gus Koven, sound designer; Kristina Iwankiw, exec producer. Licensed Music “Ace of Spades” by Motorhead Audio Post Margarita Mix, Santa Monica, Calif. Nathan Dubin, mixer.

5:  Tim Godsall Directs Kevin Durant In “Debate This” For Nike, W+K

Client Nike Agency Wieden+Kennedy, Portland, Ore. Alberto Ponte, Ryan O’Rourke, creative directors; Dan Viens, interactive director; Josh Bogdan, copywriter; Pedro Izique, art director; Matt Hunnicutt, integrated production director; Jake Grand, sr. integrated producer; Candice Harbour, production associate; Reid Schilperoort, Nathan Goldberg, Andy Lindblade, strategy. W+K Studio Tim O’Brien, Deb Lee. Emily Norman, creative management. Production Anonymous Content Tim Godsall, director; Eric Stern, exec producer; Brady Vant Hull, line producer; Darko Suvak, DP. Editorial Arcade Geoff Hounsell, editor; Laura Sanford, assistant editor; Alexa Atkin, post producer; Damian Stevens, managing partner; Crissy DeSimone, exec producer. VFX, Design & Color The Mill Anastasia Von Rahl, exec producer; Alana Giordano, production coordinator; John Shirley, lead artist; Phil Millberger, Flame artist; Adam Scott, colorist; Thatcher Peterson, exec producer/color; Diane Valera, color producer. Music/Sound Design Barking Owl Kelly Bayett, creative director/partner; Ashley Benton, producer; Morgan Johnson, sound designer; Houston Fry, music sweetening. Licensed music: “Shimmy Shimmy Ya” by Old Dirty Bastard  Audio Post Lime Studios Zac Fisher, mixer; Susie Boyajan, exec producer.

6:  Director John Singleton Connects On The Metro For AECOM, Battery

Client AECOM Agency Battery Phil Khosid, chief creative officer/co-founder; Raymond Hwang, Scott Brown, VP/creative directors; Joanna Rhodes, executive producer; Kristine Ling, sr. producer; Mackenzie Busch, producer. Production @LArge Productions John Singleton, director; Beth Aranda, exec producer; Paul Alcus, line producer. Editorial Metro Pictures Editorial Paul Norling, editor; Heather Bartholomae, assistant editor; Mary Stasilli, exec producer. Color The Mill Adam Scott, colorist; Thatcher Petersen, exec producer; Diane Velara, producer. Music/SFX SOUTH Music & Sound Design, Santa Monica, Calif. Audio Formosa and Margarita Mix Hollywood John Bolen, mix engineer (Formosa); Lauren Cascio, exec producer (Formosa); Michael Greenberg, mix engineer (Margarita Mix); Patrick Knight, exec producer (Margarita Mix). Footage Port Authority New York and New Jersey; NASA, Kennedy Space Center, Florida, USA; Footage Courtesy of The Los Angeles County Metropolitan Transportation Authority (Metro)

7:  CP+B Goes Back To School With “Magic Marker” For Fruit of the Loom

Client Fruit of the Loom Agency CP+B, Boulder, Colo. Ralph Watson, VP, chief creative officer; KT Thayer, creative director; Sean Wright, sr. art director; Maria Snell, sr. copywriter; Jamie Slade, integrated producer, video; Madison Morris, content supervisor. Production Elastic, Santa Monica Paul Mitchell, director; Luke Colson, exec producer; Kelly Christensen, producer. Editorial Rock Paper Scissors, Los Angeles Austyn Daines, editor; Rana Martin, exec producer; Denice Hutton, producer. VFX  a52, Santa Monica, Calif. Jesse Monsour, VFX supervisor; Manny Guizar, CG lead; Richard Hirst, Michael Vaglienty, 2D VFX artists; Phiphat Pinyosophon, Tom Briggs, Mike Bettinardi, Michael Cadenas, 3D artists; Cathy Shaw, roto; Gabe Sanchez, Flame assist; Meredith Cherniack, Michael Steinmann, producers; Patrick Nugent, Kim Christensen, EPs; Linda Carlson, Jennifer Sofio Hall, managing directors; Paul Yacono, colorist; Chris Riley, color assist; Jenny Bright, color producer. (Toolbox: Flame, Maya) Music JSM, New York Joel Simon, chief creative officer/composer; Nathan Kil, composer; Jeff Fiorello, exec producer; Norm Felker, producer. Audio Post Lime Studios, Santa Monica, Calif. Mark Meyuhas, mix engineer; Peter Lapinski, mix engineer assistant; Susie Boyajan, exec producer. Sound Design Machine Head, Los Angeles Kip Smedley, sound designer; Stephen Dewey, creative director; Patty Chow Dewey, exec producer

8:  Cisco’s “Defined”

Music/Sound: BANG, New York Timo Elliston, composer/sound designer; Viliam Beres, composer; Brad Stratton, exec producer Audio Post: Sound Lounge, New York Tom Jucarone, Glenn Landrum, mixers Agency: Ogilvy & Mather, Chicago Karl Westman, agency music producer Production: PYTKA, Los Angeles Joe Pytka, director

9:  Volvo’s “Happy”

Music/Sound: Music: “Wasp” by Feral Townhouse Music, New York Ben Dorenfeld, music producer; Josh Rabinowitz, director of music; Heard City, New York Keith Reynaud, sound designer Audio Post: Heard City, New York Keith Reynaud, mixer Agency: Grey New York Production: Biscuit Filmworks, Los Angeles Dan DiFelice, director

10:  Yoplait’s “Anthem”

Music/Sound: tonefarmer, New York Dan Sammartano, composer; B Munoz, producer. Audio Post: Heard City, New York Keith Reynaud, Evan Mangiamele, mixers Agency: 72andSunny, New York/Los Angeles Production: Bob Industries, Santa Monica, Calif. Nicole Holofcener, director