1:  Gatorade’s “Sisters in Sweat”

Client: Gatorade
Agency: TBWA, USA
Agency Producer: Ian Mitchell
Creative Directors: Mark Peters, Kirsten Rutherford
Production: Tool of North America
Director: Jaci Judelson
Director of Photography: Danny Hiele
Edit: Matt Lee
Editor: Chris Murphy
Music Production and Sound Design: Pivot Audio
Executive Producers: Neil Devlin, Jonas Holst
Music Producer: Guy Amitai
Vocals: Dana Winter
Arrangement: Roma Otto
Sound Designer: Lawrence Horne

2:  Mercedes-Benz’s “King of the Jungle”

Music/Sound: Yessian Music, Hamburg and New York Ingmar Rehberg, exec producer; Uli Witt, sr. producer; Lukas Lehmann, producer; Brian Yessian, chief creative officer; Michael Yessian, head of production Audio Post: Yessian Music, Hamburg; Max Fritz, sound designer Agency: Antoni/Berlin Production: Markenfilm, Hamburg; Rattling Stick, London' Daniel Kleinman, director

3:  Amazon’s “Bears vs. Packers”

Music/Sound: Beacon Street Studios, Venice, Calif. Beacon Stret Studios, composers; Leslie DiLullo, Adrea Lavezzoli, executive producers; Lindsey Lerman, producer. Eleven Sound, Santa Monica, Calif. Jeff Payne, sound designer; Melissa Elston, executive producer Audio Post: Eleven Sound, Santa Monica, Calif. Jeff Payne, mixer; Melissa Elston, executive producer Agency: CP+B L.A. Production: Biscuit Filmworks, Los Angeles; Andreas Nilsson, director

4:  Land Rover’s “White Christmas”

Music/Sound: SOUTH Music + Sound Design, Santa Monica, Calif. Audio Post: Barking Owl, West Los Angeles; Mike Franklin, mixer Agency: Spark 44, Los Angeles Production: Smuggler, bicoastal; The Guard Brothers, directors

5:  Honda’s “Evolution”

Music/Sound:  Shindig Music + Sound, Playa del Rey, Calif. Scott Glenn, creative director; Debbi Landon, exec producer; Caroline O’Sullivan, head of production; Dan Hart, music editor. Audio Post: Lime Studios, Santa Monica, Calif. Sam Casas, mixer Agency: MUSE USA, Santa Monica, Calif. Production: Contrast Eye, Venice, Calif. Pascal Heiduck, director

6:  Verizon FIOS’ “Dark Ages”

Music/Sound: JSM Music, New York; Joel Simon, chief creative officer/composer; Brian Englishman, Nathan Kil, composers; Jeff Fiorello, exec producer; Norm Felker, producer. Audio Post: Sonic Union, New York; Paul Weiss, mixer Agency: McCann New York Production: Smuggler, bicoastal; Henry-Alex Rubin, director

7:  Post Bellum’s “Veteran’s Day”

Music/Sound: BANG, Prague; Viliam Béreš, composer; BEEP, Prague; Lukáš Moudrý, sound designer Audio Post: BEEP, Prague; Lukáš Moudrý, mixer Agency: Y&R, Prague Production: Bistro Films, Prague; Marek Partyš, director

8:  Period Equity’s “Periods are Not a Luxury. Period.”

Music/Sound: Amber Music, New York; Mike Perri, producer/music supervisor; Michelle Curran, exec producer/creative director Audio Post: Heard City, New York; Jodi Levine, mixer Agency: J. Walter Thompson New York Production: The Sweet Shop, Hollywood, Calif. Melanie Bridge, director

9:  Director Terence Neale, JohnXHannes Rise “Above The Noise” For Beats by Dre

Client Beats By Dr. Dre Agency JohnXHannes New York Hannes Ciatti, John McKelvey, executive creative directors/co-founders; Matt Bonin, head of production; Dan Koeger, Pierre Janneau, creative directors. Production Park Pictures Terence Neale, director; Jackie Kelman-Bisbee, Scott Howard, exec producers; Anne Bobroff, head of production; Tim Kerrison, Dougal Meese, Youree Henley, producers; Alexis Zabe, DP. Editorial Cartel Leo Scott, Chris Catanach, editors. Color Company 3 Tom Poole, colorist. Finishing a52 Music Ruel’s “Don’t Tell Me” Audio Beats By Dr. Dre Josh Eichenbaum, mixer.

10:  Director Steve Rogers, Venables Bell & Partners Meet In “Parking Lot” For Audi Holiday Spot

Client Audi of America  Agency Venables Bell & Partners, San Francisco Paul Venables, founder/chairman; Will McGinness, partner, executive creative director; Justin Moore, Erich Pfeifer, creative directors; Tedd Wood, copywriter; Cody Pate, art director; Craig Allen, director of integrated production; Hilary Coate, producer. Production Biscuit Filmworks, Los Angeles Steve Rogers, director; Shawn Lacy, Holly Vega, exec producers; Karen O’Brien, line producer; Alwin Kuchler, DP. Editorial Exile Kirk Baxter, editor; Paul Jarolimekproner, assistant editor; CL Weaver, exec producer; Remy Foxx, producer. VFX/Finish Electric Theatre Collective, Santa Monica, Calif. Adam Watson, VFX lead supervisor; Kate Hitchings, VFX exec producer; Scott Boyajan, VFX producer; Adam Watson, Eric Mason, Dave Damant, Kevin Jones, Brian Magarian, Phoebe Britton, Gretchen Capatan, James Aguilar, James Gorman, Mikey Smith, Nicholas Hiegel, Steve Miller. 2D artists; Dark Hoffman, digital matte painter; Corinne DeOrsay, CG supervisor. (Toolbox: Houdini, Flame, Nuke) Color Company 3, Santa Monica Stefan Sonnenfeld, colorist; Katie Andrews, color producer. Music Barking Owl Kelly Bayett, creative director/partner; KC Dossett, producer; Barking Owl, arranger; Wylie Statemen, Harry Cohen, sound designers. Music “Carol of the Bells” by Peter J. Wilhousky Audio Post Barking Owl, West Los Angeles Mike Franklin, mixer.