1: Top Spot of the Week: Samsung’s “The Developer”
Client: Samsung Agency: Leo Burnett Shannon McGlothin, EVP/creative director; Brandon Rochon, Adam Kenney, SVPs/creative directors; Guy Seese, Brian Murphy, creative directors; Jennifer Dennis, SVP/executive producer; Gabe McDonough, VP/music director; Chris Clark, senior music producer. Production Company: Furlined Adam Hashemi, director (who has since joined Reset); Eigil Bryld, DP; Eriks Krumins, David Thorne, executive producers; Stephen Scott, production designer. Editorial: Rock Paper Scissors Mikkel EG, editor. Visual Effects: The Mill, Los Angeles, Chicago, New York and London. Sue Troyan, executive producer; Jordan Sharon, VFX producer; La Rue Anderson, VFX producer/color; Andres Eguiguren, shoot supervisor; Tara Demarco, 2D lead artists; Josh Hatton, 3D lead artists; Adam Lambert, Jale Parsons, Sarah Eim, Margolit Steiner, 2D artists; Blake Sullivan, Isaac Irvin, Brett Angelilis, Bradley McLaughlin, 3D artists; Henrik Holmberg, Andrew Wheater, matte painting; Kyle Romaneck, Greg Park, Tom O’Neil, motion graphics; Greg Reese, colorist; Jillian Lynes, coordinator. Music: George Drakoulias, music supervisor. Sound Design: Stimmung Gus Koven, sound designer. Audio: Lime Studios Loren Silber, mixer. Principal Actors: Lionel Messi
2: Intel/Toshiba’s “The Power Inside”
Agency: Pereira & O'Dell PJ Pereira, chief creative officer; Jaime Robinson, executive creative director; Jason Apaliski, creative director; Ross Cavin, Neil Ramanan, copywriters; Chris Adams, Brett Beaty, art directors; Jeff Fero, VP of production; Bill Spangler, film producer. Production Company: Furlined,Tool of North America Will Speck, Josh Gordon, directors; Diane McArter, David Thorne, exec producers; Jan Wieringa, producer; Matt Robinson, writer; Jo Willems, DP.,(Interactive production partner on project) Ben Tricklebank, interactive director; Dustin Callif, Brian Latt, Oliver Fuselier, exec producers; Matt Gase, sr. art director; Tatum Cardillo, designer; Bartek Drozdz, creative technologist; Joy Kuraitis, head of digital production; Kim Zaninovich, sr. interactive producer. Visual Effects: Zoic Studios Cally Morton, exec producer; Robb Moggach, creative director; Matt Olmon, VFX producer. Music: Elias Arts David Gold, head of production; Brent Nichols, creative director/composer; Jonathan Elias, Michael Fraumeni, Kimo Kemp, Sarah Trevino, composers; Ann Haugen, exec producer. Audio: POP Sound Rusty Dunn, Chris Pinkston, sound designers; Peter Rincon, Michael Miller, mixers.
3: Top Spot of the Week: Verizon’s “Science Project”
Production Company: O Positive Films Jim Jenkins, director; Larry Fong, DP; Ralph Laucella, executive producer/line producer; Jason Edmonds, production designer. Postproduction: Charlex, Inc.,Nice Shoes Dade Orgeron, creative director; Kyle Derleth, lead compositor; Aras Darmawan, designer; Chris West, Shuyi Wu, 2D animation; Ken Music, 3D Animation; James Fisher, lighting lead; Will Atkin, Dennis Kozyrev, lighting TDs; Hung Ma, modeling lead; Steve Mann, rigging lead; Andre Stuppert, rigger; Salar Saleh, CG supervisor; Alex Jarman, EP/telecommunications; Steve Chiarello, VFX supervisor; Ryan Dunn, executive creative director. ,Lez Rudge, colorist. Visual Effects: The Embassy Visual Effects, Vancouver, B.C. Winston Helgason, VFX supervisor/producer; Stephen Pepper, VFX supervisor. Music: Stimmung Kristina Iwankiw, producer; Robert Lopez, composer. Sound Design: henryboy Bill Chesley, Matthew Hedge, sound designers; Kate Gibson, exec producer. Audio: Sonic Union Paul Weiss,
4: Hennessy’s “The Man Who Couldn’t Slow Down”
5: Miracle Whip’s “Keep An Open Mouth”
Production Company: Anonymous Content Brian Billow, director; Eric Stern, sr. exec producer; SueEllen Clair, exec producer; Paul Ure, producer; Darren Tiernan, DP. Editorial: Optimus Julie Kravitz, editor Music: Beacon Street Studios Andrew Feltenstein, John Nau, composers; Adrea Lavezzoli, producer; Dana Nielsen, engineer. Audio: Optimus Joel Anderson, mixer.