Creamsource introduces LNX, the new rigging system for the Vortex Series.
Creamsource, developers of artisan-quality cinema lighting, introduced LNX (pronounced Lynx), an entirely new rigging system for its Vortex series LED fixtures. Designed to bring consistency and cohesiveness to a historically disordered aspect of lighting, LNX simplifies rigging and cabling with a series of purpose-built clamps and pins for the Vortex Series. LNX enables Rigging crews to quickly assemble uniform/aligned arrays of Vortex fixtures with minimal gap between units with multiple latches and auto-locking features that ensure the safety of operators and anyone under the rig at all times. Designed to withstand heavy usage, relocation, high levels of vibration and wind loading, the system is a perfect complement to Vortex series fixtures which are known for their durability and flexibility.
SPW CreditsA short film written and directed by Storm Ashwood.
EP - Mark Naidoo, Director - Storm Ashwood, DOP - Borce Damcevski, 2nd UNIT DOP - Yael Naidoo, Production Manager - Isabelle Miranda, 1st AC - Nathan Damcevski, 2nd AC - Jamie Damcevski, Gaffer - Aaron Ashwood, Rigging Gaffer - Finbarr Collins, Best boy - Connor, Digital ART LED Volume - Brooke Benton-Smith, Board Operator - Sasha Marks, Safety Officer - Jackie Murray, Set Builder - Charbel Azar, Make Up - Leora Bekk, Wardrobe/seamstress - Ta Ashwood, Wardrobe - Layla Naidoo, Standby Props - Junior Tailo, Standby Props - Darren O'shea, Production Assistant - Jason Naidoo, Production Assistant - Isabelle Watson, BTS Still - Chanel Naidoo
Post Production
Edit - Hieu Nguyen, Colour Grade - Tim Wreyford, Music Composer - Jason Fernandez, Sound Design/Mix - Sam Gain-Emery, Visual Effects - Hieu Nguyen
Cast
Main Samurai - Hiroshi Kasuga, Warrior - Daniel Tuiara, Mother - Saki Toh, Daughter - Sasha Tan
Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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