In a project for 20th Century Fox spanning nine months, Roundabout Entertainment restored and remastered the first eight seasons of the classic procedural police drama NYPD Blue. More than 170 1-hour episodes were scanned and finished in 2K, restoring the show to pristine quality for a new domestic release. The new restoration was created from 35mm cut negative—the first eight seasons were shot on film—and other original elements. 2K scanning was performed by Roundabout Colorist Juan Zorn using Lasergraphics archive scanning system The Director. Reassembling episodes to conform to the series’ original broadcasts proved complicated as the cut negative often did not entirely match videotape reference copies of what actually aired. Senior Colorist Michael Smollin, who led the restoration project and worked on the original series in the 1990s as a young assistant, explains that the discrepancies were the result of last minute editorial changes.
SPW Credits20th Century Fox
Created by David Milch and Steven Bochco.
Restoration by Roundabout Entertainment
Senior Colorist Michael Smollin
Colorist Juan Zorn
Executive Director Mastering and Restoration Ron Smith
Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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