You killed his son. Now Oryx, The Taken King, wants revenge. Gather your Fireteam and take on the greatest threat this universe has seen with Destiny: The Taken King on 9/15.
Activision, Bungie, 72andSunny, Digital Domain, RESET and Hollywood director Joseph Kosinski partner once again to create the Blockbuster-worthy live-action trailer to launch Destiny: The Taken King, the first major expansion to the Destiny universe. The action-packed “Evil’s Most Wanted” promo makes its broadcast debut on September 10 during the NFL season opener between the New England Patriots and Pittsburgh Steelers.
SPW CreditsSpot title: Destiny “Evil’s Most Wanted”
Product: Bungie/Activision “Destiny” Air Dates: 9/10/15
Game Developer: Bungie Studios
Matt Kelly Senior Technical Animator, Bill O’Brien Cinematic Designer/Animator
Game Publisher: Activision Publishing, Inc.
Eric Hirshberg Chief Executive Officer, Tim Ellis Chief Marketing Officer, Todd Harvey Senior VP of Consumer Marketing, Matt Small VP of Consumer Marketing, Alonso Velasco Senior Manager of Consumer Marketing, Pam Piscitello Consumer Marketing
Agency: 72andSunny
John Boiler Chief Executive Officer, Glenn Cole Chief Creative Officer, Matt Jarvis Chief Strategy Officer, Frank Hahn Executive Creative Director, Tim Wolfe Creative Director, Peter Vattanatham Creative Director, Evan Brown Lead Writer, Jack Lagomarsino Writer, Ryan Dols Designer, Dan Ruth Executive Film Producer, Dave Stephenson Senior Film Producer, Mike Parseghian Group Brand Director, Nate Shamban Brand Director, Travis Cross Brand Manager, Hector Romero Brand Coordinator, Alex Lebosq Business Affairs Director, Kelly Ventrelli Business Affairs Manager, Ashley Pesses Business Affairs Coordinator,
Production Company: Reset Content
Joseph Kosinski Director, Dave Morrison Managing Director, Jeff McDougall Executive Producer, Jennifer Ingalls Bidding Producer, Amanda Clune Head of Production, Julien Lemaitre Producer, Mark Berger Production Supervisor, Claudio Miranda Director of Photography' Chris Jones Production Designer
Visual Effects and Color Grading by: Digital Domain
Eric Barba Chief Creative Officer/ Senior VFX Supervisor, Dan Akers VFX Supervisor, Tiffani Manabat VP & Executive Producer, Carla Attanasio Senior Producer' Charles Bolwell Digital Production Manager, Lee Carlton CG Supervisor, Vinh Nguyen Compositing Supervisor, Scott Meadows Pre-Visualization Supervisor, Jon Green Environments/Matte Paint Lead, Daisuke Nagae CG Lead, Roy Sato Animation Lead, Som Shankar Data Integration Lead, Eddie Smith FX Lead, Nathalie Gonthier Roto/Paint Lead, Kym Olsen Look-Dev Compositor, Jason Selfe Compositor, John Sasaki Compositor, Joe Salazar Compositor, Nitant Karnik Compositor, Aruna Inversin Compositor, Joe Silva Compositor, Dave Takayama Compositor, Thomas Bruno Pre-Visualization, Ari Teger Animation, Ruel Smith Animation, Eric Ebling FX, Kent Lidke FX, Bernard Ceguerra Digital Artist, Asuka Tohda-Kinney Digital Artist, Brian Creasey Digital Artist, Kris Kelly Digital Artist, Shuichi Suzuki Digital Artist, Lina Hum Digital Artist, Sarah Cosmi Digital Artist, Ricardo Bonisoli Digital Artist, Tsai-Tzu Cheng Digital Artist, Rick Fronek Character/Cloth FX Artist, Walt Hyneman Rigging, Zach Mandt Environments/Matte Painter, Holly Horter Roto/Paint, Melissa Huerta Roto/Paint, David Wilson Roto/Paint, Dawn Gates-Wells Roto/Paint, Edgar Diaz Roto/Paint, Jon Aghassian Data Integration, Jim Moorhead Data Integration, John Giffoni Data Integration, Ian Doss On-Set/Data Integration, Nick Lloyd Concept Artist/Modeler, Cody Williams Art Director/AFX, Andy Davis Flame Artist
Editorial: Work Post
Marlo Baird Executive Producer, Jono Griffith Editor
Music/Sound Design: Lime Studios
Led Zeppelin “Black Dog”
Tagging/Localization: Method Studios
Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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