D4TM’ was shot in September 2019, and ironically it seems to have become more relevant in our “post-COVID” world. ‘D4TM’ highlights the notion that many are dependent on pharmaceuticals to function, often over-medicated and just left to their own devices. In the wake of the COVID-19 crisis we are bombarded with fear, putting many at risk to fall deeper into despair and turn to mind/mood altering drugs. With every passing day we take another step further into what eerily resembles the apocalyptic dystopian sci-fi world we see in movies. Perhaps, like in the video, the next step will be for us all to be microchipped and controlled? On the positive side, much of the world is now waking up and we have the opportunity to make decisions that are better for our own and our planet’s future.
ODDKO’s message in “D4TM” is that being healthy often requires far more work than just taking a pill. Living a healthy lifestyle and taking responsibility for one’s condition often brings the best results. But if you are still looking for a miracle cure you may want to consider volunteering in the next round of human trials for “D4TM.” Don’t worry about what’s in “D4TM,” take the band’s word for it, it’s legit!
SPW Credits“D4TM” Credits: Produced by Void n’ Disorder Director: Giovanni Bucci Editing: Giovanni Bucci Executive Producer: Paola Rocchetti Cinematography: Michael Pescasio 2nd DoP: Francesco Pennìca, Jacob Alvarado, Giovanni Bucci Drone Pilot: Jacob Sarfaty VFX / Compositing: Giovanni Bucci Gunshots / explosions: Mrinal Dutta, Dmytro Kubriak Rotoscoping: Uygar Gurkan 3D: Giovanni Bucci Colorist: Gabe Sanchez Makeup for ODDKO: Paola Rocchetti Graphic Design (D4TM Propaganda Poster): Paola Rocchetti Equipment: P-Light Inc, Stranirumori Studio, Void n’ Disorder. RC ODDKO car design: Giovanni Bucci RC car build: Luke Claxton, Chris Cormalis RC car drivers: Luke Claxton, Marlin Davila CAST Francesco Paoli, Gideon Obsidian, Giovanni Bucci, Jesse Gee, Jake Mckinnon, Bruce D. Mitchell, Ethan Zahn, Paola Rocchetti, Kai Norman, Vivid Vivka, Brett Stern, Cami Throttle Rothmuller, Verona Blue, Garrett Mells, Mark Henry, Kelly McMinn, Mayland Clinton, Noah Wiehn, Jennifer VanHuysen, Matthew VanHuysen, Tyrell Kujala, Del Bob Long, Carrie Risedorf, Sparky Racewey Potter, Alexandra "Atypi" Johansson, Burke Roberts, Tyler Mackie, Burke Roberts, Ace McGaw "Dead Dog", Steve Hornbek, Genevieve Linde, Benny Hadley, Samm Hall, Candice Sanderson, Nicole Elizabeth Laabs, Mike Porch, Magpie Bones, Travis Long, Del Lons, Claire Smitty, Dawn Glover "Runt", Wes Fenton, Ofer Ashkenazy , Bruce Boyd, Graf Holzfeuer, Vielmehr Klampfe, Gellend Adler FILMING LOCATIONS Wasteland Weekend Green screen scenes filmed at Strani Rumori Studio. Drums on green screen filmed at Studio Teclas. MUSIC D4TM is written and performed by Giovanni Bucci Music arrangement: Daniele Marinelli, Rob Romano Drums: Francesco Paoli Bass: Dave Tavanti Guitar: Giovanni Bucci, Rob Romano Sound engineer: Rob Romano Mastering: Howie Weinberg TOOLS USED Shot with: Red Dragon, Canon Cinema C300 Mark II, Sony Alpha a7S II, Canon Cinema Prime Lens and regular EF Software: After Effects, Premiere, Photoshop, Illustrator, Nuke, DaVinci Resolve, Pro Tools.
Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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