Audio Post Producer, Bob Pomann and Supervising Sound Editor, Justin Kaupp of the Emmy® award-winning Manhattan based audio post house, Pomann Sound, {EST. 1984} completed the mix and sound design for all 20+ episodes of Season 1 of the Apple Original Animated Series, Duck & Goose.
On July 8th, 2022, Apple TV+ kicked off their all-new summer shows with the highly praised animated series, Duck & Goose, as part of their kids’ series lineup. Inspired by the New York Times bestselling books by Tad Hills, the preschool series celebrates the unique friendship of Duck & Goose, two best feathered friends that don’t always see beak to beak.
With a target audience of Pre-K/Kindergarten, an age of easy distraction, Pomann’s approach to the sound was both streamlined and purposeful. The show takes place outdoors in a meadow by a stream. The creative intention was to keep the environment peaceful and serene. Understanding the science behind sound and how it can be manipulated, Kaupp created a lush ambience with character. It is something you may not notice, but will surely feel. To achieve this, he designed a palette of all-natural action sounds, unlike the traditional cartoon sounds. But the biggest challenge still remained, recording the sound and speed of a bird flap.
SPW CreditsTad Hills, Creator/Executive Producer
Doug Wood, Executive Producer/Head Writer
Jane Startz, Executive Producer
Chris Prynoski, Executive Producer
Shannon Prynoski, Executive Producer
Matt Burns, Line Producer
Winnie Chaffee, Supervising Producer
Brian Muelhaupt, Supervising Director |
Audio Post Facility: Pomann Sound NYC
Justin H. Kaupp, Supervising Sound Editor
Justin H. Kaupp, Sound Designer/Mixer
Bob Pomann, Audio Post Supervisor
Elliot Taylor, Re-recording Mixer
Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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