Now in its 18th year, The Global Awards(R), for the “World’s Best Healthcare Advertising(TM),” announced its 2012 award winners on Thursday, Dec. 6, at Global Awards ceremonies in New York City and Sydney, Australia. At the New York festivities, executives from the Intellectual Property (IP) & Science business of Thomson Reuters and the award-winning, full-service Hollywood production studio Pictures In A Row (PICROW, www.picrow.com) were present to receive their Global Award for “The Innovation Lifecycle.” Created by PICROW in direct collaboration with Thomson Reuters executives and recently also awarded a CLIO Healthcare Award, this unique brand film presents a story of a series of professionals guiding viewers through the complicated process of transforming a scientific discovery into a life-saving drug using Thomson Reuters products and services.rnrn
rnThomson Reuters Intellectual Property and Science – The Innovation Lifecycle on YouTubernrn”We developed this video to illustrate the contributions of scientists, R&D and IP professionals throughout the development of groundbreaking innovations and the critical role Thomson Reuters solutions play throughout the innovation lifecycle,” said Michael Thompson, vice president of global marketing services, Thomson Reuters IP & Science. To shine more light on the project’s development, PICROW executives, including founder and director Peter Lang, have produced this behind-the-scenes presentation illuminating their work on this award-winning production. rnrnWorking in close collaboration with Mike Thompson and Kevin Mercer, creative services director, Thomson Reuters IP & Science, Lang and PICROW associate producer Sarah Tucker quickly honed in on the project’s storytelling approach. rnrn”The challenge was to take this really complicated process and make it personal,” Tucker began. “We started with this very long list of different jobs and different functions within the whole process and had to simplify it into a few main characters whom we felt were really crucial.”rnrn”There is this wonderful trope, because we start with the patient and end with the patient,” said Lang. “There was an energy involved in the action of walking forward and pushing back. The idea of finding the ideal fantasy space was first and foremost in our minds. We had this idea of doing a 3D track in the tunnel and placing these emblems of the products in a sort of gallery.”rnrnMany members of PICROW’s full-service staff of production and post-production talent contributed to this project, which was shot in a single day in Corona, California, using an ARRI Alexa camera system mounted on a Steadicam. "The chorography of the actual shooting was really tricky," Lang confirmed. "We had a Steadicam and the lighting dolly, and we had our boom man. It was quite a scene watching us all go down, backpedaling, making sure we didn’t all trip over each other. Meanwhile, the actors had to be not distracted by all that, and they had to just keep on pushing the camera back."rnrnAlongside Lang, the team from PICROW was led by executive producer Roger Hunt and also consisted of line producer Sharon Groh, production supervisor Moria Michiels, editorial, graphics and compositing artists Lisa Rucker and Adam Sakellarides, VFX supervisor Gregory Nussbaum and graphics and compositing artist Zachary Nussbaum. Key tools in post were Apple Final Cut Pro, Adobe Creative Suite and Adobe After Effects. rnrn”For a project this big with so many graphics and a lot of rotoscoping that’s all in one take, we knew it was going to take a lot of time,” explained Rucker. Accordingly, the editors and artists began their work well before production began.rnrn”The whole process really led us to a final product that we thought was very strong,” Lang concluded. “Everyone who worked on it thought it was really something special. In the end, we really like it.”rnrnAbout Thomson ReutersrnThomson Reuters is the world’s leading source of intelligent information for businesses and professionals. We combine industry expertise with innovative technology to deliver critical information to leading decision makers in the financial and risk, legal, tax and accounting, intellectual property and science and media markets, powered by the world’s most trusted news organization. With headquarters in New York and major operations in London and Eagan, Minnesota, Thomson Reuters employs approximately 60,000 people and operates in over 100 countries. For more information, go to www.thomsonreuters.com.rnrnAbout Pictures In A RowrnSince launching in Hollywood in 1995, the award-winning full-service production studio PICROW has come to represent truly original solutions for creating rich and beautiful spots, brand films, music videos, new media content and a great deal more, from concept to delivery for all media platforms. As a company, PICROW offers a vast palette of artistic and production capabilities which shine through in the groundbreaking works of director/cinematographer Peter Lang and an amazing roster of premier and rising directors, producers and artisans. Dedicated to the creation of iconic images and stories captured on picturesque locations or on green-screen in a soundstage, PICROW creates bold, momentous visions for leading brands, entertainers and world class creative agencies. For more information, please call EP Roger Hunt at 323.957.5400 or visit www.picrow.com.
Contact:
Roger Darnell DWA for PICROW Phone: 1.828.264.8898 Contact Roger via email
SPW Category:Awards Show Announcements (News, Nominees, Winners)
Tags:PICROW
Cutters Studios Teams With Becca Falborn of Little Bird For U.S. East Coast Commercial Representation
Becca Falborn, CEO & Founder/President, Little Bird
The leaders of international creative company Cutters Studios are very proud to announce the signing of Becca Falborn of Little Bird for commercial representation on the U.S. East Coast. The announcement was made by Cutters New York Managing Director/Executive Producer Caitlin Grady. Having launched Little Bird last year with a focus on providing highly targeted strategies tailored to each of its roster companies, Falborn organically developed a deep rapport with Grady over the years, while both worked for different companies. After spending time together and comparing notes at the Cannes Lions Festival of Creativity over the past two years, all parties expressed feeling a strong connection, and a very natural synergy. “Becca has boundless energy; it’s infectiously fun to be around,” Grady began. “Cutters and Little Bird already share a similar ethos, as well as deep passion for this industry. As a result, we found ourselves out supporting the same events and celebrating craft together, time and time again. Carrying on as partners, working side by side, feels natural. We look forward to collaborations with other Little Bird roster companies, and to getting to know more clients and friends through Becca’s exceptional network.” For Falborn, her vast appreciation for Cutters Studios draws from its high-caliber reputation, its robust strengths constantly showcased through sustained growth and creative mastery, and of course, the company’s immense talent network. “Overall, I feel the greatest strength of Cutters Studios is definitely its roster of talent and people,” Falborn confirmed. “Talent isn’t just the editors or the artists, it’s the producers, the management team, the client services teams, the assistants, the receptionists.... Read More
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