New York’s leading provider of post-production services for independent film, Technicolor PostWorks New York assisted in the completion of a dozen films screening at this year’s Sundance Film Festival. Projects included a mix of highly anticipated narrative films from both established filmmakers and emerging artists. Services ranged from dailies processing, offline systems rentals, editorial finishing and color grading to sound editorial and mixing. The Festival will be held January 21-31 in Park City, Salt Lake City, Sundance and Ogden, Utah.
“The approach of Sundance always marks an exciting and busy time at Technicolor PostWorks,” said COO Rob DeMartin. “This year, we look forward to the festival with special anticipation due to the number and quality of the films we helped to finish. We wish the best of luck to all participating filmmakers.”
Sundance films serviced by Technicolor PostWorks:
► Christine (US Dramatic Competition/World Premiere) Director Antonio Campos’ story of a female TV news reporter in Sarasota, Florida.
Technicolor PostWorks provided color grading and deliverables; Sam Daley, Colorist; Tif Luckenbill, Online Editor.
► Complete Unknown (Premieres/World Premiere) Director Joshua Marston’s story of a dinner party among old friends.
Technicolor PostWorks provided editorial conforming, color grading, VFX and deliverables; Alex Bickel, Colorist; Zachary Gobetz, Online Editor; Sean Perry, Keith R. Jenson and Ryan McMahon, VFX Artists.
► The Eyes of My Mother (Next/World Premiere) Director Nicolas Pesce’s story of a lonely young woman who is consumed by her darkest desires after tragedy strikes her quiet country life.
Technicolor PostWorks provided color grading and deliverables; Sam Daley, Colorist. PostWorks provided sound mixing; Michael A H Kurihara, Re-recording Mixer.
► The Fits (Next/North American Premiere) Director Anna Rose Holmer’s psychological portrait of an 11-year-old tomboy assimilating into a tight-knit dance team in Cincinnati’s West End.
Technicolor PostWorks provided editorial conforming, color grading, VFX and deliverables; Sam Daley, Colorist; Keith Jenson, Online Editor; Ryan McMahon, VFX Artist.
► Frank & Lola (Premieres/World Premiere) Director Matthew Ross’ psychosexual noir love story, set in Las Vegas and Paris, about love, obsession, sex, betrayal, revenge and the search for redemption.
Technicolor PostWorks provided editorial conforming and color grading; Jack Lewars, Colorist; Allie Ames, Keith Jenson and Ryan McMahon, Online Editors.
► The Fundamentals of Caring (Closing Night Film/World Premiere) Director Rob Burnett’s story of a caregiver and his client, a hilarious 18-year-old with muscular dystrophy.
PostWorks provided sound editorial and mixing services; Michael McMenomy, Supervising Sound Editor; Mariusz Glabinski, Darrel Hanzalik and Craig Kyllonen, Sound Editors; Martin Czembor, Re-recording Mixer; Michael A H Kurihara, Mix Recordist.
► Indignation (Premieres/World Premiere) Director James Schamus’ emotionally soaring film about new arrivals at Winesburg College in Ohio in 1951.
Technicolor PostWorks provided offline rentals, dailies, editorial conforming, color grading and deliverables; Alex Bickel, Colorist; Zachary Gobetz, Online Editor.
► Maggie's Plan (Spotlight) Director Rebecca Miller’s story of a young woman whose determination to have a child catapults her into a nervy love triangle.
Technicolor PostWorks provided offline rentals, dailies, editorial conforming, color grading and deliverables; Alex Bickel, Colorist; Keith R. Jenson, Online Editor. PostWorks provided sound mixing; Marlena Grzaslewsicz, Supervising Sound Editor; Martin Czembor, Re-recording Mixer.
► Manchester By The Sea (Premieres/World Premiere) Director Kenneth Lonergan’s tale of a man forced to care for his 16-year-old nephew after his brother passes away.
Technicolor PostWorks provided offline rentals, dailies, editorial conforming, color grading and deliverables; Jack Lewars, Colorist; Ryan McMahon, Online Editor. PostWorks provided sound mixing; Jacob Ribicoff, Re-recording Mixer; Michael A H Kurihara, Mix Recordist.
► Southside With You (US Dramatic Competition/World Premiere) Director Richard Tanne’s chronicle of a single day in the summer of 1989 when the future President of the United States, Barack Obama, wooed his future First Lady on an epic first date across Chicago's South Side.
Technicolor PostWorks provided editorial conforming and deliverables; Zachary Gobetz, Online Editor.
► White Girl (US Dramatic Competition/World Premiere) Director Elizabeth Wood’s story of a college student who goes to extremes to get her drug dealer boyfriend out of jail.
Technicolor PostWorks provided editorial conforming, color grading, VFX and deliverables; Sam Daley, Colorist; George Bunce and Keith Jenson, Online Editors/VFX Artists.
► Wiener-Dog (Premieres/World Premiere) Director Todd Solondz’s tale of a people who find their life inspired or changed by one particular dachshund
Technicolor PostWorks provided offline rentals, editorial conforming and color grading; Sam Daley, Colorist; Ryan Duffy, Online Editor.
About Technicolor PostWorks New York
Technicolor PostWorks New York is the East Coast’s most comprehensive digital motion picture and post-production facility, employing an exceptional team of creative artists, engineers and project managers to serve our clients through the film and TV finishing process.
Technicolor PostWorks New York offers one complete source for every post requirement, including data workflows, film imaging and restoration, non-linear editorial and UHD picture finishing, 4K digital intermediate, high-volume media encoding with global data connectivity, as well as comprehensive film and TV sound services on nine mix stages.
For more information, visit http://www.technicolorpwny.com
