Brett Sullivan and Clayton Jacobsen translate Disney’s Broadway hit into cinematic magic for limited theatrical release.
Disney’s Newsies: The Broadway Musical, a special limited engagement cinematic event directed by Brett Sullivan for Disney Theatrical Productions and Fathom Events, debuts this month in theaters worldwide. Recorded before a live audience at the Pantages Theatre in Los Angeles, the production features members of the Tony Award-winning musical’s original Broadway cast, including Tony nominee Jeremy Jordan, Kara Lindsay, Ben Fankhauser and Andrew Keenan-Bolger, in the high-spirited tale of the Newsboys Strike of 1899. Disney’s Newsies: The Broadway Musical is produced by Disney Theatrical Productions.
Working in close collaboration with the Broadway shows’ Tony-nominated director, Jeff Calhoun, Tony-winning choreographer, Christopher Gattelli, Lighting Designer Jeff Croiter and original production team, Sullivan and lighting director Clayton Jacobsen, have re-envisaged the live theater experience for the screen. The duo re-lit and re-staged scenes to develop a new language for live theater in the cinema. Using onstage cameras carefully choreographed within the performance, they captured the sense of intimacy and emotional performances usually experienced only by patrons seated in the theater’s first row. “Our aim,” explains Sullivan, “was to represent Newsies faithfully, but filmicly and really allow the entire audience to connect to the piece through an enhanced emotional experience.”
Co-founders of Steam Motion and Sound, Sullivan and Jacobsen have a lot of experience in translating theatrical productions to the screen, including the musicals Billy Elliot, Miss Saigon, Les Misérables, The Phantom of the Opera, Jesus Christ Superstar and Andrew Lloyd Webber’s Love Never Dies.
“It’s got to be filmic because it’s going to be projected onto a big screen, but it also has to feel like live entertainment,” Sullivan observes. “Those two worlds can be hard to reconcile. Often in live cuts, the cameras are all at the back of the room and you feel removed from the action. We want to get close, so close that you can see into the eyes of the actors. When you see the eyes of actors on the screen, the story becomes much deeper.”
Sound and lighting are key to transforming a stage show into an immersive theatrical event. For Newsies, Jacobsen redesigned every lighting cue months prior to the shoot to make them suited to digital capture. “We work very carefully to preserve the integrity of the stage production’s lighting and staging while making them work for the camera,” Jacobsen says. “The result on the screen looks, sounds and most importantly feels the way the audience perceives the show in the auditorium.”
After filming the show with a live audience in the theater, Sullivan and Jacobsen spent four days shooting individual scenes without an audience to capture close ups and angles impossible to capture live. The close-up material is woven seamlessly into the live show to produce the shifting perspectives of a movie. “It’s tricky to get the two to mesh, especially when you’re working with live vocals and a live orchestra where tempos and performances fluctuate,” notes Sullivan. “Our editors, Marko Keser and David Tregoning, did a wonderful job.”
A similar technique was used for the orchestra and cast as film audio producer Lee McCutcheon blended pre-recorded elements with the live performance and the response of the very enthusiastic live theater audience. “It has the clarity of a pre-recorded track with the energy of a live experience,” says Sullivan. “It’s the best of both worlds.”
Disney’s Newsies: The Broadway Musical was shot and finished in 4K. Sound and picture post production was completed at Steam Motion & Sound’s facility in London. Following its limited theatrical run, the show will be released to television and home theater.
Disney’s Newsies: The Broadway Musical will introduce the musical to new audiences worldwide, while providing the show’s legions of devoted fans an opportunity to experience it in a new way. “Producer Thomas Schumacher and his team were incredibly accommodating and supportive; they wanted to make a great cinema experience,” says Jacobsen. “And, the cast really delivered. It looks as great as it sounds and it sounds as great as it looks.”
Disney’s Newsies: The Broadway Musical!
Music by Alan Menken
Lyrics by Jack Feldman
Book by Harvey Fierstein
Based on the Disney film written by Bob Tzudiker & Noni White
Directed by Jeff Calhoun
Choreographed by Christopher Gattelli
Produced by Thomas Schumacher & Anne Quart for Disney Theatrical Productions
Lighting Director Clayton Jacobsen
Audio Producer Lee McCutheon
Film Produced by Naomi Stevens & Paul Morphos
Production Company Steam Motion and Sound
About Steam Motion and Sound
Based in London and New York, Steam Motion and Sound is a moving image agency for entertainment clients. The company produces commercials, promos, trailers, documentaries, branded and digital content for a wide range of global campaigns. With a world class creative and production team, Steam Motion and Sound takes briefs from concept through shoot, edit, composite, design, mix and master to create compelling content.
2024 AICP Awards Tour Concludes with Stops in Dallas and Chicago
The 2024 AICP Awards Tour concludes with stops in Dallas and Chicago this month as it wraps up its tour of cities across the U.S. The National Tour brought presentations, panels and screenings to marketers, advertising agencies, production and post production companies. The AICP Awards will be in Dallas on Thursday, November 14th, at the Perot Museum of Nature and Science, followed by the Chicago event, set for Thursday, November 21st at The Old Post Office. Tickets are available now for both events at www.aicp.com. In Dallas, the program kicks off at 6:45 pm with a happy hour, followed by the screening and panel discussion at 7:30. The evening ends with a networking reception from 8:30 to 11:30. The Perot Museum of Nature and Science is located at 2201 N. Field Street in Dallas. Appearing in Dallas will be Abe Garcia, Chief Creative Officer, Dieste; Julia Melle, Director of Brand and Content, Southwest Airlines; and Isaac Pagán Muñoz, VP, Executive Creative Director of PepsiCo Foods. The panel will review selected winners from the suite of the AICP Awards programs, offering insights into what made them rise to the top of their respective categories and share their viewpoints on key trends in the industry. The Chicago stop starts at 6:00pm with a happy hour, followed by the presentation and screening at 7:00pm. A reception caps the event, starting at 8:00pm and concluding at 11:30pm. The Old Post Office is located at 433 W Van Buren Street in Chicago. The panel there will feature 2024 AICP Awards Curators and Winners from the marketer, agency, production and post production sectors who’ll highlight this year’s winners. The conversation will include a discussion about the winning work, including insights... Read More