The Screen Producers Association of Australia (SPAA) has said that MEAA’s announcement of an actor’s ‘strike’ from tonight is both misleading and mischievous.
“You cannot strike if you are not employed. MEAA should be well aware of the laws that relate to industrial action. SPAA has received advice that MEAA may be seeking to mislead performers and their agents that there is some form of legal strike in operation and that they are somehow prevented from accepting employment with SPAA members. Our advice is that any form of behavior by the union which seeks or encourages unlawful industrial action is a potential offense under the Fair Work Act,” said Geoff Brown, Executive Director of SPAA. “SPAA has not been ‘cavalier’ in making the decision to withdraw from the SPAA/MEAA Offshore Commercials Agreement. MEAA have been aware of our issues with the Agreement for at least two years. We have raised concerns with MEAA on several occasions since 2007 and SPAA members have asked repeatedly for variations to the Agreement in order to secure work, but such approval has often been delayed and in many cases denied by MEAA,” he added.
“The alternative – that does nothing for the wider Australian industry but works for some performers – has been to accept contracts to film the commercial in New Zealand where the performer is free to negotiate their fees outside the MEAA/SPAA Offshore Agreement,” according to Geoff Brown.
It is important to note that domestic TVC production successfully operates delivering value for performers and advertising clients without a separate agreement above and beyond the particular industrial award. Good fees are still paid and there is no issue of exploitation of actors. This is a lucrative source of work for local actors. SPAA is simply looking to establish similar conditions for offshore commercials.
“SPAA has enormous respect for performers and the value of their work. This decision is not about forcing the lowest price: the international market finds our Agreement confusing and inflexible in a variety of ways, including formulaic terms for buyouts/usages and numbers of edits of a commercial. This makes it much more difficult to employ actors in Australia than our competitor countries such as New Zealand, South Africa or Canada. Our producers will still be offering very good fees to actors and SPAA will be providing producers with a guide to underlying conditions,” Brown explains.
“Further, MEAA refers to a story in the Sydney Morning Herald. The story was NOT about relative production costs but rather agency costs.” Carolyn Starkey, an Executive Producer with leading TVC company Verve Films, said commercials productions was the economic lifeblood of the Australian screen industry, providing regular income for large and small screen businesses and screen professionals and opportunities for training for young Australians.
“It’s the goal of Australian commercials producers to maintain a sustainable production industry in this country, one that employs Australian workers and engages Australian businesses. Anyone who has been working in the offshore sector for the past several years knows it has been in a state of decline. We feel that the loss of this sector would have an extremely negative effect on the economy of the screen industry and arts and culture more broadly,” she said.
About SPAA
The Screen Producers Association of Australia (SPAA) is the industry body that represents Australian independent film and television producers on all issues affecting the business and creative aspects of screen production. SPAA members include television, feature film, animation, documentary, TV commercial and interactive media production companies as well as services and facilities providers such as post-production, finance, distribution and legal companies.
SPAA is located on 34 Fitzroy Street, Surry Hills NSW 2010 Australia. Telephone is 61 2 9360 8988 and fax is 61 2 9360 8977. To contact the SPAA by email click here and for further information visit www.spaa.org.au.
Contact:Media inquiries: Tracey Mair For the Screen Producers Association of Australia Ph: 0419 221 493
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More