Simian announced today the launch of version 2.0 of its industry-leading, web-based multimedia platform for creative companies in the advertising, film, television, music and interactive media industries. Revamped design and streamlined functionality gives more power to production and creative teams and bolsters support for sales and marketing. Simian 2.0 highlights include feature-rich project workspaces, enhanced analytics, social syndication, metadata tagging, website integration and custom presentations.n nDevelopment of Simian 2.0 was driven by customer feedback and market demand for one easy-to-use platform to build, manage, present and analyze a range of creative deliverables from media files to documents. “Companies want to save time and increase productivity. It doesn’t make sense to use a dozen different software applications for a dozen different tasks,” states Jay Brooks, co-founder of Simian. “As an integrated platform, Simian 2.0 replaces such random tools with one feature-rich portal that improves accessibility to the workflow and increases collaboration for the entire creative team.”nnSimian Projects features an expanded toolset for collaborating on video, images, audio, documents and rich media. Role-based logins and secure link sharing make review and approval efficient. In addition to workflow tools, Projects also includes a Microsite builder which allows non-technical users build dynamic websites using predesigned themes to present content in new and exciting ways. nSimian Reels features an expanded interface and simplified toolset so that everyday users can build and distribute media reels with ease. It boasts a highly evolved analytics tracking system that gives users critical data on who, what and how media assets are being viewed and shared.nnSimian Media Library includes a customizable asset manager for cataloging digital assets. Media files can be categorized, credited, and tagged for easy search and retrieval. Existing technical metadata is also imported and displayed in the same interface. Simian‘s video transcoding allows clips to be shared across multiple platforms and devices. nnAdditionally, the system provides simple tools for managing online access to media assets. Uniquely, Simian allows users to share direct links or instantly post media directly to Facebook, Twitter and other social sites to support their sales, marketing and promotional efforts. For users who wish to use Simian as their video host single videos can be embedded or Simian‘s API can be used to power an entire media portal.nnnVisit website to learn all Simian Version 2.0 features and take product tour.nnAbout SimiannSimian™ is a web-based sales, multimedia project management platform for creative companies in the advertising, film, television, music and interactive media industries. For more information: www.gosimian.com
Mike Chiavetta Simian 310.736.1363 Contact Mike via email
Contact:Media: Linda Rosner ArtisansPR 310.837.6008 Contact Linda via email
Goldcrest Post Speeds Delivery of “Severance” Season Two
The New York Times recently wrote that the just-released Season Two of Severance will “blow your mind”—and we couldn’t agree more. Created by Dan Erickson and Ben Stiller, the Apple TV+ drama is smart, spellbinding, distinctly original and packed with surprises. For those who aren’t already devoted fans, the show centers on Mark Scout (Adam Scott), leader of a team at Lumon Industries, whose employees have undergone a “severance” procedure that surgically divides their memories between their work and personal lives. Goldcrest Post provided post services for both seasons of the show, including picture editorial support, sound editorial, ADR and sound mixing. Editorial for Season One began in 2020. Due to the restrictions imposed by the pandemic, Goldcrest supplied both onsite production offices and edit suites, and remote editing systems for individual editors, with everything linked to a central server. "Mixing at Goldcrest with our team has been a great experience,” says Stiller. “Bob and Jacob are in sync with our creative process and so good at what they do that the experience is always one where it's about how we can enhance the creative vision, with a baseline of knowing everyone is totally committed to making something as good as it can be." Diana Dekajlo, the show’s co-producer, says that the arrangement worked so well, they chose to continue the hybrid approach for Season Two. “We’re a remote friendly show,” she explains. “Whether we’re at Goldcrest, our studio in the Bronx or at home, our workflow is seamless. I conduct remote daily meetings with my immediate staff, and weekly meetings with editorial and VFX, and we talk to each other as if we were just down the hall. It makes for great staff... Read More