SIGGRAPH 2012, 5-9 August at the Los Angeles Convention Center, announces the Computer Animation Festival’s Best in Show, Jury Award, Best Student Project, and Well Told Fable Prize recipients. A total of 94 films will be shown during the Computer Animation Festival. Nominees were chosen by an expert panel of jury members from 601 submissions representing 43 countries. n nThe Computer Animation Festival is recognized by the Academy of Motion Picture Arts and Sciences as a qualifying festival. Since 1999, several works originally presented in the Computer Animation Festival have been nominated for or have received a “Best Animated Short” Academy Award. This year’s selections will be featured during the Computer Animation Festival through a series of daily Festival Screenings and the iconic Electronic Theater, allowing attendees to get a glimpse behind the making of computer-generated effects, visualizations, and animations.nnnnBEST IN SHOW AWARDnRéflexionnDirected by Yoshimichi Tamura, PlanKtoon; FrancennIn a boutique in Paris, Louise looks at her reflection in the surrounding mirrors. Tonight, she has a rendezvous with Jules, her fiancé. Suddenly she notices that she’s late, and goes off in great haste to her flat to get ready. Réflexion is a description of women’s concerns about the way they look.nnnnJURY AWARDnHow to Eat Your ApplenDirected by Erick Oh, Independent; USAnnHere is a delicious apple. How would you eat it? nnBEST STUDENT PROJECT PRIZEnEstefannDirected by Jeff Call, Brigham Young University; USAnEstefan, the world’s greatest hairdresser, must design a hairstyle for Clara, a woman with no hair, in order to preserve his reputation.n nBEST STUDENT PROJECT PRIZE RUNNERS-UPnGlobosomenDirected by Sascha Geddert, Filmakademie Baden-Wuerttemberg; GermanynnIn the vastness of space, a small speck of rock is inhabited by the most peculiar lifeforms: Dark little dots that start to replicate fast and begin to show signs of intelligence. “Globosome” tells the story of the rise and fall of these little creatures.n nHerr Hoppe und der AtommüllnDirected by Jan Lachauer and Thorsten Löffler, Filmakademie Baden-Wuerttemberg; GermanynnA barrel of nuclear waste drops into the living room of Herr Hoppe, an average suburban German. He has to get rid of it and does it in his own wacky way.n nWELL TOLD FABLE (WTF) PRIZEnRosettenDirected by: Romain Borrel, Gaël Falzowski, Benjamin Rabaste, and Vincent Tonelli, Supinfocom Arles; FrancennIn a cured meats deli, a customer starts fantasizing about the butcher. She takes us into a clichéd vision of couple-hood, transcribed, for better or for worse, within a universe of pork products.nnAbout SIGGRAPH 2012nSIGGRAPH 2012 will bring thousands of computer graphics and interactive technology professionals from six continents to Los Angeles, California for the industry’s most respected technical and creative programs focusing on research, science, art, animation, music, gaming, interactivity, education, and the web from Sunday, 5 August through Thursday, 9 August 2012 at the Los Angeles Convention Center. SIGGRAPH 2012 includes a three-day exhibition of products and services from the computer graphics and interactive marketplace from 7-9 August 2012. More details are available on the SIGGRAPH 2012 Facebook and Twitter.nnAbout ACM SIGGRAPHnThe ACM Special Interest Group on Computer Graphics and Interactive Techniques is an interdisciplinary community interested in research, technology, and applications in computer graphics and interactive techniques. Members include researchers, developers and users from the technical, academic, business, and art communities. ACM SIGGRAPH enriches the computer graphics and interactive techniques community year-round through its conferences, global network of professional and student chapters, publications, and educational activities.nnAbout ACMnACM, the Association for Computing Machinery is the world’s largest educational and scientific computing society, uniting educators, researchers, and professionals to inspire dialogue, share resources, and address the field’s challenges. ACM strengthens the computing profession’s collective voice through strong leadership, promotion of the highest standards, and recognition of technical excellence. ACM supports the professional growth of its members by providing opportunities for lifelong learning, career development, and professional networking.
Brian Ban SIGGRAPH 2012 Contact Ben via email
Goldcrest Post Speeds Delivery of “Severance” Season Two
The New York Times recently wrote that the just-released Season Two of Severance will “blow your mind”—and we couldn’t agree more. Created by Dan Erickson and Ben Stiller, the Apple TV+ drama is smart, spellbinding, distinctly original and packed with surprises. For those who aren’t already devoted fans, the show centers on Mark Scout (Adam Scott), leader of a team at Lumon Industries, whose employees have undergone a “severance” procedure that surgically divides their memories between their work and personal lives. Goldcrest Post provided post services for both seasons of the show, including picture editorial support, sound editorial, ADR and sound mixing. Editorial for Season One began in 2020. Due to the restrictions imposed by the pandemic, Goldcrest supplied both onsite production offices and edit suites, and remote editing systems for individual editors, with everything linked to a central server. "Mixing at Goldcrest with our team has been a great experience,” says Stiller. “Bob and Jacob are in sync with our creative process and so good at what they do that the experience is always one where it's about how we can enhance the creative vision, with a baseline of knowing everyone is totally committed to making something as good as it can be." Diana Dekajlo, the show’s co-producer, says that the arrangement worked so well, they chose to continue the hybrid approach for Season Two. “We’re a remote friendly show,” she explains. “Whether we’re at Goldcrest, our studio in the Bronx or at home, our workflow is seamless. I conduct remote daily meetings with my immediate staff, and weekly meetings with editorial and VFX, and we talk to each other as if we were just down the hall. It makes for great staff... Read More