Special Screenings and Sessions Make Newly Crafted Conference a Success
The Society of Motion Picture and Television Engineers® (SMPTE®), a leader in motion-imaging standards and education for the media, entertainment, and technology industries, today announced that the NAB Show's "The Future of Cinema Conference: The Immortal Movie," produced in partnership with SMPTE, drew crowds of 2016 NAB Show attendees to both its conference sessions and special screenings. These events featured top industry minds and creative talents, who joined to discuss forward-looking techniques and challenges related to making content for theatrical release and beyond.
"An array of remarkable presentations, screenings, and panel sessions at this year's event made 'The Future of Cinema Conference' a show highlight for many 2016 NAB Show attendees," said SMPTE President Robert Seidel. "Featuring an impressive gathering of industry leaders and showcasing the latest advances in motion-imaging technology and creative techniques, the conference reflected the high degree of interest — from content creators and technical practitioners — in the incredible potential of new formats such as high-dynamic-range and higher frame rates."
On April 15, the day before the official conference start, show attendees flocked to screenings of high-dynamic-range (HDR) clips from acclaimed theatrical releases including "Inside Out," "Zootopia," "Tomorrowland," and "Jungle Book," which were shown in Dolby Vision HDR along with full-length versions of "Star Wars: The Force Awakens" and "Superman v. Batman: Dawn of Justice," thanks to SMPTE, Advanced Imaging Society, and Dolby with support from The Walt Disney Studios, Pixar, and Warner Bros.
Many of the technical and creative minds behind these releases took part in the subsequent conference sessions titled "First Forays: High Dynamic Range in Animation" and "First Forays: High Dynamic Range in Live Action and Visual Effects." Cynthia Slavens of Pixar Animation Studios moderated the first session, which included panelists Dominic Glynn of Pixar; Kim White, director of photography and lighting on "Inside Out"; Mark Dinicola, colorist on "Inside Out"; Stefan Luka, senior software engineer, color science, at Walt Disney Animation Studios; and Brian Leach, director of lighting on "Zootopia." Moderated by SMPTE Education Vice President Pat Griffis of Dolby Laboratories, the second session featured Thad Beier of Dolby; Rick Sayre of Pixar Animation Studios; Jeroen Schulte of Industrial Light & Magic (ILM); Ben Rosenblatt of Bad Robot; Stephen Nakamura of Deluxe's Company 3; and Rob Legato, visual effects supervisor and second unit director/cameraman.
Award-winning director Ang Lee, known for films including "Life of Pi," "Crouching Tiger, Hidden Dragon," "Brokeback Mountain," and "Sense and Sensibility," presented the conference's April 16 keynote address along with editor Tim Squyres and production systems supervisor and engineer Ben Gervais. The trio, speaking to a standing-room-only crowd, described their vision of cinema and the creative opportunities for the future of filmmaking. "I'm not a technical guy at all," stated Lee. "I just have a lot of curiosity to see drama, examine humanity, storytelling … that's my thing."
The keynote followed the first public screenings of Lee's upcoming release, "Billy Lynn's Long Halftime Walk," in its native 120 frames/sec, 4K, 3D format. An extra session was added to accommodate the popularity of the screening. During the follow-up session titled "Deep Technical Dive Into 'Billy Lynn's Long Halftime Walk,'" Lee, Gervais, and Squyres were joined by stereographer Demetri Portelli of Sony Pictures, along with Scot Barbour, vice president of production technology for Sony Pictures Entertainment, and David Cohen of Variety, in a discussion of the technical challenges of production and postproduction in 120 frames/sec, 4K, stereoscopic 3D. The session demonstrated that constant collaboration between the studio and the technical and creative teams enabled the efficient use of technology to tell a story in a way that is both emotionally moving and comfortable for the viewer to watch. The official trailer for "Billy Lynn" was just recently released by Sony Pictures and is now available on their website at http://www.sonypictures.com/movies/billylynnslonghalftimewalk/.
Further conference sessions delved into the creative use of HDR; the use of content captured on 35 mm film to feed into high-end digital exhibition formats; the filmmakers and projects testing the limits of cinema; and the next-generation filmmaking efforts of students and recently graduated filmmakers. Other sessions addressed questions related to next-generation distribution, HDR mastering and delivery to the home, the impact of advanced technologies — 4K, 8K, and wider color gamut — on event cinema, and the potential of light field imaging. A session focused on diversity engaged panelists and attendees in a discussion of how to build a richer, more expansive, and more dynamic filmmaking community.
The conference program committee included program chair, Richard Welsh of Sundog Media Toolkit; writer and director Abi Corbin; media technology consultant Christy King; motion picture consultant Bill Hogan; Pete Ludé of RealD; digital cinema consultant Jim Whittlesey; Chris Witham of The Walt Disney Studios; Griffis of Dolby Laboratories; and Slavens of Pixar Animation Studios.
Further information about SMPTE is available at www.smpte.org.
About the Society of Motion Picture and Television Engineers® (SMPTE®)
Winner of an Oscar® and multiple Emmy® Awards, the Society of Motion Picture and Television Engineers® (SMPTE®) is a global leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem. A professional membership association that is internationally recognized and accredited, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. For a century, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.
Nearly 7,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections worldwide, sustain the Society. Through the Society's partnership with the Hollywood Professional Association (HPA®), this membership is complemented by the professional community of businesses and individuals who provide the expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television programs, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.
All trademarks appearing herein are the property of their respective owners.
Contact:Aimée Ricca
Marketing and Communication
SMPTE
Tel: +1 (914) 205-2381
Contact Aimée via email
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More