Studio City, CA -- (SPW) --

The Motion Picture Sound Editors (MPSE) announced nominees in the 68^th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

“We’re very excited about this year’s MPSE Golden Reel Awards. It will feature a dynamic, virtual format that will be great fun and allow people from around the world to participate,” said MPSE president Mark Lanza. “We will have presenters from every part of the globe along with many other surprises. Most importantly, this will be an opportunity to celebrate the great sound work that has been done over the past year. I congratulate all of this year’s distinguished nominees.”

The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 22 categories encompassing feature films, television, animation, computer entertainment, and student work. This year, the awards ceremony will be held as an international virtual event on Friday, April 16, 2021 at 6:00pm.

Tickets to the 68^th Annual MPSE Golden Reel Awards may be purchased here: https://www.mpse.org/event-4193991

2021 MPSE FILMMAKER AWARD

George Miller

2021 MPSE CAREER ACHIEVEMENT AWARD

To be announced.

68^th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES

Outstanding Achievement in Sound Editing – Feature Animation

The Croods: A New Age

DreamWorks

• Supervising Sound Editors: Brian Chumney, Leff Lefferts
• Sound Designer: Randy Thom, MPSE
• Supervising Music Editor: Dominick Certo, MPSE
• Dialogue Editor: Jonathan Greber
• Sound Effects Editors: Pascal Garneau, Mac Smith
• Foley Editors: Doug Winningham, Dee Selby
• Foley Artists: John Roesch, MPSE; Shelley Roden, MPSE; Ronni Brown, Jana Vance

Onward

Disney / Pixar

• Supervising Sound Editor: Shannon Mills
• Sound Designer: Nia Hansen
• Sound Effects Editors: Samson Neslund, Kimberly Patrick, David C. Hughes, Josh Gold
• Supervising Dialogue Editor: Chris Gridley
• Foley Editors: Christopher Flick, Steve Orlando
• Foley Artists: John Roesch, MPSE; Shelley Roden, MPSE
• Music Editor: Erich Stratmann

Over the Moon

Netflix

• Supervising Sound Editors: Qianbaihui Yang, MPSE; Jeremy Bowker
• Dialogue Editors: James Spencer, Brad Semenoff
• Foley Editors: Dee Selby, Chris Frazier, Larry Oatfield, Alyssa Nevarez
• Foley Artists: Ronni Brown, Jana Vance
• Music Editor: Bradley Farmer

Soul

Disney

• Supervising Sound Editor: Coya Elliott
• Sound Effects Editors: Kimberly Patrick, Steve Orlando, Jonathan Stevens
• Supervising Dialogue Editor: Cheryl Nardi
• Sound Designer: Ren Klyce
• Foley Editor Thom Brennan
• Foley Artists: John Roesch, MPSE; Shelley Roden, MPSE; Dee Selby

Wolfwalkers

Apple+

• Supervising Sound Editors: Christine Seznec, Sebastien Marquilly, Bruno Seznec
• Sound Effects Editors: Baptiste Bouche, Felix Davin, Alexandre Fleurant, Axel Steichen
• Dialogue Editor: Anne-Lyse Haddak
• Foley Editor: Stéphane Werner
• Foley Artist: Florian Fabre

Outstanding Achievement in Sound Editing – Feature Documentary

Bee Gees: How Can You Mend a Broken Heart

HBO Documentary Films

• Supervising Sound Editor: Jonathan Greber
• Sound Effects Editor: Pascal Garneau

Crip Camp

Netflix

• Supervising Sound Editor: Jacob Bloomfield-Misrach
• Dialogue Editor: Greg Francis
• Sound Designers: Bijan Sharifi, William Sammons, James LeBrecht

John Lewis: Good Trouble

Magnolia Pictures

• Sound Effects Editor: Richard Gould
• Sound Designer: Christopher Barnett

My Octopus Teacher

Netflix

• Supervising Sound Editor: Barry Donnelly
• Foley Artist: Charl Mostert
•  

The Reason I Jump

Vulcan Productions

• Sound Effects Editors: Laurence Love Greed, Alexej Mungersdorff, Jack Wensley
• Dialogue Editor: Jamie McPhee
• Foley Editor: Srdjan Kurpjel

Rebuilding Paradise

National Geographic

• Sound Effects Editors: David Hughes, Richard Gould
• Sound Designer: Christopher Barnett

The Social Dilemma

Netflix

• Supervising Sound Editor: Richard Gould
• Dialogue Editor: James Spencer
• Foley Artist: Andrea Gard

Zappa

Magnolia Pictures

• Supervising Sound Editor: Lon Bender, MPSE
• Dialogue Editors: Ryan Owens, George Anderson, Nick Pavey
• Sound Effects Editors: Alex Nomick, P. Daniel Newman, Chris Kahwaty, MPSE

Outstanding Achievement in Sound Editing – Foreign Language Feature

Bacurau

Globo Filmes

• Supervising Sound Editor: Ricardo Cutz Gaudenzi
• Dialogue Editor: Victor Quintanilha
• Sound Effects Editor: Matheus Miguens
• Foley Editor: Rafael Faustino
• Foley Artist: Pedro Coelho

The Eight Hundred

CMC Pictures

• Supervising Sound Designer and Editor: Kang Fu
• Sound Effects Editor: Steve Miller
• Dialogue Editor: Ai Long Tan
• Music Editor: Fei Yu

I’m No Longer Here

Netflix

• Supervising Sound Editor: Javier Umpierrez
• Dialogue Editor: Juan Sosa Rosell
• Foley Editor: Lía Perez
• Foley Artist: Marisela Suárez
• Music Editor: Javier Umpierrez

Jallikattu

Opus Penta

• Supervising Sound Editor: Ranganath Ravee
• Sound Effects Editors: Sreejith Sreenivasan, Boney M. Joy, Arun Rama Varma, MPSE
• Foley Artists: Amandeep Singh, Mohammad Iqbal Paratwada

The Life Ahead

Netflix

• Supervising Sound Designer and Editor: Maurizio Argentieri
• Dialogue Editor: Riccardo Righini
• Foley Artist: Mauro Eusepi

Outstanding Achievement in Sound Editing – Feature Underscore

The Invisible Man

Universal Pictures

• Supervising Music Editor: Brett "Snacky" Pierce
• Music Editor: Devaughn Watts

The Midnight Sky

Netflix

• Supervising Music Editor: Michael Alexander
• Scoring Editor: Peter Clarke, MPSE
•  

News of the World

Universal Pictures

• Supervising Music Editor: Arabella Winter
• Music Editors: David Olson, Jim Weidman

Sound of Metal

Amazon

• Supervising Music Editor: Carolina Santana
• Scoring Editors: Nicolas Becker, Abraham Marder

Tenet

Warner Bros.

• Supervising Music Editor: Alex Gibson
• Music Editor: Nicholas Fitzgerald

 

The Trial of the Chicago 7

Netflix

• Music Editor: Allegra de Souza

Wonder Woman 84

Warner Bros.

• Supervising Music Editors: Gerard McCann, Ryan Rubin
• Music Editors: Timeri Duplat, Michael Connell
• Scoring Editors: Chris Barrett, Adam Miller, Alfredo Pasquel

Outstanding Achievement in Sound Editing – Feature Musical

Eurovision Song Contest: The Story of the Fire Saga

Netflix

• Music Editors: Allegra De Souza, Peter Oso Snell, MPSE; Jon Mooney

The High Note

Focus Features

• Music Editor: Louis Schultz

I Am Woman

Transmission Films

• Supervising Music Editor: Stuart Morton, MPSE
• Music Editors: Bry Jones, Michael Tan

The Forty-Year-Old Version

Netflix

• Music Editor: Lightchild

Ma Rainey’s Black Bottom

Netflix

• Supervising Music Editor: Todd Kasow
• Music Editor: Tim Marchiafava

The Prom

Netflix

• Music Editors: David Klotz, Nick Baxter

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Emperor

Sobini Films

• Supervising Sound Editors: Glenn Morgan, D. Chris Smith
• Dialogue Editors: Robert Jackson

 

Greyhound

AppleTV+

• Supervising Sound Editors: Michael Minkler, Warren Shaw, Will Digby, MPSE
• Supervising ADR Editor: Dave McMoyler
• Dialogue Editors: Michelle Pazer, David Tichauer, Paul Carden

Ma Rainey’s Black Bottom

Netflix

• Supervising Sound Editors: Paul Urmson, Skip Lievsay, MPSE
• Supervising ADR Editor: Lidia Tamplenizza
• Dialogue Editors: Michael Feuser

Mank

Netflix

• Supervising Sound Editors: Ren Klyce, Jeremy Molod
• Supervising ADR Editor: Richard Quinn
• Dialogue Editors: Kim Foscato, Lisa Chino, Cameron Barker

News of the World

Universal Pictures

• Supervising Sound Editor: Oliver Tarney, MPSE
• Supervising Dialogue Editor: Rachael Tate, MPSE
• Supervising ADR Editor: Anna MacKenzie

Nomadland

Searchlight Pictures

• Supervising Sound Editors: Sergio Diaz, MPSE; Zach Seivers, MPSE

Sound of Metal

Amazon

• Supervising Sound Editor: Nicolas Becker
• Supervising ADR Editor: Carolina Santana
• Dialogue Editor: Michelle Couttolenc

Trial of the Chicago 7

Netflix

• Supervising Sound and ADR Editor: Renee Tondelli
• Dialogue Editors: Michael Hertlein, MPSE; Jeena Schoenke, Jon Michaels

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Cherry

Apple TV+

• Supervising Sound Editor: Mark Binder, MPSE
• Sound Effects Editors: Donald Flick, Michael Gilbert, Matthew Coby

Greyhound

Apple TV+

• Supervising Sound Editors: Warren Shaw, Michael Minkler, Will Digby, MPSE
• Sound Designers: Ann Scibelli, Jon Title
• Sound Effects Editors: Jeff Sawyer, Richard Kitting, Odin Benitez, MPSE; Jason King
• Foley Editor: Luke Gibleon
• Foley Artist: Marko Costanzo

The Midnight Sky

Netflix

• Supervising Sound Editors: Bjørn Schroeder, Randy Thom
• Sound Designer: Kyrsten Mate
• Sound Effects Editor: Leff Lefferts
• Foley Editor: Nicholas Docter
• Foley Artists: John Roesch, Shelley Roden

News of the World

Universal Pictures

• Supervising Sound Editor: Oliver Tarney
• Sound Designer: Mike Fentum
• Sound Effects Editors: Kevin Penney, Dawn Gough
• Foley Editor: Hugo Adams
• Foley Artists: Sue Harding, Andrea King, Oliver Ferris

Sound of Metal

Amazon

• Supervising Sound Editor: Nicolas Becker
• Sound Effects Editor: Carolina Santana
• Foley Editor: Pietu Korhonen
• Foley Artist: Heikke Kossi

Tenet

Warner Bros.

• Supervising Sound Editor: Richard King
• Sound Effects Editors: Michael W. Mitchell, Joseph Fraioli, Mark Larry
• Foley Editors: Bruce Tanis, MPSE; Angela Ang
• Foley Artists: Catherine Harper, MPSE; John Roesch, MPSE; Katie Rose, Alyson Dee Moore, Chris Moriana, Shelley Roden, MPSE; Dan O'Connell, John Cucci, MPSE

Wonder Woman 84

Warner Bros.

• Supervising Sound Editor: Richard King, Jimmy Boyle
• Sound Effects Editors: Rowan Watson, Michael Babcock, Jeff Sawyer
• Foley Editors: Kevin Penney, Lily Blazewicz
• Foley Artists: Peter Burgess, Zoe Freed

Outstanding Achievement in Sound Editing – Live Action Under 35:00

Brooklyn 99: "Lights Out"

NBC

• Supervising Sound Editor: Danika Wikke, MPSE
• Dialogue Editor: Joe Schiff
• Sound Effects Editor: Mark Cookson
• Foley Artists: Jonathan Bespoke, Ben Parker
• Foley Editor: Julia Huberman
• Music Editor: Tessa Phillips

Dead To Me: "If You Only Knew"

Netflix

• Supervising Sound Editor: Walter Newman, MPSE
• Supervising ADR Editor: Darleen Stoker
• Sound Effects Editor: Ron Salalses
• Music Editor: Amber Funk, MPSE

Homecoming: "Giant"

Amazon

• Supervising Sound Editor: Kevin Buchholz
• Music Editor: Ben Zales
• Sound Effects Editor: Dan Kremer
• Sound Designer: Daniel Colman, MPSE
• Dialogue Editors: Polly McKinnon, Helen Luttrell
• Foley Editor: Mike Marino
• Foley Artists: Dominiquie Decaudain, Pam Kahn
•  

I May Destroy You: “Eyes Eyes Eyes Eyes”

Warner Bros. Television

• Supervising Sound Editor: Jim Goddard
• Sound Designer: Joe Beal
• Dialogue Editor: Tom Deane
• Foley Editor: Alex Sidiropoulos
• Foley Artist: Anna Wright

A Parks and Recreation Special

NBC Universal

• Supervising Sound Editor: J. Brent Findley, MPSE
• Music Editors: Jason Tregoe Newmann, Bryant J. Fuhrmann
• Dialogue Editor: Michael Jesmer

Servant: "2:00"

AppleTV+

• Supervising Sound Editor: Sean Garnhart
• Sound Effects Editor: Mark Filip
• Dialogue Editor: Michael Feuser
• Music Editor: Lesley Langs
• Foley Editors: Julien Pirrie, Gareth Rhys Jones

Space Force: "The Launch"

Netflix

• Supervising Sound Editors: Bobby Mackston, Paul Hammond
• Sound Effects Editor: Sean Garnhart
• Music Editor: Jason Tregoe Newman
• Foley Artist: Vincent Guisetti

Ted Lasso: "The Hope That Kills You"

Apple TV+

• Supervising Sound Editor: Brent Findley, MPSE
• Sound Effects Editor: Kip Smedley
• Dialogue Editor: Bernard Weiser, MPSE
• Music Editors: Sharyn Gersh, Richard Brown
• Foley Artists: Sanaa Kelley, Matt Talib

Outstanding Achievement in Sound Editing – Episodic Short Form – Music

The Alienist: “Belly of the Beast”

TNT

• Supervising Music Editor: Ali Hawkins

Hollywood: “Hooray for Hollywood”

Netflix

• Supervising Music Editor: David Klotz

Selena: The Series

Netflix

• Music Editor: Max Cremona

Snowpiercer: “Trouble Comes Sideways”

Netflix

1. Music Editors: Michael Baber, Alex Heller                    

The Umbrella Academy: “Valhalla”

Netflix

• Music Supervisor: Jen Malone
• Music Editor: Lodge Worster

Vikings: “The Best Laid Plans”

Amazon

• Supervising Music Editors: Yuri Gorbachow, MPSE; Mikaila Simmons
• Music Editor: Lise Beauchesne

Zoey’s Extraordinary Playlist: “Pilot”

NBC

• Supervising Music Editor: Jaclyn Newman Dorn

 

Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR

Babylon Berlin – Season 3 – Episode 12

Netflix

• Supervising Sound Editor: Frank Kruse
• Supervising ADR Editor: Benjamin Hörbe
• Supervising Dialogue Editor: Alexander Buck

The Flight Attendant "Other People's Houses"

HBO Max

• Supervising Sound Editor: Mike Marchain
• Dialogue Editors: Julie Altus, Vince Tennant, Doug Mountain

Locke & Key: "Crown of Shadows"

Netflix

• Supervising Sound Editor: Dustin Harris, MPSE
• Dialogue Editors: Jill Purdy, MPSE

Mandalorian S2: Chapter 13: The Jedi

Disney+

• Supervising Sound Editors: Matthew Wood, David Acord
• Dialogue Editor: Richard Quinn
• ADR Editor: James Spencer

Marvel's Agents of S.H.I.E.L.D.: "What We're Fighting For"

ABC

• Supervising Sound Editor: Daniel Colman, MPSE
• Supervising Dialogue Editor: Stefani Feldman, MPSE
• Dialogue Editors: Fernanda Domene

The Right Stuff: "Flight"

Disney+

• Supervising Sound Editor: Walter Newman
• Supervising ADR Editor: Brian Armstrong, MPSE
• Dialogue Editors: Darleen Stoker

Snowpiercer: "Trouble Comes Sideways"

TNT

• Supervising Sound Editor: Sandra Portman, MPSE
• ADR Editor: Eric Mouawad, Francisco Frial
• Dialogue Editors: Eric Mouawad

The Umbrella Academy: "The End of Something"

Netflix

• Supervising Sound Editor: John Benson
• Dialogue Editors: Jason Krane, MPSE

 

Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley

The 100: "The Final War"

The CW

• Supervising Sound Editors: Norval "Charlie" Crutcher, III, MPSE; Vince Tennant
• Sound Designer: Peter D. Lago, MPSE
• Foley Editors: Clayton Weber, Adam DeCoster, Jacob Houchen, MPSE
• Foley Artist: Sanaa Kelley

Hanna: "The Trial"

Amazon

• Supervising Sound Editor: Joe Beal
• Sound Designer: Steve Browell
• Foley Editor: Philip Clements
• Foley Artist: Anna Wright
•  

Locke & Key: "Head Games"

Netflix

• Supervising Sound Editor: J.R. Fountain
• Sound Effects Editors: Dashen Naidoo
• Foley Artist: Steve Baine

Mandalorian S2: Chapter 13: The Jedi

Disney+

• Supervising Sound Editors: David Acord, Matthew Wood
• Sound Effects Editors: Benjamin A. Burtt, J.R. Grubbs
• Foley Editor: Richard Gould
• Foley Artists: Ronni Brown, Jana Vance

Marvel's Agents of S.H.I.E.L.D.: "What We're Fighting For"

ABC

• Supervising Sound Editor: Daniel Colman, MPSE
• Foley Editors: Randall Guth
• Foley Artists: Pamela Kahn, Dominique Decaudain, Nancy Parker, MPSE; Mike Marino

The Right Stuff: “Flight”

Disney+

• Supervising Sound Editor: Walter Newman, MPSE
• Sound Designer: Kenneth Young
• Foley Editor: Peter Reynolds
• Foley Artists: Sanaa Kelley, Adam DeCoster

Snowpiercer: "Trouble Comes Sideways"

TNT

• Supervising Sound Editor: Sandra Portman, MPSE
• Sound Designer: James Fonnyadt, MPSE
• Sound Effects Editor: Gregorio Gomez
• Foley Editor: Dario DiSanto, MPSE
• Foley Artist: Maureen Murphy, MPSE

 

Outstanding Achievement in Sound Editing – Episodic Long Form – Music / Musical

Better Call Saul: "Magic Man"

AMC

• Music Editor: Jason Tregoe Newman

The Boys: "Nothing Like It in The World"

Amazon

• Music Editor: Christopher Brooks

Bridgerton: "Shock and Delight"

Netflix

• Music Editor: Brittany Dubay

Ozark: "Kevin Cronin Was Here"

Netflix

• Music Editors: Jason Tregoe Newman, Stephen Lotwis

The Queen's Gambit: "Adjournment"

Netflix

• Music Editor: Tom Kramer

Raised By Wolves: "Pilot"

HBO Max

• Music Editors: James Bladon, Lewis Morison, David Menke

 

Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR

Better Call Saul: "Something Unforgivable"

AMC

• Supervising Sound Editor: Nick Forshager, MPSE
• Supervising ADR Editor: Kathryn Madsen, MPSE
• Dialogue Editor: Jane Boegel

Dark – “Life And Death”

Netflix

• Supervising Sound Editor: Alexander Wuertz
• Supervising Dialogue Editor: Thomas Kalbér
• Supervising ADR Editor: Benjamin Hörbe
• Dialogue Editor: Gaston Ibarroule
• ADR Editor: Clemens Nürnberger
•  

Fargo: "The Pretend War"

FX

• Supervising Sound Editor: Nick Forshager, MPSE
• Supervising ADR Editor: Tim Boggs
• Supervising Dialogue Editor: Todd Niesen, MPSE

 

Ozark: "All In"

Netflix

• Supervising Sound Editor: Nick Forshager, MPSE
• Dialogue Editor: Todd Niesen, MPSE
• ADR Editor: Steve Grubbs

 

Star Trek: Picard "The Impossible Box"

CBS All Access

• Supervising Sound Editor: Matthew E. Taylor
• Dialogue Editor: Sean Heissinger
•  

The Crown: "Fairytale"

Netflix

• Supervising Sound Editor: Lee Walpole, MPSE
• Dialogue Editor: Jeff Richardson
• ADR Editors: Tom Williams, Steve Little

 

The Queen's Gambit: "End Game"

Netflix

• Supervising Sound Editor: Gregg Swiatlowski
• Dialogue Editor: Eric Hirsch
• ADR Editors: Wylie Statemen, MPSE; Leo Marcil, Eric Hoehn

Westworld: “The Mother of Exiles”

HBO

• Supervising Sound Editor: Sue Gamsaragan Cahill
• Dialogue Editors: Jane Boegel-Koch, Tim Tuchrello

 

Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley

Better Call Saul: "Bagman"

AMC

• Supervising Sound Editors: Nick Forshager, MPSE; Kathryn Madsen, MPSE
• Sound Designer: Todd Toon, MPSE
• Sound Effects Editor: Matt Temple
• Foley Editor: Jeff Cranford
• Foley Artists: Gregg Barbanell, MPSE; Alex Ulrich, MPSE

Devs Episode 3

FX

• Supervising Sound Editors: Glenn Freemantle, MPSE; Ben Barker
• Sound Designer: Glenn Freemantle, MPSE
• Sound Effects Editors: Danny Freemantle, Nick Freemantle, Rob Malone, Dayo James
• Foley Editor: Lilly Blazewicz
• Foley Artists: Peter Burgis, Zoe Freed

Ozark: "All In"

Netflix

• Supervising Sound Editor: Nick Forshager, MPSE
• Sound Effects Editors: Matt Decker, Matt Temple, Mark Allen, MPSE
• Foley Editors: Amy Barber, Jonathan Bruce, Julia Huberman
• Foley Artists: Jonathan Bruce, Ben Parker
•  

The Queen's Gambit: "End Game"

Netflix

• Supervising Sound Editor: Gregg Swiatlowski
• Sound Designers: Eric Hoehn, Patrick Cicero
• Sound Effects Editors: Eric Hirsch, James David Redding III
• Dialogue Editor: Wylie Stateman, MPSE
• Foley Editor: Rachel Chancey

Raised By Wolves: Episode 1

HBO Max

• Supervising Sound Editor: Victor Ennis
• Sound Designer and Effects Editor: Jamey Scott, MPSE
• Foley Artists: Alicia Stevenson, Dawn Lunsford
•  

Star Trek: Discovery "That Hope is You, Part 1"

CBS All Access

• Supervising Sound Editor: Matthew E. Taylor
• Sound Designers: Tim Farrell, Harry Cohen, MPSE
• Sound Effects Editor: Michael Schapiro
• Foley Editors: Clay Weber, Darrin Mann
• Foley Artists: Alyson Dee Moore, Chris Moriana

Star Trek: Picard "Et in Arcadia Ego, Part 2"

CBS All Access

• Supervising Sound Editor: Matthew E. Taylor
• Sound Designers: Tim Farrell, Harry Cohen, MPSE
• Sound Effects Editor: Michael Schapiro
• Foley Editors: Clay Weber, Darrin Mann
• Foley Artists: Alyson Dee Moore, Chris Moriana

Westworld: “The Mother of Exiles”

HBO

• Supervising Sound Editor: Sue Gamsaragan Cahill
• Sound Designer:  Benjamin Cook, MPSE
• Sound Effects Editor: Shaughnessy Hare   
• Foley Editor:  Brendan Croxon
• Foley Artist: Adrian Medhurst  

 

Outstanding Achievement in Sound Editing – Single Presentation

A Christmas Carol

FX

• Supervising Sound Editor: Lee Walpole, MPSE
• Sound Effects Editors: Saoirse Christopherson, Andy Kennedy
• Dialogue Editor: Ian Wilkinson
• Foley Editors: Catherine Thomas, Anna Wright
• Music Editor: Cecile Tournesac

The Comey Rule: Episode 2

Showtime

• Supervising Sound Editors: Andrew DeCristofaro, MPSE; Darren "Sunny" Warkentin, MPSE
• Sound Effects Editors: Mike Payne, MPSE; Hector C. Gika, MPSE
• Foley Editor: Alexander Jongbloed
• Music Editor: David Metzner

Hamilton

Disney+

• Supervising Sound Editor: Tony Volante
• Sound Effects Editor: Dave Paterson
• Sound Designer: Nevin Steinberg
• Music Editors: Dan Timmons, Derik Lee

Into the Dark: The Current Occupant

Hulu

• Supervising Sound Editors: Roland Thai, MPSE; Justin W. Walker, MPSE
• Foley Editors: Amy Barber, Julia Huberman, Richard Wills
• Foley Artist: Jonathan Bruce
• Music Editor: Mark Skillingberg

 

Self Made: Inspired by the Life of Madam C.J. Walker: "The Fight of the Century"

Netflix

• Supervising Sound Editor: Bobbi Banks
• Sound Designers: Ezra Dweck, Paul Menichini, MPSE
• Dialogue Editor: Bernard Weiser, MPSE
• Foley Editor: Butch Wolf
• Foley Artist: Sanaa Kelley
• Music Editor: Stephen Lotwis

Unorthodox: "Part 1"

Netflix

• Supervising Sound Editor: Daniel Iribarren
• ADR Editor: Toby Bilz
• Sound Designers: Sebastian Morsch, Paul Rischer
• Foley Artist: Victor Shcheglov

 

Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form

Batman: Death in The Family

Warner Bros.

• Supervising Sound Editor: Devon Bowman
• Supervising ADR Editor: Mark A. Keatts
• Sound Effects Editors: George Peters, Alfredo Douglas
• Dialogue Editors: Kelly Foley Downs, Patrick Foley
• Sound Designer: Robert Hargreaves
• ADR Editor: John Reynolds
• Music Editor: Christopher Drake

 

The Boss Baby: Back in Business: "Get That Baby"

Netflix

• Supervising Sound Editor: Jeff Shiffman, MPSE
• Sound Effects Editors: Greg Rubin, Ian Howard
• Dialogue Editors: Kerry Iverson-Brody, Xinyue Yu
• Foley Editor: Carol Ma

 

DuckTales: "Let's Get Dangerous!"

Disney

• Supervising Sound Editor: Jeff Shiffman, MPSE
• Sound Effects Editor: Katie Maynard
• Dialogue Editor: Xinyue Yu
• Foley Editor: Carol Ma
•  

The Epic Tales of Captain Underpants: "The Xtreme Xploits of the Xplosive Xmas"

Netflix

• Supervising Sound Editor: Jeff Shiffman, MPSE
• Supervising Dialogue Editor: Kerry Iverson-Brody
• Sound Effects Editors: Greg Rubin, Jessey Drake, MPSE
• Dialogue Editor: Xinyue Yu
• Foley Editor: Carol Ma

 

The Loud House: "Schooled"

Nickelodeon

• Sound Effects Editors: Brad Meyer, MPSE; Tess Fournier, MPSE; Tim Vindigni
• Dialogue Editor: John Deligiannis
• Foley Editor: Carol Ma
•  

Mortal Kombat Legends: "Scorpion's Revenge"

Warner Bros. Animation

• Supervising Sound Editors: Rob McIntyre, MPSE; D.J. Lynch
• Supervising ADR Editor: Mark A. Keatts
• Sound Effects Editors: Lawrence Reyes, Roger Pallan
• Dialogue Editors: Mike Garcia, Kelly Foley Downs, David M. Cowan, Patrick Foley
• Sound Designers: Marc Schmidt, Evan Dockter
• ADR Editors: Mark Mercado, Jon Abelardo
• Foley Editors: Roberto Allegria, Derek Swanson

 

To Your Last Death

Coverage Ink / Quiver Distr.

• Supervising Sound Designer and Editor: Michael Archacki
• Sound Editor: Matthew Schaff, MPSE

 

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

Be Water

ESPN

• Supervising Sound Editor: Nas Parkash

Beastie Boys Story

Apple TV+

• Supervising Sound Editor: Martyn Zub, MPSE
• Sound Effects Editors: Paul Aulicino, MPSE

Bruce Springsteen's Letter to You

Apple TV+

• Supervising Sound Editor: Steve Urban, MPSE
• Music Editor: Brandon Duncan

High Score Ep.1 Boom & Bust

Netflix

• Supervising Sound Editor: Keith Hodne

Jeffrey Epstein: Filthy Rich: "The Island"

Netflix

• Supervising Sound Editor: R. Hollis Smith

The Last Dance Ep.1

Netflix

• Supervising Sound Editor: Keith Hodne

Laurel Canyon: A Place in Time: "Episode 1"

EPIX/Amblin

• Supervising Sound Editor: Jonathan Greber
• Sound Effects Editor: Lucas Miller

 

Outstanding Achievement in Sound Editing – Non-Theatrical Feature

Bad Education

HBO

• Supervising Sound Editor: Gene Park
• Sound Effects Editor: Ric Schnupp
• Dialogue Editor: Craig Kyllonen
• ADR Editor: Colin Alexander, MPSE
• Music Editor: Shari Johanson, MPSE

Bliss

Amazon

• Supervising Sound Editors: Steve Boeddeker, Lee Salevan
• Dialogue Editor: Michael Feuser
• ADR Editor: Lidia Tamplenizza
• Foley Editor: Igor Nikolić
• Foley Artist: Jay Peck

Blow the Man Down

Amazon

• Supervising Sound Editor: Chris Foster
• Dialogue Editors: Matt Rigby, Michael Flannery
• ADR Editors: John Bowen, Nora Linde
• Foley Editor: Laura Heinzinger
• Music Editor: Brian McOmber

The Bygone

Tubi

• Supervising Sound Editor: David Barber, MPSE
• Sound Effects Editors: Ben Zarai, Roland Thai, MPSE; George Haddad, MPSE; Dave Eichhorn
• Foley Editor: Michael Kreple
• Foley Artists: Gonzalo "Bino" Espinoza, David Kitchens, MPSE

Christmas On the Square

Netflix

• Supervising Sound Editor: Trip Brock, MPSE
• Supervising ADR Editor: Jacob Ortiz, MPSE
• Sound Effects Editor: Raymond Park, MPSE
• Dialogue Editors: Jackie Johnson, Bruce Stubblefield
• Supervising Music Editors: Marc S. Perlman, MPSE; Michael T. Ryan, MPSE
• Music Editor: Tom Ruttledge, Michael Farrow

Safety

Disney

• Supervising Sound Editors: Christopher S. Aud, MPSE; Byron Wilson
• Sound Effects Editors: Phil Barrie, Greg ten Bosch, MPSE; Aaron Glascock
• Dialogue Editor: Daniel Saxlid, MPSE
• Foley Editor: Terry Rodman, MPSE
• Supervising Music Editor: Steve Durkee

Troop Zero

Amazon

• Supervising Sound Editors: Erin Oakley, Sean McCormick
• Sound Effects Editors: Paul Pirola, Andrew Neil, Dylan Barfield
• Dialogue Editors: Robert Chen, Will Riley, MPSE
• Foley Editor: Troy Mauri
• Foley Artist: Adrian Medhurst

 

The Ultimate Playlist of Noise

Hulu

• Supervising Sound Editor: Odin Benitez, MPSE
• Supervising ADR Editor: Ryan Briley
• Sound Designer: Russell Topal, MPSE
• Foley Editor: Rustam Gimadlyev
• Foley Artists: Bogdan Zavarzin, Natalia Syeryakova
• Music Editor: Katerina Tolkishevskaya

Outstanding Achievement in Sound Editing – Computer Cinematic

Destiny 2: Beyond Light

Bungie Studios

• Director of Sound Design: David Henry
• Music Editors: Skye Lewin, MPSE; Michael Salvatori, Josh Mosser, Michael Sechrist
• Supervising Sound Editors: Adam Boyd, MPSE; Bryen Hensley, MPSE; Evan Buehler
• Dialogue De-noising: Josh Mosser               
• Sound Designer: Stosh Tuszynski, Katie Waters, MPSE; Nick Interlandi, John Loranger, Jon Persson

Ghost of Tsushima

Sony Interactive Entertainment

• Supervising Sound Editor: Glen Gathard
• Dialogue Lead: Kyle Richards 
• Sound Designers: Adam Oakley, Jimmy Boyle, Peter Hanson, Rowan Watson
• Sound Editors: Dora Filipovic, Sophia Leader, George Lee, James Hayday, George Riley, Stefano Marchetti
• Foley Artists: Zoe Freed, Rebecca Heathcote 
• Foley Editor: Jemma Riley-Tolch 

The Last of Us Part II

Sony Interactive Entertainment

• Supervising Sound Editor: Shannon Potter
• Sound Effects Editors: Patrick Ginn, Kyle Bailey, Michael Finley, Chad Bedell, Eric Paulsen, Keith Bilderbeck, Jim Diaz
• Foley Artists: Dawn Fintor, Alicia Stevenson
• Audio Director: Robert Krekel
• Sound Designers: Justin Mullens, Beau Jimenez, Neil Uchitel, Jesse Garcia, MPSE; Michael Marchisotto
• Supervising Music Editors: Rob Goodson, Scott Shoemaker
• Music Editors: Anthony Caruso, Tyler Crowder, Sonia Coronado, Adam Kallibjian, Adam Kallibjian, James Zolyak, Ted Kocher, Scott Bergstrom, Tao-Ping Chen

Ori and the Will of the Wisps: Willow Ceremony

Xbox Game Studios

• Audio Director: Kristoffer Larson
• Audio Lead: Guy Whitmore, Alexander Leeman Johnson

Spider-Man: Marvel’s Miles Morales

Sony Interactive Entertainment

• Supervising Sound Editor: Emile Mika, Csaba Wagner, Samuel Justice
• Sound Designers: Zack Boguki, Aaron Sanchez, Jeff Darby, Nate Bonisteel, Gary Miranda, Mark MacBride
• Supervising Music Editor: Rob Goodson
• Dialogue Leads: Patrick Michalak, Ryan Schaad
• Audio Leads: Dwight Okahara
• Dialogue Editors: Tim Schumann, Alyssa Galindo, Tyler Held, Michelangelo Muscariello, Jaime Marcello
• Supervising Music Editor: Scott Shoemaker
• Music Editors: Tao Ping Chen, Andrew Buresh, Ernest Johnson, Ted Kocher, Sonia Coronado, Scott Bergstrom, Tyler Crowder, Adam Kallibjian, James Zolyak

Star Wars Jedi: Fallen Order

Electronic Arts

• Supervising Sound Editor: Bryan O. Watkins
• Supervising Music Editor: Nick Laviers
• Sound Designers: Mitchell Osias, Ben Burtt, Michael C. Schapiro, Luis Galdames, MPSE; Nick Von Kaenel, Sam Bird, Oscar Coen, Paxson Helgesen
• Supervising Foley Editor: Caron Weidner                     
• Foley Editors: Eric Lindemann, Darren Maynard, MPSE; Matthew Klimek, MPSE
• Foley Artists: Chris Moriana, Alyson D. Moore
• Dialogue Lead: Harrison Deutsch
• Dialogue Editors: Dan P. Francis, Garrett Montgomery, MPSE; Stefan Kovatchev, Nicholas Friedemann, Harrison Deutsch
• Music Editors: Nick Laviers, Kory McMaster

Outstanding Achievement in Sound Editing – Computer Interactive Game Play

Ghost of Tsushima

Sony Interactive Entertainment

• Audio Director: Rev. Dr. Bradley D Meyer
• Audio Lead: Adam Lidbetter
• Supervising Music Editors: Peter Scaturro, Keith Leary
• Music Editors: Andrew Buresh, Adam Kallibjian, Nicholas Mastroianni, Sonia Coronado, Ted Kocher
• Dialogue Lead: Kyle Richards
• Dialogue Editors: Heather Plunkard, Kevin McClelland, Bianca Salinas
• Sound Designers: Josh Lord, Mike Niederquell, Erik Buensuceso, Safar Bake, Andres Herrera, Michelle Thomas, Michael Pitaniello, Tye Hastings, Rob Castro

The Last of Us Part II

Sony Interactive Entertainment

• Audio Director: Robert Krekel
• Supervising Sound Editor: Shannon Potter
• Supervising Dialogue Editors: Maged Khalil Ragab
• Supervising Music Editor: Rob Goodson, Scott Shoemaker
• Sound Designers: Neil Uchitel, Beau Jimenez, Justin Mullens, Jesse Garcia, MPSE; Michael Marchisotto, Derek Brown, Jordan Denton
• Dialogue Editors: Grayson Stone, Julius Kukla, Thomas Barrett, Jaime Marcelo, Erik Schmall, Duncan Brown, Cesar Marenco
• Foley Editors: Eolyne Arnold, MPSE
• Sound Effects Editors: Patrick Ginn, Michael Finley, Kyle Bailey
• Music Editors: Anthony Caruso, Tyler Crowder, Tao-Ping Chen, Sonia Coronado, Adam Kallibjian, Samuel Marshall, James Zolyak, Ted Kocher, Scott Bergstrom
• Foley Artists: Dawn Fintor, Alicia Stevenson

Spider-Man: Marvel’s Miles Morales

Sony Interactive Entertainment

• Supervising Music Editors: Rob Goodson
• Supervising Sound Editors: Emile Mika
• Audio Lead: Jerry Berlongieri, Jamie McMenamy
• Dialogue Lead: Patrick Michalak, Ryan Schaad
• Sound Designers: Herschell Bailey, Blake Johnson, David Yingling, Brooke Yap, Tyler Cornett, Johannes Hammers, Ryan See, Zack Boguki, Aaron Sanchez, Jeff Darby, Nate Bonisteel
• Dialogue Editors: Tim Schumann, Tyler Held, Michelangelo Muscariello, Jaime Marcello
• Music Editors: Tao Ping Chen, Andrew Buresh, Ernest Johnson, Ted Kocher, Scott Shoemaker, Sonia Coronado, Scott Bergstrom, Tyler Crowder, Adam Kallibjian, James Zolyak

Star Wars Jedi: Fallen Order

Electronic Arts

• Sound Designers: Nick Von Kaenel, Kevin Notar, Stefan Kovatchev, Oscar Coen, Paxson Helgesen, Sam Bird, Caron Weidner, Mike Schapiro, Ben Burtt, Nick Laviers, Christopher Clanin, Erick Ocampo, Jeremy Rogers, Steve Johnson

Outstanding Achievement in Sound Editing – Animation Short Form

Archer “Cold Fusion”

FX

• Sound Designers: JC Richardson, Pierre Cerrato
• Music Editor: JG Thirlwell
•  

Baba Yaga

Amazon

• Supervising Sound Editor: Scot Stafford
• Sound Designer: Andrew Vernon, Jamey Scott, MPSE
• Sound Effects Editor: Brendan Wolf
• Music Editor: Rex Darnell

The Boss Baby: Back in Business: “Escape From Krinkles”

Netflix

• Supervising Sound Editor: Jeff Shiffman, MPSE
• Sound Effects Editors: Greg Rubin, Ian Howard
• Dialogue Editors: Kerry Iverson-Brody, Xinyue Yu
• Foley Editor: Carol Ma

Canvas

Netflix

• Supervising Sound Editors: Andre Fenley, Jermaine Stegall
• Sound Designer: Justin Pearson
• Sound Effects Editor: Andrew Vernon
• Foley Artist: Frank Aglieri-Rinella

Clone Wars: The Phantom Apprentice

Disney+

• Supervising Sound Editors: Matthew Wood, David Acord
• Sound Effects Editor: Kimberly Patrick
• Foley Editor: Frank Rinella
• Foley Artist: Margie O’Malley
• Dialogue Editor: Tony Diaz
• Music Editor: Peter Lam

Star Trek: Short Trek “Ephraim and Dot”

CBS All Access

• Supervising Sound Editor: Matthew E. Taylor
• Sound Designer: Tim Farrell, Harry Cohen, MPSE
• Music Editor: Moira Marquis, Stan Jones
• ADR Editor: Sean Heissinger

Wizards: “Spellbound”

Netflix

• Supervising Sound Editors: James Miller, Otis Van Osten
• Foley Editor: Tommy Sarioglou, Aran Tanchum
• Dialogue Editors: Carlos Sanches, Jason Oliver
• Foley Artist: Vincent Guisetti

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Kadalin Kural

Annapurna College of Film and Media

• Supervising Sound Editor: Vandana Ramakrishna
• Dialogue Editor: Vandana Ramakrishna
• Supervising Music Editor: Vandana Ramakrishna
• Sound Designer: Vandana Ramakrishna
• Sound Effects Editor: Vandana Ramakrishna
• Foley Artist: Varun Arsid

Lakutshon’ Ilanga (When the Sun Sets)

Dodge College of Film and Media Arts

• Supervising Sound Editor: Andree Lin
• Sound Designer: Andree Lin
• Foley Artist: Andrew Gutierrez

Las Escondidas

Chapman University

• Supervising Sound Editor: Karthik Mohan Vijaymohan

Listen to Us

SCAD

• Supervising Sound Editor: Juliana Henao
• Sound Effects Editor: Dominique Maio
• Dialogue Editors: Juliana Henao
• Music Editor: Nia R. Dawson

Meow or Never!

The National Film and Television School

• Supervising Sound Designer and Editor: Harry J.N. Parsons

O Black Hole!

The National Film and Television School

• Supervising Sound Designer and Editor: Ed Rousseau

Phantom Spectre

USC School of Cinematic Arts

• Supervising Sound Editor: Paul J. Vogel, MPSE
• Dialogue Editors: Ryan Vaughan, MPSE; Audrey Gu
• Foley Artist: Isa Vogel, Miska Kajanus

The Unknown

The National Film and Television School

• Supervising Sound Editor: Yin Lee
• Sound Designer: Yin Lee

About MPSE
Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.