Sound professionals from the worlds of features, television, animation, documentary and computer interactive entertainment were honored tonight as the Motion Picture Sound Editors presented the 60th MPSE Golden Reel Awards. Bobbi Banks, now in her eighth year as MPSE President, opened the awards ceremony, held at the Westin Bonaventure Hotel and Suites in Los Angeles, which recognized outstanding achievement in sound editing in 22 categories.
Director Ang Lee was honored with the Filmmaker Award. It was presented by his Life of Pi collaborators (and current Oscar nominees), editor Tim Squyres, visual effects supervisor Bill Westenhofer and cinematographer Claudio Miranda. Foley artist John Roesch received the MPSE’s 2013 Career Achievement Award. It was presented by Charles L. Campbell, the 2012 recipient of the award. Roesch is the first Foley artist to receive MPSE’s Career Achievement Award.
Supervising sound editors Ethan Van der Ryn and Erik Aadahl awarded a special scholarship in the name of the late Oscar-winning sound editor Mike Hopkins. Other presenters included sound artists Jeremy J. Gordon, Joanie Diener, Frank Morrone, Sam Crutcher, Charlie Crutcher, Mark Lanza, Mandell Winter, Glenn T. Morgan, Ben Wilkins, Cece Hall and Doc Kane.
2013 Golden Reel Award Winners
Feature Film Category
BEST SOUND EDITING: MUSIC IN A FEATURE FILM
LIFE OF PI (20TH CENTURY FOX)
Directed by: Ang Lee
Produced by: Gil Netter, Ang Lee, David Womark
Music Editor: Erich Stratmann
Additional Music Editor: Mitch Bederman
BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM
LES MIS๏ฟฝRABLES (UNIVERSAL PICTURES)
Directed by: Tom Hooper
Produced by: Eric Fellner, Tim Bevan, Debra Hayward, Cameron Mackintosh
Supervising Music Editor: Gerard McCann
Co-Supervising/Vocals Editor: John Warhurst
Music Editors: Rob Houston, James Bellamy, Rael Jones
Vocals Editors: Tim Hands, Alastair Sirkett
BEST SOUND EDITING: DIALOGUE AND ADR IN A FEATURE FILM
LIFE OF PI (20TH CENTURY FOX)
Directed by: Ang Lee
Produced by: Gil Netter, Ang Lee, David Womark
Supervising Sound Editors: Eugene Gearty, Philip Stockton, M.P.S.E.
Supervising ADR Editor: Kenton Jakub
BEST SOUND EDITING: SOUND EFFECTS AND FOLEY IN A FEATURE FILM
SKYFALL (COLUMBIA PICTURES)
Directed by: Sam Mendes
Produced by: Barbara Broccoli, Michael G. Wilson
Supervising Sound Editors: Per Hallberg, M.P.S.E., Karen Baker Landers
Sound Designers: Peter Staubli, M.P.S.E.,
Christopher Assells, M.P.S.E.
Supervising Foley Editor: Craig S. Jaeger, M.P.S.E.
Foley Artists: Dan O’Connell, John Cucci
Sound Effects Editors: Dino R. DiMuro, M.P.S.E., Daniel Hegeman,
Bill R. Dean, M.P.S.E., Piero Mura
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN AN ANIMATION FEATURE FILM
WRECK-IT RALPH (WALT DISNEY STUDIOS MOTION PICTURES)
Directed by: Richard Moore
Produced by: Clark Spencer, John Lasseter
Supervising Sound Editor: Frank Eulner
Sound Designer: Gary Rydstrom, M.P.S.E.
Supervising Foley Editor: Luke Dunn-Gielmuda
Foley Artists: Dennie Thorpe, Jana Vance
Supervising Dialogue Editor: Marshall Winn
Sound Effects Editors: J.R. Grubbs, E.J. Holowicki, David Chrastka
Foley Editor: Dee Selby
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR IN A FEATURE FOREIGN LANGUAGE FILM
RUST & BONE (UGC DISTRIBUTION)
Directed by: Jacques Audiard
Produced by: Pascal Caucheteux, Jacques Audiard
Sound Designer: Pascal Villard
Foley Artist: Phillipe Penot
Sound Effects Editors: David Vranken, Nikolas Javelle
Dialogue Editor: Caroline Reynaud
BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE, ADR AND MUSIC IN A FEATURE DOCUMENTARY
LAST CALL AT THE OASIS (ATO PICTURES)
Directed by: Jessica Yu
Produced by: Elise Pearlstein
Supervising Sound Editor: Peter Brown
Sound Effects Editor: Paul Aulicino, M.P.S.E.
Dialogue Editor: Glynna Grimala
Music Editor: Kim Roberts
