The ALEXA digital camera system has quickly been embraced as an industry workhorse lauded for its cinematic look, unsurpassed dynamic range and ease of use. More and more productions are taking advantage of ALEXA’s ARRIRAW capability to access full sensor resolution, raw uncompressed data and the greatest flexibility in post. ARRIRAW is the highest quality recording format when shooting with ALEXA, storing the full 2880 x 1620 pixels of raw, unprocessed 12 bit log Bayer data delivered by the sensor.
With the Codex ARRIRAW Onboard recorder, filmmakers can rely on award-winning technology and dependability from the very first company to receive T-Link (Transport Link) certification for ALEXA. The Codex ARRIRAW Onboard recorder is now available through ARRI and its authorized resellers. This capture combination has been implemented with stellar results on productions including:
EXTREMELY LOUD & INCREDIBLY CLOSE, Dir. Stephen Daldry, DP Chris Menges BSC, ASC
THE WETTEST COUNTY IN THE WORLD, Dir. John Hillcoat, DP Benoit Delhomme AFC
HANSEL AND GRETEL: WITCH HUNTERS 3D, Dir. Tommy Wirkola, DP Michael Bonvillain ASC
ABRAHAM LINCOLN: VAMPIRE HUNTER, Dir. Timor Bekmambetov, DP Caleb Deschanel ASC
THE AVENGERS, Dir. Joss Whedon, DP Seamus McGarvey BSC, ASC
21 JUMP STREET, Dir. Phil Lord, DP Barry Petersen CSC
GRAVITY, Dir. ALFONSO CUARON, DP Emmanuel Lubezski AMC, ASC
GAMBIT, Dir. Michael Hoffman, DP Florian Ballhaus
WORLD WAR Z, Dir. Marc Forster, DP Robert Richardson ASC
ROCK OF AGES, Dir. Adam Shankman, DP Bojan Bazelli
HE LOVES ME, Dir. Jonathan Dayton and Valerie Faris, DP Matthew Libatique, ASC
THIS IS FORTY, Dir. Judd Apatow, DP Phedon Papamichail, ASC
THE DICTATOR, Dir. Larry Charles
AMOUR, Dir. Michael Haneke, DP Darius Khondji AFC, ASC
47 RONIN, Dir. Carl Rinsch, DP John Mathieson BSC
GODS BEHAVING BADLY, Dir. Marc Turtletaub, DP Tak Fujimoto, ASC.
WHAT TO EXPECT WHEN YOU’RE EXPECTING, Dir. Kirk Jones, DP Xavier Perez Grobet,
ASC
GREAT HOPE SPRINGS, Dir.David Frankel, DP Florian Balhous, ASC
GANGSTER SQUAD, Dir.Ruben Fleischer, DP Dion Beebe, ASC
From dramas and comedies to summer blockbusters and musicals, this sampling of
filmmakers represents 34 combined Oscar nominations. For truly cinematic storytelling,
ARRIRAW offers significant advantages in terms of achievable resolution, post
production flexibility and archivability for feature films, episodic television and
commercials.
ARRI’s collaboration with dozens of third parties and post facilities has developed tools to extensively support the recording format with the ARRIRAW Partner Program. For
more information, go to www.arridigital.com.
About ARRI
With headquarters located in Munich, Germany, Arnold and Richter Cine Technik (A&R) was founded in 1917 and is the world’s largest manufacturer and distributor of motion picture camera, digital intermediate (DI) and lighting equipment. The ARRI Group comprises a global network of subsidiaries, agents and representatives that covers all aspects of the film industry: design, engineering, production, equipment rental, turnkey lighting solutions, postproduction, visual effects, film and sound laboratory services. Manufactured products include the ground-breaking ALEXA digital camera system, film cameras, professional camera accessories, cutting-edge LED lighting, DI solutions such as the ARRISCAN and archive tools. The Academy of Motion Picture Arts and Sciences has recognized ARRI technologies and continual innovation with 16 Scientific and Engineering Awards. For locations and more information please visit www.arri.com.
