Visual Effects Studio Teams with DNA and Panasonic to Create Dream World
Ingenuity Engine – an artist driven and owned visual effects studio – completed extensive work on the 3D music video for “Wide Awake,” which was written for the 3D “Katy Perry: Part of Me” film which opened on July 5. The video was directed by Tony T. Datis of production company DNA.
Ingenuity Engine delivered a wide range of shots in both 2D and 3D for the elaborate fantasy video that takes Perry on a journey through her imagination. “Wide Awake” begins with Perry completing the video for “California Gurls.” When she gets back to her dressing room, she falls into another world. In that magical place, she meets a younger version of herself, and the two face obstacles together while they make their way through an elaborate 3D labyrinth.
“All of the visuals we created for “Wide Awake” had to start as 3D elements,” explains David Lebensfeld, Ingenuity Engine creative director. “With fast-paced music videos like this, we generally use a lot of 2D elements and spend most of our time in compositing, but for “Wide Awake” all of the smoke, particle effects, and matte paintings had to be created in 3D and rendered for both eyes, which required significantly more work in the same tight schedule.”
Ingenuity Engine delivered over 140 shots in less than three weeks, including matte paintings, set extensions, various smoke, fog, fireworks and sparks effects, as well as CG elements, including a flock of CG butterflies that fly off Perry’s dress.
“To create the flock we modeled several unique butterflies, using reference photography taken on set,” says Lebensfeld. “Then these individual butterflies were rigged and animated with an initial flight cycle, which was augmented in a particle system to give each butterfly its own unique animation and flight path. Hero foreground butterflies were hand animated to facilitate the transition to the next scene and to take advantage of the depth we were working with in 3D.”
Compositing for "Wide Awake" was done in The Foundry’s NUKE and NUKEX, and tracking was completed in Andersson Technologies’ SynthEyes(tm). The CG was created in Autodesk® 3ds Max® along with Sitni Sati’s Fume and Thinkbox Software’s Krakatoatm.
"We are lucky to have a long history with DNA. Working closely with Tony and the DNA team allowed us to visualize and then execute the look they imagined," adds Grant Miller, Ingenuity Engine creative director. "Because of the fast-paced nature of the music video industry, speed is essential. We are very proud that we were not only able to deliver this caliber and quantity of work with a very tight post schedule, but in stereo as well. There is talk that "Wide Awake" is going to set the benchmark for 3D music videos, and I think they’re setting that bar really high."
The video is currently airing worldwide and can be seen at www.katyperry.com. Panasonic will showcase the 3D version of “Wide Awake” at consumer electronics trade shows, including IFA in Berlin as well in stores with Panasonic VIERA TVs on display around the world starting this fall.
Credits
Artist: Katy Perry
Song: Wide Awake
Label: Capitol Records
Video Commissioner: Danny Lockwood
Director: Tony T Datis
Production Company: DNA
Producer: Dawn Rose and Danny Lockwood
Director of Photography: Stéphane Vallé
Stereographer: Glen Macpherson
Consultant for Panasonic: Ray Hannisian
Production Designer: Benjamin Bamps
Editor: Jarrett Fijal at Bonch
Telecine: Company 3
Colorist: Dave Hussey
Visual Effects: Ingenuity Engine
Creative Directors: Grant Miller and David Lebensfeld
VFX Producer: Oliver Taylor
Executive Producer: Matthew Poliquin
Lead Compositor: Nicholas Sorenson
Compositor: Nicholas Daniels
Lead CG Artist: John Martini
Lighting TD: Ryan Lathey
You can find more about Ingenuity Engine at www.ievfx.com, on Facebook or on Twitter.
Contact:Sally Christgau (415)238-2254 Contact Sally via email
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More