Getty Images has today announced the winners of its annual Mishmash music/video/ remix competition. The competition, which launched in January, received 300 entries from around the world, with winners being divided between three regions: EMEA (Europe, Middle East and Africa), the Americas and Asia Pacific, with one global overall winner also selected.nnJason Harper’s entry, In This Shop, which explores the place of a local business in modern day American society and is set to a poem by Mark Anthony Thomas, was awarded the Global Grand Prix title, which chairman of the jury and R/GA, Chief Creative Officer, Nick Law described as “beautifully modulated, intimate and simple.” nnnnOther winners include:nnGlobal Grand Prix and Americas: Jason Harper from the US for In This ShopnnAPAC: Marcia Hawira from New Zealand for NataliannEMEA: Blake Dixon from the United Kingdom for The Newton N. Minow ExperiencennPublic vote prize: Bartolome Barrero from Spain for Mother Nature whose work received 3350 votes from the public. nnEach of the winning entries cleverly blurred the lines between imagery and video to create works which both impressed and challenged the judges with their creativity, story-telling techniques, slick editing and innovative subject matter. nnAndrew Saunders, Senior Vice President, Creative Content, Getty Images said: “Once again we have had an overwhelmingly positive response to Mishmash, which never fails to produce work that both inspires and surprises us. The high calibre of films really showcases our creative and engaging content and we feel that the shortlisted entries demonstrate the evolution of video and media as a growing and highly engaging communication platform. A huge congratulations to all of our winners.”nnGetty Images received over 300 submissions from creatives in over 50 countries – an increase of 250 per cent compared with the 2010 competition. nnNew for 2012, Mishmash entrants could choose to enter one of three categories: short story, music video or video art. Each film, which needed to be between one and three minutes long, was created using Getty Images video, music and imagery content.nnThe competition, which ran for two months, was judged by 29 of the world’s leading music, technology and film production professionals and was chaired by R/GA’s, Global Chief Creative Officer, Nick Law. Other judges included:n n· Ignacio Oreamuno, President, I have an idean· Nate Lanxon, Online Editor, Wiredn· Leading Bollywood film producer Aashish Singh from Yash Raj FilmsnnFor more information on the Mishmash competition, or to view the award-winning entries, visit www.gettyimages.com/mishmash nnAbout Getty ImagesnGetty Images is one of the world’s leading creators and distributors of still imagery, video and multimedia products, as well as a recognized provider of other forms of premium digital content, including music. Getty Images serves business customers in more than 100 countries and is the first place creative and media professionals turn to discover purchase and manage images and other digital content. Its award-winning photographers and imagery help customers produce inspiring work which appears every day in the world’s most influential newspapers, magazines, advertising campaigns, films, television programs, books and Web sites. Visit Getty Images at www.gettyimages.co.uk to learn more about how the company is advancing the unique role of digital media in communications and business, and enabling creative ideas to come to life.
Bite Communications on behalf of Getty Images Kate Flannery Contact Kate via email
Pioneering The Visual Narrative: Bobola Oniwura’s Impact on Nollywood’s Cinematic Evolution
Nollywood is in the middle of a visual revolution, and at its core is Bobola Oniwura, the mastermind behind some of the industry’s most striking cinematic transformations. Oniwura is a pioneering colorist whose unique approach to film aesthetics has set new standards for how Nigerian stories are told on screen. From the gritty realism of King of Boys: The Return of the King to the vibrant energy of A Tribe Called Judah, Oniwura’s work has become synonymous with a new era of cinematic excellence, one where color grading is no longer an afterthought but a defining narrative tool. The film industry in Nigeria known as Nollywood has grown into one of the most prolific cinematic powerhouses in the world. Producing thousands of films annually, it ranks alongside Hollywood and Bollywood in terms of output. Once characterized by rapid, low-budget productions, Nollywood has undergone a remarkable transformation, embracing higher production values, diverse storytelling, and international recognition. The industry’s films now command global audiences, made possible by platforms like Netflix and Amazon Prime, and receiving acclaim at major festivals. This evolution has been fueled by creatives like Oniwura, who are redefining the post-production technical standards of Nigerian films. His impact extends beyond the color suite. Drawing on his background in Architecture and user experience research, Oniwura approaches color grading with an acute understanding of audience perception, crafting visual experiences that enhance storytelling, evoke emotion, and immerse viewers in the rich textures of Nigerian culture. His ability to merge technical precision with artistic intuition has positioned him as one of the most sought-after colorists in Nollywood... Read More