Writing the script. Finding the right cast. Scouting locations. These are essential steps for filmmakers, large and small. However, there’s another, lesser known activity that is just as important, perhaps more so: finding the right insurance provider.
While not as fun as editing special effects or spending a day on set, obtaining film insurance cannot be overlooked. In the best case, a robust policy will have maximum coverage at an affordable price. Without it, you’re left vulnerable to a variety of risks.
One very common risk is injury to those who are not involved in your production. Your cast and crew will be covered under workers compensation. But what about someone that happens to be passing by the set and ends up hurt? General liability insurance is your answer, particularly if you’re in a public setting.
Public filming almost always requires a permit and most regulatory bodies will not grant one, unless general liability coverage is in place.
There’s also a plethora of equipment to worry about, including: cameras, lighting, tripods, microphones, cables, rigs, stabilizers and so much more. None of this comes cheap and there’s always the chance it may get lost, stolen or damaged. Luckily, film equipment insurance will cover any rented or owned equipment.
Once a film, television show or commercial is complete, the typical goal is to distribute the work for some financial benefit. That may prove difficult without Media Liability (Errors & Omissions) insurance.
This is a critical policy for defending your work against copyright claims and any legal liabilities related to alleged unauthorized use of titles, formats, ideas, characters, plots and breach of contract. It also provides coverage for any alleged plagiarism and unfair competition.
Film insurance coverage isn’t limited to the latest Hollywood blockbuster. It’s available to any person or organization that plans to film video for distribution. That includes a wide range of independent film projects: short documentary episodes, travel shows, cooking shows or even advertisements for the local car dealership.
Nowadays theaters and televisions are far from the only place to present content. Video is everywhere from social media to streaming services to a screen in the back of a taxi cab. In 2021 anyone can be a content creator and if you can put it to video — film insurance will cover it.
While COVID-19 did bring almost all production to a screeching halt, every aspect of the business, film insurance included, is back up and running. People did not stop developing pitches and writing scripts. What we’re experiencing today is a significant surplus of content that’s begging to be filmed.
For each and every production, film insurance is an essential tool to guard against any potential risks.
Aaron Ma is Vice President of Take1 Insurance. Since 1985, Take1 Insurance provides entertainment insurance to the film and television production industry as well as to audio-video and communications industry clients, with experience in both underwriting and broking. Take1's experience includes film and television production companies; DICE (documentary, infomercial, commercial, educational) producers; touring entertainers; venues; concert promoters; sports and motorsports; video game developers; meeting planners, event producers, and specialty rental operations focused on audio, visual, lighting, sound, grip and production
Asian World Film Festival (AWFF) Announces 2024 Film Line-Ups
Theย Asian World Film Festival (AWFF)ย announced the festivalโs Main Competition and Short Film lineups; select, noteworthy screenings; special program highlights; and centerpiece film. Celebrating its 10thย anniversary of showcasing Asian film from around the world, AWFF will take place November 13-21, 2024, at The Culver Theater in Culver City, CA. The nine-day festival will present narrative and documentary motion pictures and short films from 27 countries, including four that premiered at the 2024 Cannes Film Festival. More than 30 of the screenings will feature live Q&As with the filmmakers, talent, and crew. Georges N. Chamchoum, AWFF Executive Director, said, โWe are very grateful to the filmmakers around the world supporting this yearโs line-up with more than 60 narrative and documentary films. The AWFF continues to open the window to the region of Asia as well to showcase Asian-American talent through our range of programs. I am amazed at the depth and breadth of the work on the AWFF schedule this year.โ AWFF Main Competition The Main Competition will exclusively include sixteen motion pictures submitted for the 97thย Academy Awardยฎ for Best International Feature Film. Snow Leopard trophies will be awarded for Best Film, Best Actor, Best Actress, Special Jury Prize, and Audience Award. The Best Cinematography winner will receive a $45,000 Panavision Camera Package... Read More