Award-winning music company Endless Noise and its founder/composer Jeff Elmassian have produced the music featured within a new web commercial promoting Samsung’s Galaxy Note, for agency Cheil USA. The music was produced by Endless Noise through the process the company calls “Rendered Noise.” The spot debuted on the web May 22nd. nnEntitled “Olympic Drums” and starring David Beckham, the spot features Beckham as he kicks a series of soccer balls, in rapid succession, against a wall made of drums. Each time a ball hits a drum, a musical note is heard which begins to form the melody of Beethoven’s Symphony No. 9 in D minor, commonly called the Ode to Joy.nn
nnEndless Noise has a specialty in this area of “Rendered Noise” – turning random sounds into musical compositions. To see other examples of “Rendered Noise,” click here.nn”Cheil USA presented Endless Noise with a unique challenge, and they seamlessly drew out the melody of ‘Ode to Joy’ as though Beckham had kicked it himself,” said Lars Bastholm, chief creative officer of Cheil USA. “We couldn’t be happier with how Jeff and his team realistically brought our idea to life.”nnBeckham didn’t actually drum out the song during the production of this spot. That was created in post production by Endless Noise, who mixed in actual studio noises with the song to give the sound some authenticity. Said Jeff Elmassian, composer and Endless Noise founder, "With this type of music, the aim is to make the arrangement and orchestration sound as effortless and organic as possible. It has to feel as if someone would naturally move to the rhythm as though it were a traditionally scored piece of music. Consequently, we were aided by the fact that David Beckham takes choreographic cues quite well. Perhaps a ‘Dancing with the Stars’ turn is in order for him?" nnIn other company news, Endless Noise’s recent work on behalf of Volkswagen has recently resulted in the win of three 2012 Clio Awards. The company won a Gold Clio in the category “Music (Adapted)” for its work on the VW spot “The Bark Side.” Endless Noise’s work also contributed to the winning of a Bronze Clio in “Sound Design” for “The Bark Side,” and a Silver Clio in the category of “Music (Licensed)” for the VW spot entitled “Rocketman.”nnCREDITSnClient: SAMSUNGnTitle: Olympic DrumsnnAgency: Cheil USAnChief Creative Officer: Lars BastholmnGroup Creative Director: Adam WohlnProducer: Teresa WakabayashinnDirector: Jason ZadanProduction Company: ToolnExecutive Producer(s): Brian Latt, Oliver Fuselier, Dustin CallifnnEditorial Company: Cut + RunnEditor: Graham TurnernnMusic and Sound Design: Endless NoisennAbout ENDLESS NOISEnBased in Santa Monica, CA, Endless Noise is an award-winning music and sound design company founded by renowned musician/composer Jeff Elmassian. The company specializes in Original Music, Sound Design, Remix/Mash-up, Sound FX Library, Musical Arranging, and Music Licensing. The studio composes and produces innovative music and sound design for commercials, TV programs, the web, feature films, interactive/multimedia projects and video games.nnClients of Endless Noise include Nike, Coca-Cola, Audi, Lexus, Honda, American Express, Motorola, MasterCard, Nissan and Kyocera to name a few. Building on its Grammy, Cannes Gold Lion, Clio, AICP, D&AD, London International Advertising, ANDY and One Show awards, Endless Noise continues to wow the sonic senses with its mastery of composition, versatility, and fearlessness of pushing the boundaries of music. nnRecent industry recognition includes a 2007 Clio Award for Best Sound Design for its EA Games “Night Sky” spot, an AICP Award for Best Musical Arrangement for Garmin “Moose,” and Nike Russia “Ballerina” as a finalist for the Cannes Gold Lion in 2008. The company’s address is: 1825 Stanford Street, Santa Monica, CA 90404, and the phone is 310.694.8251 or 424.268.4102. For more information, please see: www.endlessnoise.com.
Contact:
Dan Harary The Asbury PR Agency Beverly Hills, CA 310/859-1831 Contact Dan via email
SPW Category:Music and Sound
Who Needs Los Angeles? We Do.
One doesn't have to be a statistician to know that there are fewer commercials being shot in the U.S. today for the American market than ever before, and a dramatic decrease in L.A. in particular. In the last five years, as reported by FilmLA (the office tasked with issuing permits), L.A. commercial production has dipped 31 percent. But here’s the thing: This doesn’t mean that L.A. has lost its importance as the production center of the world. Production in L.A. is vital. It is the go-to. It’s where you can count on access to exemplary crews, a support infrastructure second to none, varied location and backlot options, a large population of on-screen talent and (fairly) predictable weather. The fact is, with overall decline and now the devastation of the fires, we’re on the brink of losing this mainstay resource. Without employment opportunities and now many without homes, talented and trained crew are bound to leave either the industry or the LA area for other opportunities, unless there are enough job opportunities to sustain a solid living. Now is the time when we ALL must support and bolster this community. Production is needed in L.A., now! Of course, advertising is a business, and marketers’ money should be spent as efficiently as possible, BUT we have to think beyond each production and know that if we lose the incredible resource of L.A. production as we know it, then marketers, agencies and the industry loses in the long run. Over the past several days, some agencies have issued directives to production companies that are unilaterally pushing upcoming production options out of L.A. The fact is L.A. is a large area, and many sections of the city and county are not directly impacted... Read More
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