The Art Directors Guild (ADG, IATSE Local 800) has named Production Designer Dawn Snyder as the Guild’s Director of Education & Special Projects, succeeding Casey Bernay. The two are currently working together, creating a smooth transition as Snyder takes over officially on September 1, 2021.
Bernay will stay on in a support role and continues to be involved with the Guild as a member of the Board of Directors and Secretary of the Illustrators and Matte Artists Council.
National Executive Director Chuck Parker noted, “I am thrilled that Dawn Snyder has agreed to take the reins of the ADG Education Program with her thorough Art Department background combined with her teaching experience. Casey Bernay blazed the trail for harnessing the power of Contract Services to provide more than just Safety Training, to the ultimate benefit of not only just Local 800 members, but members of other West Coast locals as well. As Casey moves towards retirement, a seamless transition with Dawn is in the works and the winners will be the members of Local 800 for years to come.”
Snyder said, “After 38 years doing my dream job (as Set Designer, Art Director and Production Designer), I find myself fortunate enough to be able to help craft a program that will educate, strengthen skills, and encourage both current and future members of the Art Directors Guild to succeed in their dream jobs.”
She paid tribute to Bernay for her successful years in the position. The Art Directors Guild has developed, through Bernay, a robust education program which enables members to receive training and develop additional skills related to their work.
Snyder is best known as a TV Production Designer on shows such as Arrested Development, for which she won an Art Directors Guild Award. Other shows include Rush Hour, Imaginary Mary and the Netflix series Best Worst Weekend Ever. Her Set Design credits include Geostorm, Lemony Snicket’s A Series of Unfortunate Events, Van Helsing, Armageddon, Gremlins 2: The New Batch, Caddyshack II and Field of Dreams.
Snyder was recently Professor of Production Design at the Savanna College of Art & Design in Savannah, Georgia and is currently a member of the Adjunct Faculty at AFI.
About the Art Directors Guild:
Established in 1937, the Art Directors Guild (IATSE Local 800) represents 3,000 members who work throughout the world in film, television and theater as Production Designers and Art Directors; Scenic, Title and Graphic Artists; Set Designers and Model Makers; and Illustrators and Matte Artists. The ADG’s ongoing activities include a Film Society screening series, annual “Excellence in Production Design Awards” gala, bimonthly craft magazine (PERSPECTIVE), figure drawing and other creative workshops, extensive technology and craft training programs and year-round Gallery 800 art exhibitions. For the Guild’s online directory and website resources, go to www.adg.org.
Liz Charky Directs a Playful and Reflective Video For Henry Hall’s “Tiny Door”
Directed by Liz Charky, the music video for Henry Hall’s ‘Tiny Door’ is a playful and profound exploration of the song’s intriguing perspective on love. Silly moments and serious heartbreak are skillfully weaved together in a series of cheeky, dreamy, profound, and sometimes psychedelic scenes. “I am a huge fan of love songs that have an unusual, hyper-specific perspective on love,” says Hall. “That’s what I wanted to do with ‘Tiny Door.’ It’s about loving someone unconditionally while recognizing that love is something that isn’t always straightforward — I think that’s something we all attempt to come to terms with in our lives. I thought it was a unique yet universal detail about love and therefore an intriguing subject matter for a song. Even though the song is a ballad at its core, it still has a lighthearted sense of humor to it — that’s really portrayed well by Liz, and Ellin Aldana, our cinematographer.” Charky explains, “When I first listened to the song, I felt it was a love song full of longing with a kind of wishful melancholy. As I spoke with Henry about his intention behind the lyrics and sound, I was assured that I'd need to explore heartbreak in a nuanced way – with a degree of levity and playfulness. For me, falling in and out of love runs the full course of human expression. Love and heartbreak can be so emotionally intense and sometimes lonely, other times quite goofy or liberating. In developing the concept, I focused on both the literal and figurative ways that falling in and out of love might look like. So, you see Henry and co-star Franny Arnautou falling, flying, dancing, raging, winking, smiling, and... Read More