These days it’s rare that employees are happy with the healthcare coverage provided by their company. But when a good-natured boss selects ‘My Plan’ from Medica for his staff, they’re so thrilled that they show their gratitude with an over-the-top party. That’s the scenario of ‘Thank You,’ a :30 spot created by LEVEL, the Minneapolis-based brand and advertising agency – and woven together into an outrageous comedic vignette by CRASH+SUES’ editorial and color correction team.nnThe spot features a group of enthusiastic employees throwing a thank you party for the boss and presenting him with stacks of gifts – from a pyramid of ‘Best Boss’ coffee mugs to an enormous cake adorned with sparklers. To top off the festivities, one employee marches in with the party gift that the child in everybody longs for: a pony. The cast of comedic actors, outrageous set-ups and rapid-fire gags makes the spot an explosion of good times.nnLEVEL‘s creative director, Gregg Byers and senior copywriter, Craig Roads, put together a top-notch team for this project, including producer Wendy Johnson. Director Grady Cooper, best known for directing episodes of the award-winning television series, “The Office” and “Curb Your Enthusiasm,” as well as feature films and documentaries, purposefully overshot the action, providing CRASH+SUES with an abundance of footage to choose from. nn”Greg’s humor and sarcasm always brightens up my dark room,” says SUE, CRASH+SUES’ senior colorist. “For this spot we went for color with a natural look, took down the saturation on some of the brightly color objects, while leaving the skin tones healthy. We also did a few windows to help out dark areas. The footage was very sharp, but the biggest challenge working with the moiré from the office blinds. It looked great in HD but in SD it was a bit buzzy. So I used the DVO tools from my Digital Vision Nucoda FilmMaster to roll off the high frequency’s and calm things down for SD.”nnnnCRASH+SUES began collaborating with LEVEL early in the creative process, when Byers and Cooper were considering various storyline elements and ways the employees could show their thanks that packed the most comedic punch. nnCooper let the cameras roll as a dead-on team of actors improvised and came up with a number of off-the-wall plot situations that provided a wealth of great options during the editing process. Driven by the absurdity of each unfolding ‘thank you’ from the company’s grateful staff, the humor is heightened by keeping the boss a humble and likable guy who is totally surprised by all the adulation. Director Grady Cooper shot a series of whip pans that were key to maximizing the climactic pony reveal.nnCRASH+SUES’ Ryan Wheeler on-lined the spot in Smoke, Carrie Shanahan was editors. Kent Militzer of Uproar came on board for audio post and music, recording a trombone riff to get the right feel and end the spot on the perfect note.nnCREDITSnClient/Product: MedicanCategory: Broadcast SpotnTitle: Thank You length: 30 nnAd agency: Level MinneapolisnProducer: Wendy JohnsonnArt director/CD: Gregg ByersnSenior copywriter: Craig RoadsnnProduction company: Twist MinneapolisnDirector: Grady CoopernDP: Steve SpeersnProducer: Dave BellmontnnFX/Animation/Post: CRASH+SUES MinneapolisnColorist: SUEnExecutive producer: Sven ShelgrennnEditorial company: CRASH+SUES MinneapolisnEditor: Carrie ShanahannOnline editor: Ryan WheelernOnline assistant: Matthew KroesennAudio post and music: Uproar MinneapolisnMixer: Kent MilitzernnAbout CRASH+SUESnCRASH+SUES is a seamlessly integrated animation, FX, motion design, creative editorial, color correction, DI, conform, finishing and multi-media company. Its collaborative team of talent is dedicated to providing advertising agencies, brands and filmmakers with fresh, innovate and cost-effective creative content. nnAbout LEVELnLEVEL is a global brand strategy and advertising firm headquartered in Minneapolis. We help our clients build world-class brands and reputations that inspire stakeholder loyalty, increase revenue and drive sustained profitable growth. LEVEL provides a variety of services and proprietary tools for fully integrated communications strategy and implementation. www.levelbrand.com
CRASH+SUES Eric Therwanger Director of Business Development 612.338.7949 Contact Eric via email
Contact:LEVEL www.levelbrand.com 612.338.800 Contact Level via email
Goldcrest Post Speeds Delivery of “Severance” Season Two
The New York Times recently wrote that the just-released Season Two of Severance will “blow your mind”—and we couldn’t agree more. Created by Dan Erickson and Ben Stiller, the Apple TV+ drama is smart, spellbinding, distinctly original and packed with surprises. For those who aren’t already devoted fans, the show centers on Mark Scout (Adam Scott), leader of a team at Lumon Industries, whose employees have undergone a “severance” procedure that surgically divides their memories between their work and personal lives. Goldcrest Post provided post services for both seasons of the show, including picture editorial support, sound editorial, ADR and sound mixing. Editorial for Season One began in 2020. Due to the restrictions imposed by the pandemic, Goldcrest supplied both onsite production offices and edit suites, and remote editing systems for individual editors, with everything linked to a central server. "Mixing at Goldcrest with our team has been a great experience,” says Stiller. “Bob and Jacob are in sync with our creative process and so good at what they do that the experience is always one where it's about how we can enhance the creative vision, with a baseline of knowing everyone is totally committed to making something as good as it can be." Diana Dekajlo, the show’s co-producer, says that the arrangement worked so well, they chose to continue the hybrid approach for Season Two. “We’re a remote friendly show,” she explains. “Whether we’re at Goldcrest, our studio in the Bronx or at home, our workflow is seamless. I conduct remote daily meetings with my immediate staff, and weekly meetings with editorial and VFX, and we talk to each other as if we were just down the hall. It makes for great staff... Read More