The AICP Show: The Art & Technique of the Commercial now to accept entries in all categories globally.
Matt Miller, President and CEO, announced that Ali Brown, Partner/Executive Producer at PRETTYBIRD, will serve as the Chairperson of the 2020 AICP Show: The Art & Technique of the Commercial. Miller additionally announced that the AICP Show will now accept entries from agencies, marketers, production companies and post production companies globally in all categories. The AICP Show is the most prestigious, largest and longest running craft-based awards competition in the world. This expansion allows it to become a truly global competition for excellence in brand communication for the moving image.
“It is such an honor to chair this year’s AICP Show, and having recently served as president of juries around the world from Thailand to Brazil, I’m particularly looking forward to the inclusion of international entries,” says Brown. “As this industry becomes truly global in its makeup and its reach, it’s only fitting that the Show expands to recognize the best work around the world. I’m excited to work with the very best creators in our business to select those to be honored.”
“Ali brings so much insight and experience to the Show,” notes Miller. “Her enthusiasm, knowledge and global stature will ensure that the judges and curators of the 2020 AICP Show will again assemble an unequalled compendium of work for this seminal year. ”
Beginning in 2009 – just after its doors opened – Brown was instrumental in building the PRETTYBIRD roster and reputation to be best in class. With a prior background in feature film development, Brown expanded the company’s reach in commercials and music videos while simultaneously spearheading the company’s expansion into other genres such as branded content, shorts, feature films and series. With offices in London and L. A., PRETTYBIRD has remained one of the most award-winning production companies in the world, known for its development of young talent, world-class production craft, cultivation of diverse voices and fearlessness when it comes to taking on untraditional projects.
International Entries
Originally known as the AICP Show: The Art & Technique of the American Television Commercial, the competition is the association’s original awards program, recognizing outstanding achievement in a wide range of crafts from concept to execution. In 2006 the show dropped the word “Television” from its title and eligibility requirements, reflecting the diversification of marketing and media platforms.
“From its first year, this show has continually refined its categories and qualifications to allow the showcase to reflect what’s most important in the industry and the culture,” says Miller. “The creation of content is increasingly global, with work being produced collaboratively around the world for media markets that have no boundaries. Accepting entries from beyond the US was a natural progression for the AICP Show, which will now be known as The Art and Technique of the Commercial.”
As the cornerstone of the three awards shows that make up the suite of AICP Awards, the AICP Show now has limitless reach in seeking to honor, archive and study the best of the best, globally. Flanking The AICP Show are The AICP Next Awards, which recognizes work in emerging media platforms, and the AICP Post Awards, which honors excellence in specifc crafts in the post production arts. (The latter competition came to AICP after the 2018 merger with AICE).
Beginning in 2020, all three shows will have the same eligibility requirements, and entrants will easily be able to enter all at the same time. New this year is a partnership with the Source One-Click entry system, which will allow members of Source to quickly and easily upload work and credits that already exist on the Source platform to the AICP entry portal powered by Awardcore. The official Call for Entries kicks off December 9, and the entry site can be accessed here.
The AICP Show is one of the industry’s leading creative and executional benchmarks and serves as more than a mere awards show. Each year, work honored in The AICP Show and The AICP Next Awards are preserved in The Museum of Modern Art’s Department of Film’s state of the art archives for future generations to study and are available for use or exhibition by the museum’s curators. All individual works, and each year’s shows in their entirety, can be viewed exclusively at www.aicpawards.com, the AICP Awards Archive website. The AICP Post Awards (and previous winners of the AICE Awards) can viewed at www.aicppostawards.com.
The winning work at both the AICP Show and the AICP Next Awards will be presented at gala celebrations scheduled for AICP Week in New York in June of 2020, while the winners of the AICP Post Awards will be presented in May of 2020, also in New York.
About AICP
AICP represents, exclusively, the interests of independent companies that specialize in the production and post production of commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5 billion-plus industry. Founded in 1972, AICP assists its members by: disseminating information; representing production and post production companies within the advertising community in business circles, in labor negotiations and dealing with employment issues; and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production and post production via events and awards shows.
media
Doe-Anderson Hires Marianne Newton as New VP, Director of Integrated Production
Full service ad agency Doe-Anderson has hired Marianne Newton as Vice President, Director of Integrated Production. Newton previously worked at DDB, mcgarrybowen and GSD&M and has freelanced at agencies Highdive, McCann, FCB and Dentsu, among others.
Doe-Anderson President and Chief Creative Officer Leyla Touma Dailey, who first met Newton when they were both based in Chicago, commented, “Marianne has been an incredible asset on many of our projects, including our work for Maker’s Mark and the Georgia Aquarium. Having her officially join us full-time feels like she’s coming home. Her energy and expertise make her an amazing fit for our thriving culture at Doe-Anderson.”
Newton has a rich background as an integrated producer, having led teams through strategic brand campaigns across all platforms both nationally and internationally. Her extensive production experience has taken her as far and wide - from Australia and New Zealand to South Africa and South America. She has helped create award-winning work with recognition from Cannes Lions, D&AD, One Show, Clio’s, Addy’s and Effie’s.
As to what attracted Newton to the opportunity, she added: “I'm thrilled to join Doe-Anderson – I was drawn to the momentum and energy of this independent agency, its people, the culture and the creative leadership of Leyla Touma Dailey."