The Academy of Motion Picture Arts and Sciences is pleased to announce a recent acquisition by the Margaret Herrick Library of costume design drawings and related production materials documenting the career of costume designer Michael Woulfe. The collection, donated by Woulfe’s longtime friend David V. Jervis, features drawings, photographs, clippings and correspondence representing Woulfe’s career. Woulfe worked primarily at RKO designing costumes for such films as “Clash by Night” (1952), “The French Line” (1953), “Son of Sinbad” (1955) and “The Conqueror” (1956).nn”We are honored that Mr. Jervis has generously donated items highlighting the impressive career of Michael Woulfe to our library,” said Margaret Herrick Library Director Linda Mehr. “With this collection, students, filmmakers and film historians can now experience and be inspired by the work of this legendary costume designer.”nnWoulfe’s career in the movie business began with the James Cagney film “Blood on the Sun” (1945), which marked the beginning of a long friendship between Woulfe and the movie’s female lead, Sylvia Sidney. His work captured the attention of the owner of RKO, Howard Hughes, who hired him as RKO’s head costume designer in 1949. In 1953, Woulfe became one of the founding members of the Costume Designers Guild.nnWoulfe was also noted for creating personal wardrobes for actresses such as Judy Garland, Jane Russell and Jean Simmons, and for designing the employee uniforms for four Las Vegas hotels and casinos owned by Hughes, as well as the costumes for the Las Vegas nightclub shows of Debbie Reynolds, Lena Horne, Joey Heatherton and others.nnIn addition to the costume design drawings, which have been added to the Margaret Herrick Library’s collection of more than 4,500 other such drawings, the Woulfe collection includes clippings, photographs and correspondence related to Woulfe’s work in fashion design. The collection has been preserved and cataloged, and may be accessed by filmmakers, historians, journalists, students and the public at the library, located in the Academy’s Fairbanks Center for Motion Picture Study in Beverly Hills. Images of drawings from the collection will be available for viewing online early next year through the Margaret Herrick Library’s Production Art database at http://collections.oscars.org/prodart/. The Library’s Production Art database currently includes more than 11,000 records and more than 5,200 images.nn
nCan’t watch video, try clicking here.nnAbout THE ACADEMYnThe Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners�—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies. www.oscars.org Contact:
Natalie Kojen The ACADEMY Contact Natalie via email
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More