- Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
- Algeria, “Until the End of Time,” Yasmine Chouikh, director;
- Argentina, “El รngel,” Luis Ortega, director;
- Armenia, “Spitak,” Alexander Kott, director;
- Australia, “Jirga,” Benjamin Gilmour, director;
- Austria, “The Waldheim Waltz,” Ruth Beckermann, director;
- Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;
- Belarus, “Crystal Swan,” Darya Zhuk, director;
- Belgium, “Girl,” Lukas Dhont, director;
- Boivia, “The Goalkeeper,” Rodrigo “Gory” Patiรฑo, director;
- Bosnia and Herzegovina, “Never Leave Me,” Aida Begiฤ, director;
- Brazil, “The Great Mystical Circus,” Carlos Diegues, director;
- Bulgaria, “Omnipresent,” Ilian Djevelekov, director;
- Cambodia, “Graves without a Name,” Rithy Panh, director;
- Canada, “Family Ties,” Sophie Dupuis, director;
- Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;
- China, “Hidden Man,” Jiang Wen, director;
- Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;
- Costa Rica, “Medea,” Alexandra Latishev, director;
- Croatia, “The Eighth Commissioner,” Ivan Salaj, director;
- Czech Republic, “Winter Flies,” Olmo Omerzu, director;
- Denmark, “The Guilty,” Gustav Mรถller, director;
- Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;
- Ecuador, “A Son of Man,” Jamaicanoproblem, director;
- Egypt, “Yomeddine,” A.B. Shawky, director;
- Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;
- Finland, “Euthanizer,” Teemu Nikki, director;
- France, “Memoir of War,” Emmanuel Finkiel, director;
- Georgia, “Namme,” Zaza Khalvashi, director;
- Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;
- Greece, “Polyxeni,” Dora Masklavanou, director;
- Hong Kong, “Operation Red Sea,” Dante Lam, director;
- Hungary, “Sunset,” Lรกszlรณ Nemes, director;
- Iceland, “Woman at War,” Benedikt Erlingsson, director;
- India, “Village Rockstars,” Rima Das, director;
- Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;
- Iran, “No Date, No Signature,” Vahid Jalilvand, director;
- Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;
- Israel, “The Cakemaker,” Ofir Raul Graizer, director;
- Italy, “Dogman,” Matteo Garrone, director;
- Japan, “Shoplifters,” Hirokazu Kore-eda, director;
- Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;
- Kenya, “Supa Modo,” Likarion Wainaina, director;
- Kosovo, “The Marriage,” Blerta Zeqiri, director;
- Latvia, “To Be Continued,” Ivars Seleckis, director;
- Lebanon, “Capernaum,” Nadine Labaki, director;
- Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;
- Luxembourg, “Gutland,” Govinda Van Maele, director;
- Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;
- Malawi, “The Road to Sunrise,” Shemu Joyah, director;
- Mexico, “Roma,” Alfonso Cuarรณn, director;
- Montenegro, “Iskra,” Gojko Berkuljan, director;
- Morocco, “Burnout,” Nour-Eddine Lakhmari, director;
- Nepal, “Panchayat,” Shivam Adhikari, director;
- Netherlands, “The Resistance Banker,” Joram Lรผrsen, director;
- New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;
- Niger, “The Wedding Ring,” Rahmatou Keรฏta, director;
- Norway, “What Will People Say,” Iram Haq, director;
- Pakistan, “Cake,” Asim Abbasi, director;
- Palestine, “Ghost Hunting,” Raed Andoni, director;
- Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;
- Paraguay, “The Heiresses,” Marcelo Martinessi, director;
- Peru, “Eternity,” Oscar Catacora, director;
- Philippines, “Signal Rock,” Chito S. Roรฑo, director;
- Poland, “Cold War,” Pawel Pawlikowski, director;
- Portugal, “Pilgrimage,” Joรฃo Botelho, director;
- Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;
- Russia, “Sobibor,” Konstantin Khabensky, director;
- Serbia, “Offenders,” Dejan Zecevic, director;
- Singapore, “Buffalo Boys,” Mike Wiluan, director;
- Slovakia, “The Interpreter,” Martin ล ulรญk, director;
- Slovenia, “Ivan,” Janez Burger, director;
- South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;
- South Korea, “Burning,” Lee Chang-dong, director;
- Spain, “Champions,” Javier Fesser, director;
- Sweden, “Border,” Ali Abbasi, director;
- Switzerland, “Eldorado,” Markus Imhoof, director;
- Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;
- Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;
- Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;
- Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;
- Ukraine, “Donbass,” Sergei Loznitsa, director;
- United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;
- Uruguay, “Twelve-Year Night,” รlvaro Brechner, director;
- Venezuela, “The Family,” Gustavo Rondรณn Cรณrdova, director;
- Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;
- Yemen, “10 Days before the Wedding,” Amr Gamal, director.
Unionโs Tim Thornton-Allan Edits Santaโs ‘Naughty List’ for Toyota
We may not get a second chance to make a first impression, but when the opportunity presents itself to right our wrongs in time for Christmas, we should seize the moment. In a new holiday spot for Toyota, a little boy realizes he is probably on Santaโs โNaughty Listโ and resolves to do something about it. The spot was created via Conill Advertising, produced by MJZ, directed by Fredrik Bond, and edited by Tim Thornton-Allan of Union Editorial/Los Angeles and Marshall Street Editors/London. Watching a program on his iPad in the back seat of his dadโs Toyota Tundra, our young protagonist receives a warning: โIf youโve been naughty, Santa wonโt bring you any presents.โ The lad wastes no time: โPapa! Turn back!โ he commands. Father and son proceed to make the rounds, stopping at school, the neighbors, and elsewhere around the neighborhood, to set things right and deliver apologies. The boy even goes so far as to make amends with his little sister - returning the head of a favorite doll. The childโs restitution has the desired effect, and on Christmas morning, he receives exactly the gift heโd asked for. Judging by what he does next, he may have his work cut out for him next year, but we can all just take things one โNaughty Listโ at a time. Read More