32TEN Studios, a San Rafael (Marin, CA)-based company that provides production facilities and practical and visual effects services to entertainment, advertising, and corporate clientele, has provided a number of practical effects for “Elysium.” The film, from TriStar Pictures in association with Media Rights Capital, opened # 1 this weekend at the box office. nnThe practical effects team from 32TEN Studios (working at that time within Kerner Optical) began their work on “Elysium” in 2011 by building and executing several shots for the film on the backlot on Kerner Boulevard, base of 32TEN Studios. The team built a 50×50-foot outdoor model of part of the space station at 1/12 scale, featuring buildings and landscaping on Elysium. The film’s Raven Shuttle was mounted on a travelling rig, and the team at 32TEN crash landed the shuttle into the set. A seven-camera shoot captured the action of the shuttle crash – the sequence involved flying Red Epic cameras and other cameras that were hidden within vegetation. nn”Elysium” writer-director Neill Blomkamp came to site of the shoot at 32TEN and was impressed with the realism of the chaos that had been created by a practical miniature shot. In an unusual procedure, this miniature shot was done well before principal photography even began, because the ensuing wreck had to be created on location. The miniature shot of the shuttle had to later be matched precisely on the full-size set on location.nnDuring post production for “Elysium,” a team from Image Engine worked in tandem with the same practical team, now operating as the FX Group within 32TEN Studios. In this capacity, 32TEN supplied explosion elements for a sequence in space – the explosions had to appear as they would actually appear in zero gravity. This imagery was a specialty achieved by the 32TEN team, as they gained extensive similar experience during their years with ILM creating the “Star Wars” movies and numerous other space-based epics.nnShawn Walsh, Visual Effects Producer for “Elysium,” said, “The team at 32TEN Studios is easy to work with, they understand the pressures, budgets and time constraints involved with complex productions, and are willing to be flexible in delivering exactly what is needed.”nnAdds Peter Muyzers, Visual Effects Supervisor for “Elysium,” “The practical effects team assembled at 32TEN Studios is unmatched in terms of experience. The shots they gave us were just what we needed, adding that extra layer of realism Neill Blomkamp was looking for.”nnThe 32TEN FX Team for “Elysium” included: FX Supervisor – Geoff Heron, FX DP – Carl Miller, FX DP – Marty Rosenberg, and Model Supervisor – Fon Davis nnAbout “ELYSIUM”nIn the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. The people of Earth are desperate to escape the crime and poverty that is now rampant throughout the land. The only man with the chance to bring equality to these worlds is Max (Matt Damon), an ordinary guy in desperate need to get to Elysium. With his life hanging in the balance, he reluctantly takes on a dangerous mission – one that pits him against Elysium’s Secretary Delacourt (Jodie Foster) and her hard-line forces – but if he succeeds, he could save not only his own life, but millions of people on Earth as well. Written and directed by Neill Blomkamp. The QED International / Alphacore / Kinberg Genre production is produced by Bill Block, Neill Blomkamp, and Simon Kinberg.nn
nnAbout 32TEN STUDIOSnLaunched in early 2012 by longtime entertainment industry leaders Tim Partridge and Greg Maloney, 32TEN Studios is a production facility and VFX services provider located in San Rafael. The company provides its services to producers of maj Contact:
For 32TEN: Dan Harary Asbury PR Agency 310/859-1831 Contact Dan via email
“Ǝvolution” Comes Full Circle At The Chelsea Film Festival
The Chelsea Film Festival, running from October 16th through October 20th, 2024, at Regal Cinemas here in Union Square, is set to host the East Coast premiere of Ǝvolution, a thought-provoking experimental micro-short film that proves big ideas can come in small packages and in perfect circles.
In just 1 minute 16 seconds, this cinematic gem by Award-Winning Director Romina Schwedler, with original music by Argentine Composer Ignacio Montoya Carlotto, explores a cycle as old as time: life leads to progress, progress leads to destruction, and destruction, well, leads back to life. But is this vicious circle unbreakable? Ǝvolution suggests the answer is yes, unless we decide to open our eyes.
Inspired by the overwhelming number of recent events that threaten human existence, Ǝvolution, possibly the shortest film in this 12th edition of the festival, plays out entirely through the symbolism of circles, cleverly illustrating —in the blink of an eye— the repeating patterns of history, and confronting viewers with the uncomfortable truth that our so-called “progress” may, in fact, be guiding us to our own ruin.Premiering at the Regal 14 Union Square, New York City, on October 18, 2024, at 11 a.m., Romina Schwedler's micro-short, featuring Leah Young with cinematography by Alan J. Carmona, will be sure to spark conversations longer than the film itself! Forcing viewers to reconsider the true meaning of evolution, not just as a biological process, but as a reflection of our collective journey as humans.
With a string of festival appearances across the globe, including CineGlobe at CERN (Switzerland/France), Oscar®... Read More