Using a cast bronze Oscar from 1929, Polich Tallix artisans have restored subtle features of George Stanley’s original sculpture, which was based on sketches by MGM art director Cedric Gibbons. The overall size of the statuette remains the same.
Polich Tallix started its Oscar-making process by creating digital scans of the 1929 statuette and a modern-era pedestal base. The digital Oscar was then 3D-printed and molded so the form could be cast in wax.
Each wax statuette is coated in a ceramic shell that is cured and fired at 1,600°F, melting the wax away and leaving an empty Oscar-shaped form. The statuettes are then cast in liquid bronze at more than 1,800°F, cooled, and sanded to a mirror polish finish.
The figure portion of each Oscar is electroplated with a permanent layer of reflective 24-karat gold by Epner Technology, a renowned high-tech specification electroplating company in Brooklyn. The statuette’s bronze base receives a smooth black patina, which is hand-buffed to a satin finish.
The time required to produce 50 statuettes in this manner is about three months.
At a height of 13.5 inches and weight of 8.5 pounds, the new Oscar retains the basic physical characteristics of its immediate predecessor, which had been made by Chicago-based R.S. Owens & Company since 1982. The Academy will continue its long relationship with R.S. Owens to service existing statuettes and create other awards for the Academy, including plaques for its annual Scientific and Technical Awards.
Polich Tallix, founded by Polich in 1972, combines advanced technology with world-class craftsmanship as it strives to create works of art that preserve each artist’s unique purpose and vision.
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Boma | Camp Sugar Brand Identity
Rebel Wilson's Directorial debut “The Deb” premiered as the closing night film at this year’s Toronto International Film Festival (TIFF). Adding a touch of creative flair to the film’s debut, the team at Boma helped in crafting the brand identity for Wilson’s production company, Camp Sugar.
“Rebel and her team approached us with this adorable character design and a simple question: ‘Can we make this happen in time for Toronto?’” shares Jason Cohon. “As huge fans of animation, and with such a fantastic concept from Josh and Meredith on Rebel’s team, it was an easy ‘yes!’”
The :05 identity opens in a serene forest scene featuring a hand-carved wooden sign reading “Camp Sugar.” As the camera reveals two hands gently holding the sign, a little girl playfully peeks from behind, inviting the audience into the world of Camp Sugar. Boma was tasked with designing and animating the 3D environment and character, delivering a fully rendered introduction that will serve as a long-lasting signature for Rebel Wilson’s films for years to come.
“We had so much fun making this and hope to be able to do many more unique versions for all of Camp Sugar’s films.”
Based in Los Angeles, Boma was created to fill a need for quicker turnarounds and tighter budgets while maintaining quality at the highest creative level. With a fully remote pipeline, global partnership across three continents and a team of senior creative talent, Boma is equipped to scale projects rapidly, regardless of budget or timeline constraints.
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