On August 2nd, DIRECTV became a new company comprising all of AT&T’s previously held U.S. video assets. A new overall look and feel introduced for DIRECTV is reflected in this first-ever advertising campaign for DIRECTV Stream, formally AT&T TV. Launched on social platforms and national TV, the “Get Your TV Together” campaign features tennis champion, and superstar Serena Williams mashed up with iconic films to bring to life the brand’s core features of having the best of both worlds–live and on-demand entertainment. The campaign tackles the fragmented consumer experience today where they are left having to sacrifice either their live viewing experience or spend time browsing on-demand without enjoying their content.
Developed in partnership with creative agency TBWAChiatDay LA, the creative platform is a call to consumers to un-complicate their entertainment lives. The mesh of live entertainment with on-demand fare reaches new heights in this "Wonder" commercial–directed by Traktor via production house Stink–in which a viewer shifts back and forth between Williams in a tennis match and the movie Wonder Woman 1984, yielding a Williams/Wonder Woman mashup hero combating evil tennis ball-spewing machines threatening to take over a giant mall. With racket in hand, Williams is up to the heroic task of saving shoppers and shopping.
Credits
Client DIRECTV Agency TBWAChiatDay Los Angeles Erin Riley, president; Renato Fernandez, chief creative officer; Ariel Abramovici, Bruno Acanfora, creative directors; Mark Winters, Ryan Buckley, associate creative directors; Will Holmes, art director; Tyler Archibald, copywriter; Andrew Bae, jr. art director; Yashashree Samant, jr. copywriter; Bruno Regalo, head of design; Jake Skirving, sr. designer; Andrea Nazarino, jr. designer; Guia Iacomin, director of content production; Jack Cutler, sr. producer; Brandon Loftin, associate producer; Hashi Clark, executive art producer; Jen Costello, chief strategy officer; Jesse Unger, group strategy director; Jonathan Handy, associate strategy director; Krystal Hawkins, sr. strategist; Hannan Schweitzer, jr. strategist; Laura Mayer, data director. Critical Mass Val Carlson, chief creative officer; Andrew Lavery, group creative director; James Maclean, creative director; Javier Olivares, Megahn O’Neil, associate creative directors; Ryan Mesnchuk, Megan King, sr. art directors; Taylor Lumley, art director; Ana Benitez Duarte, designer; Peter Lagosky, Melissa De Sa, sr. copywriters; Daisy Swain, copywriter; Jen Goldberg, group strategy director; Kyle Bottoms, strategy director; Sydney Woodman, executive producer; Audrie Sham, Ashleigh Fehmie, sr. producers; Vicky Patel, sr. producer; Christine Spitler, Lexi Scott, Sylvia Brach, Ethan Cole, producers. Production Stink Films Traktor, director; Daniel Bergmann, president, Mungo Maclagan, exec producer; Par M. Ekberg, DP; Leah Allina, line producer. Editorial Arcade Jeff Feruzzo, Brad Wasekwich, lead editors; Ryan Andrus, assistant editor; Alexa Atkin, exec producer. VFX JAMM, Culver City, Calif. Jake Montgomery, VFX supervisor/lead compositor; Andy Boyd, VFX supervisor/CG supervisor/lead CG; Patrick Muñoz, Lisa Kim, Flame artists; Brady Doyle, Jake Bohringer, Nuke artists; Stew Burris, animation supervisor; Zachary DiMaria, CG lead; Ben Martin, Connie Ho, Jonathan Chua, Anthony Thomas, Yuson Fuji, DeVon Beasley, CG artists; Ashley Greyson, sr. producer; Alexandra Rickards, production coordinator; Asher Edwards, exec producer; Adam Scott, colorist; Carver Moore, color assist; Anna Dood, color producer. (Toolbox: Flame, Nuke, Houdini, Maya, Baselight) Audio Post Lime Studios, Santa Monica, Calif. Matt Miller, head mixer; Ian Connie, assistant mixer; Susie Boyajan, exec producer. Sound Design String & Tins, London Culum Simpson, sound designer; Laura Leigh, producer. Music South Music and Sound, Santa Monica, Calif. Dan Pritikin, Matt Drenik, creative directors; Vladimir Berkhemer, Jon Darling, composers; Ann Haugen, exec producer; Ignacio Zax, producer
Stain remover Vanish presents this emotional short film--created by BETC Havas, Sao Paulo, and produced by LOBO--that explores the profound consequences of bullying and highlights the importance of open conversations between parents and children. Titled The Bully Monster, the animated film premiered at the Maquinaria Festival in Rio de Janeiro on February 15 in a special edition featuring family-focused programming.
The film’s protagonist is a boy who experiences bullying at school but keeps silent about his suffering. Isolation turns sadness into insecurity, creating invisible emotional scars that only grow in the absence of dialogue. When his mother notices stains on his uniform, these marks become the starting point for a revealing conversation. As words find space to make themselves heard, the stains begin to fade.
This initiative aligns with the Vanish Saves Your Uniform campaign, which, for the past three years during the back-to-school season, has engaged with parents by positioning the brand as a trusted partner in preserving school uniforms. This year, Vanish decided to broaden the conversation, bringing bullying into the debate as the real stain that can impact a child’s life.
The Bully Monster is being screened as preshow material in movie theaters starting February 20 and will also be available on streaming platforms and digital channels. In addition to the film, the campaign will include out-of-home activations and school initiatives through a partnership with Abrace – Preventive Programs, the founding organization of the “Bullying-Free Schools” program, which has been equipping institutions with resources to combat school violence for 12 years.
“Research indicates that stains on a uniform can... Read More
