Godzilla is one cool dude, cavorting about town, having fun with everyone and anyone–until he gets hungry. Then he becomes a monster. Thankfully Snickers is the chill pill which brings him back to cool, laid-back behavior.
Client Mars/Snickers Agency BBDO New York. David Lubars, chief creative officer, worldwide; Greg Hahn , chief creative officer, New York; Gianfranco Arena, Peter Kain, executive creative directors; Alex Taylor, creative director/copywriter; Jason Stefanik, creative director/art director; Amy Wertheimer, group executive producer; Loren Parkins, executive music producer. Production Company Smith and Jones Films, Los Angeles and London. Ulf Johansson, director; Andrejz Sekula, DP, Philippa Smith, executive producer. Shot on location in Los Angeles. Editorial Mackenzie Cutler, New York. Ian Mackenzie, editor. Visual Effects MPC New York. Camila De Biaggi, VFX producer; Alex Lovejoy, VFX supervisor. Legacy Effects, San Fernando, Calif. Construction of Godzilla suit Post Company 3, New York. Tim Masick, colorist. Music South Music & Sound Design, Santa Monica. Dan Pritikin, head of production; Jon Darling, creative director/composer. AKM Music, London. Audio Heard City, New York. Keith Raynaud, mixer. Performers Douglas Tait, Tim Soergel, Mark Dobson, Adrienne Rusk, Matt Midler, John Druska, Arnie Pantoja, Jermaine Williams.
Open Swim’s Director Marc Andrรฉ Debruyne Captures Essence of Filipino Cultural Tradition In Holiday Spot For Coca-Cola
Director Marc Andrรฉ Debruyne--whoโs handled by production house Open Swim for U.S. representation--brings Coca-Colaโs legacy of celebrating holiday traditions to life in this campaign spotlighting Filipino Balikbayan boxes. The spot--out of Toronto agencies Taxi and VML--features Tita Rosita, owner of the oldest Filipino-Canadian grocery store in Toronto, whose much-adored shop was wrapped like a massive Coca-Cola-themed Balikbayan box as she prepared hundreds of boxes for customers to send their loved ones, with Coca-Cola paying for the boxes and the cost of shipping them to the Philippines. The spot is a testament to the brandโs prevailing facilitation of cultural and generational connectivity, especially during the holiday season.
The collaborative project--produced by Toronto production company MOWAD--was particularly special for Debruyne, whoโs Filipino, because of the large presence of Filipino crew members on set. โItโs a totally surreal feeling when a work project crosses over into your personal life. Itโs not too often that happens,โ shares Debruyne. โThe number of Balikbayan boxes Iโve sent home since I was a child, being surrounded by so many Filipinos on set โ both crew and cast, and even being served pancit by Tita Rosita for lunch (and getting yelled at after because I didnโt have seconds) brought back so many wonderful memories of my mom. It was such a fun vibe on set. This wasnโt even a job, it was truly something special.โ
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