A man applies lipstick, blush, eye shadow and the like to his face, struggles into a pair of tights, then a frilly skirt, dons a wig of golden locks, a pair of angel wings and voile, we have a fairy dadmother ready to perform at a party–much to the delight of his young daughter who laughs joyously to see her pop looking more like her mom. Dads will indeed do anything for their daughters, including looking to the future and making financial plans for their children’s college education at Chase.
“Fairy Dadmother” is one of four films in Chase’s “Mastery 2.0” campaign from Droga5 New York. The films have all debuted online, with “Fairy Dadmother” airing on national TV. Reynald Gresset of production house Reset directed “Fairy Dadmother.”
Credits
Client Chase Consumer Bank Agency Droga5 New York David Droga, creative chairman; Ted Royer, chief creative officer; Don Shelford, group creative director; Jonathan McMahon, Lisa Fedyszyn, associate creative directors; Oriel Davis-Lyons, Thom Glover, sr. copywriters; Mo Said, copywriter; Eoin McLaughlin, sr. art director; Beth O’Brien, Camilo De Galofre, art directors; Annette Berry, group design director; Sally-Ann Dale, chief creation officer; Ben Davies, head of broadcast production. Bryan Litman, executive broadcast producer; Perry Kornblum, broadcast producer; Archie Page, Jackie Omanoff, associate broadcast producers; Jonny Bauer, global chief strategy officer; Colm Murphy, group strategy director; Ned Sonnenschein, sr. strategist; Colleen Leddy, head of communications strategy; Sally Yoon, sr. communications strategist. Production Reset Reynald Gresset, director; Darren Lew, DP; Jen Beitler, Jeff McDougall, exec producers. Ayelet Weinerman, producer. Editorial Rock Paper Scissors Mikkel-Eg-Nielsen, editor; Alex H. Liu, assistant editor; Eve Kornblum, exec producer; Charlyn Derrick, producer. Postproduction The Mill Sean Costelloe, exec producer; Andrew Hamill, producer; Fergus McCall, colorist. Music “What A Man,” Linda Lyndell. Audio Sonic Union David Papa, mixer.
The Japanese-based photo-sharing app FamilyAlbum, isn’t yet a household name in the U.S., but it does boast 23 million subscribers. To help break into the U.S., the brand recently teamed up with creative agency Familiar Creatures to launch its first major marketing campaign in the market.
The campaign includes this :30--directed by Jordan Rodericks via SpangTV--which portrays the pressure a new mother faces as family and friends demand photos of her newborn, immediately after birth, reflecting the high expectations for immediate photo-sharing in today’s connected world.
The satirical tone of the video is designed to capture the humor in real-life situations while promoting the user-friendly interface and stress-relief that FamilyAlbum provides along with free, unlimited storage.
The campaign is tailored for busy families who want a straightforward solution to store and share important moments without overwhelming social media feeds or worrying about privacy.
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