Wieden+Kennedy New York created โFantasy Draft,โ the latest spot in the Duracell โTrust is Powerโ campaign.
Directed by Matt Aselton of Arts & Sciences, the :30 highlights the epic consequences of not having the #1 trusted battery brand in your wireless mouse during your Fantasy Football draft. Who wants to auto-draft a kicker in the 7th round? No offense, Justin Tucker.
Credits
Client Duracell Agency Wieden+Kennedy New York Karl Lieberman, executive creative director; Eric Helin, Stuart Jennings, creative directors; Howard Finkelstein, copywriter; Grant Mason, art director; Nick Setounski, head of integrated production; Alison Hill, executive producer; Alexey Novikov, producer; Dan Hill, director of brand strategy; Rachel Yoes, brand strategist. Production Arts & Sciences Matt Aselton, director; Mal Ward, managing director; Marc Marrie, exec producer; Christa Skotland, head of production; Zoe Odlum, producer. Production Services Suneeva Ian Webb, producer. Editorial Arcade Edit Dave Anderson, editor; Samuel Barden, cutting assistant; Sila Soyer, exec producer; Fanny Cruz, producer. VFX Framestore Sarah Hiddlestone, exec producer; Lily Tilton, PJ Stegall; Matt Pascuzzi, VFX shoot supervisor; Liz Yang, 2D lead Flame artist; Raul Ortego, 2D flame artist; Jose Arauz, Zavier Mojica, 2D artists; Aaron Batista, coordinator. Telecine Company 3 Tom Poole, colorist; Alexandra Lubrano, producer. Audio Post Sonic Union Steve Rosen, mixer; Pat Sullivan, producer.
This film for Audible reflects the transformative power of audio storytelling. We see a group of people in an idyllic setting, meditating and getting in touch with their inner selves.
Suddenly utopia is disrupted as the world around them starts to shake.
Turns out weโre on a commuter train reaching a station--but thanks to Audible, the journey has been calm and almost transcendent. The commute underscores how listening to Audible immerses us all in extraordinary worlds, changing our mood, perceptions, views--while engaging in routine daily activities.
โZen Commuteโ was directed by Antoine Bardou-Jacquet via production company Partizan for London-headquartered creative agency Fold7.