Continuing their groundbreaking collaboration on “The Truth Is Worth It” campaign for The New York Times, which took home 10 Lions at the 2019 Cannes Lions International Festival of Creativity, including the prestigious Grand Prix in Film Craft, Wave Studios has partnered again with agency Droga5 on this latest piece titled “Long Fight.”
Through photos of pioneering women athletes who seek pay equality in sports–including Billie Jean King–“Long Fight” is complemented by a tennis-themed soundscape. The sound design and mix are from Waves partner/creative director Aaron Reynolds and sound designer/mixer Jonny Platt.
The spot was edited by Akiko Iwakawa-Grieve of Rock Paper Scissors.
Music composers were Danny Bensi and Saunder Jurriaans.
Credits
Client The New York Times Agency Droga5 NY David Droga, creative chairman; Neil Heymann, chief creative officer; Tim Gordon, executive creative director; Laurie Howell, Toby Treyer-Evans, group creative directors; Topher Cochrane, sr. producer, film; Holly Fisher, producer, film; Mike Ladman, music supervisor. Lauren Ferreira, Leilanni Todd, associate creative directors; Jen Lally, associate design director; Jonny Bauer, global chief strategy officer; Nick Maschmeyer, strategy director;. Editorial Rock Paper Scissors Akiko Iwakawa-Grieve, editor; Michael Shugarman, Rhys Hecox, assistant editors. Julianne Cort, producer. Music Danny Bensi, Saunder Jurriaans, composers. Sound Wave Studios NY Aaron Reynolds, Jonny Platt, sound design & mix; Vicky Ferraro, exec producer.
Director Marc André Debruyne--who’s handled by production house Open Swim for U.S. representation--brings Coca-Cola’s legacy of celebrating holiday traditions to life in this campaign spotlighting Filipino Balikbayan boxes. The spot--out of Toronto agencies Taxi and VML--features Tita Rosita, owner of the oldest Filipino-Canadian grocery store in Toronto, whose much-adored shop was wrapped like a massive Coca-Cola-themed Balikbayan box as she prepared hundreds of boxes for customers to send their loved ones, with Coca-Cola paying for the boxes and the cost of shipping them to the Philippines. The spot is a testament to the brand’s prevailing facilitation of cultural and generational connectivity, especially during the holiday season.
The collaborative project--produced by Toronto production company MOWAD--was particularly special for Debruyne, who’s Filipino, because of the large presence of Filipino crew members on set. “It’s a totally surreal feeling when a work project crosses over into your personal life. It’s not too often that happens,” shares Debruyne. “The number of Balikbayan boxes I’ve sent home since I was a child, being surrounded by so many Filipinos on set – both crew and cast, and even being served pancit by Tita Rosita for lunch (and getting yelled at after because I didn’t have seconds) brought back so many wonderful memories of my mom. It was such a fun vibe on set. This wasn’t even a job, it was truly something special.”