This year, Uber Eats’ star-studded Super Bowl spot from agency Special U.S. highlights that you can get almost anything delivered with Uber Eats. But in order for folks to remember that, they have to forget something else…
In the ad, for example, Jennifer Aniston forgets she’s Friends with David Schwimmer, the Beckhams fumble to remember the Spice Girls, Jelly Roll doesn’t understand why the ink on his face won’t rub off, and USHER wishes he could host a Super Bowl halftime show.
Jake Szymanski directed the Big Game spot via production house Gifted Youth.
CreditsClient Uber Eats Agency Special U.S. Matthew Woodhams Roberts, David Horton, partners/executive creative directors; Kelsey Hodgkin, partner/CEO; Vic Palumbo, partner/chief production officer; Cade Heyde, global partner; Alice Blastorah, Josh Hacohen, Jon Marshall, Eron Broughton, creative directors; Karan Dang, social executive creative director; Dan Greener, Natalie Seitz, associate creative directors; Jen Dennis, executive producer; Nat Brickler, sr. producer; Kelsey Karson, head of strategy; Hanet Shih, group strategy director; Jen Rose, sr. strategist. Special Australia Julian Schreiber, Tom Martin, partners/chief creative officers. Production Company Gifted Youth Jake Szymanski, director; Josh Morse, exec producer; Cat Craven-Griffiths, head of production; Bernard Rahill, producer; Michelle Del Mese, Mike Garcia, production supervisors; Gabby Del Mese, assistant production supervisor; Larkin Seiple, DP. Editorial Exile Kirk Baxter, Matt Murphy, Zaldy Lopez, editors; Jonathan Rogers, TJ Lasure, Melanie Newton, Chris Messier, assistant editors; CL Kumpata, managing director; Jennifer Locke, Michael Miller, exec producers; Brian Schimpf, Adam Parker, sr. producers; Dylan Majerus, producer. VFX/Post Pariah Mark Tobin, managing director/EP; Matt Sousa, VFX supervisor; Kim Stevenson, Sam Kolber, Janice Lee, Flame artists; Amanda Elliott, online editor; Ryan Ross, Nuke artist; Reid Southen, matte painter; Elizabeth Hammer, tracking; Andrew Rosenberger, producer; Lily Hernandez, production coordinator; Michael Steinmann, exec producer. Color Grade Company 3 Tom Poole, Matt Osborne, sr. colorists; Shannen Troup, Jenny Roberts, producers. Sound Eleven Sound Jordan Meltzer, sound designer/mixer; Andrew Smith, sr. producer. Music Mazie, “Dumb Dumb” Music JSM Music Joel Simon, chief creative officer/CEO; Jeff Fiorello, VP/exec producer; Norm Felker, Andrew Manning, sr. producers; Sharon Cha, producer.
NHS England, M&C Saatchi UK, Director Tom Tagholm Team On PSA Highlighting The Overlooked Signs Of A Stroke
National Health Service (NHS) England has unveiled a multichannel campaign, “Act FAST,” to raise awareness of the individual signs of a stroke and get people to call 999 as soon as they suspect they may be experiencing any one symptom. The push, which is part of the ongoing “Help Us, Help You” campaign, was developed in partnership with M&C Saatchi UK.
The campaign depicts everyday situations where everything might seem relatively normal, but where there’s the sign of someone experiencing a stroke.
A key component of the campaign is this :30--directed by Tom Tagholm of Various Films--which sets up the idea that initially, a stroke might not seem like much, highlighting key symptoms: from struggling to use a paint roller, to not being able to smile when watching TV, to slurring your speech when reading a story to your grandchild. The PSA emphasizes that time is critical, ending with the line: “Face or arm or speech, at the first sign, it’s time to call 999.”
Jo Bacon, Group CEO, M&C Saatchi UK, said, “We want to ensure people take action on the first symptom, rather than waiting for more conclusive signs. To help them understand that even when everything seems normal, something serious might be happening.”
Matt Lee, executive creative director, M&C Saatchi UK, commented: “This is important work. We wanted to explore that precise moment when your world shifts, quietly yet powerfully, off its axis during a stroke. We highlight how a tiny external moment can actually be seismic—an extraordinary gear change, framed in a really ordinary way.”
Director Tagholm shared, “My Dad suffered a stroke a few years ago and was saved from the worst by acting quickly, and by the work of the NHS. So there’s... Read More