A man is shadowed through the city by a giant robot who provides a helping hand along the way. This guy is the master of his own domain as he takes over the town–until another fellow comes walking toward him with his own robot in tow. Each giant bot picks up its master and a battle royal between the two ensues, reflecting the action in the video game Titanfall.
Visual Effects/Animation: The Mill LA Sue Troyan, sr. exec producer; John Leonti, Phil Crowe, shoot supervisors/creative directors; Anastasia von Rahl, VFX producer; John Shirley, 2D lead artist; David Lawson, 3D lead artist; John Price, Ben Smith, Martin Karlsson, Daniel Lang, Lisa Ryan, 2D artists; Tom Graham, Kenzie Chen, Matt Longwell, Ed Boldero, Stew Burris, Brett Angelisis, Martin Rivera, Edwin Fong, Mike DoNocco, Blake Sullivan, Jason Jansky, Alaina Hower, 3D artists; Rasha Shalby, Thom Price, matte painting; Adam Scott, colorist; LaRue Anderson, color exec producer; Natalie Westerfield, color producer.
(Toolbox: Maya, Arnold, Houdini, Flame, Nuke) Agency: Heat, San Francisco Production: Hungry Man, bicoastal Wayne McClammy, director
Open Swim’s Director Marc Andrรฉ Debruyne Captures Essence of Filipino Cultural Tradition In Holiday Spot For Coca-Cola
Director Marc Andrรฉ Debruyne--whoโs handled by production house Open Swim for U.S. representation--brings Coca-Colaโs legacy of celebrating holiday traditions to life in this campaign spotlighting Filipino Balikbayan boxes. The spot--out of Toronto agencies Taxi and VML--features Tita Rosita, owner of the oldest Filipino-Canadian grocery store in Toronto, whose much-adored shop was wrapped like a massive Coca-Cola-themed Balikbayan box as she prepared hundreds of boxes for customers to send their loved ones, with Coca-Cola paying for the boxes and the cost of shipping them to the Philippines. The spot is a testament to the brandโs prevailing facilitation of cultural and generational connectivity, especially during the holiday season.
The collaborative project--produced by Toronto production company MOWAD--was particularly special for Debruyne, whoโs Filipino, because of the large presence of Filipino crew members on set. โItโs a totally surreal feeling when a work project crosses over into your personal life. Itโs not too often that happens,โ shares Debruyne. โThe number of Balikbayan boxes Iโve sent home since I was a child, being surrounded by so many Filipinos on set โ both crew and cast, and even being served pancit by Tita Rosita for lunch (and getting yelled at after because I didnโt have seconds) brought back so many wonderful memories of my mom. It was such a fun vibe on set. This wasnโt even a job, it was truly something special.โ
Read More