The uplifting and inspiring true story of Bessie Coleman, whose pioneering achievements behind the pilot’s stick of a Jenny biplane early in the 1920s led to the creation of the flight school that in turn inspired the Tuskegee Airmen, has been told in a short film that just broke on the Netflix Film Club YouTube channel, presented in association with Film Independent.
Written, produced and directed by Sheldon Candis, the short, Queen Bess: Allegory Ascension of An Auspicious Aviatrix, is based on the true story of Coleman’s life and untimely demise in a crash back in 1926. Accompanied by the poetic voiceover of “Impressions of a Pilot,” by Gary Claud Stokor, the film was shot by DP Phillipp Friesenbichler.
“If you looked up in the air a hundred years ago, you would have seen something that would have blown your mind,” said Candis about his story’s heroine. “It was the first African American aviatrix. She was an Evel Knievel of the sky, like the world had never witnessed before. In making this film, I wanted to honor her life and captivate the audience by putting them right in the cockpit with her, giving them that exhilarating experience of flight.”
Working with Moscow based VFX studio Avocado Toast and VFX producer Denis Astakhov, the film was shot on location at Vintage Aircraft Company in Northern California, where Candis and his crew located an antique Jenny biplane. With actress Meagan Holder commanding the role of Bessie, Candis captured the flying scenes there before going into post to create the aerial composites. He proudly points out the diversity of the multinational crew he assembled to create Queen Bess, with Friesenbichler, his DP, hailing from Austria and his editor, Kristin Yawata of Little Farm, who’s Asian American.
Queen Bess is one of five films commissioned by Netflix and Film Independent as a way to support filmmakers from diverse cultural backgrounds, inspiring and empowering them to tell their stories amidst a pandemic and a period of social unrest. In addition to Queen Bess, the other titles are Ellie Foumbi’s Home, Nijla Mu’min’s Black Prom, Frederick Thornton’s Injustice System and Jarrett Lee Conaway’s My Brother Jesus. They began rolling out in February, in recognition of Black History Month.
Candis has been fascinated by Coleman’s story since he first learned about her during a conversation with SAG indie executive director Darrien Gipson, and he brought this passion for sharing her tale of courage and perseverance to the project. A manicurist in a salon in Chicago, Coleman was barred entry to flying schools in the U.S. because of her race and gender, so she traveled to Paris and learned to fly there. Upon her return to the States she took to the barnstorming circuit, becoming a major attraction and drawing huge crowds.
As Queen Bess closes, a title card reveals that, while Coleman’s dream of opening a flight school for African American pilots did not come true during her lifetime, it eventually did so. The Bessie Coleman Aero Club went on to inspire many outstanding Black pilots, including the Tuskegee Airmen of World War II.
Candis sees the Netflix Strong Black Lead series, of which this film is a part, as a program designed to spotlight and uplift Black filmmakers, giving them an opportunity to tell stories that are relevant not just to Black audiences, but to the entire Netflix community. Executive producer Qadree Holmes whose company, Quriosity Productions, represents Candis for advertising and branded content assignments and who executive produced Queen Bess, would agree. “Netflix went out and there and found a group of amazing filmmakers who you may not be aware of but should be, and their storytelling power is universal,” he said.
“I think what’s key for agencies and brands here is that Sheldon was able to capture the heart, the emotion and the power of this woman in the short form, and did so in a captivating way while working with a limited budget,” Holmes added.
Shooting Queen Bess kicked off a particularly busy season for the director. He recently wrapped commercial assignments for Walmart and Microsoft, and is currently directing on the limited narrative series Colin in Black & White, with EP and director Ava DuVernay, for ARRAY and Netflix.
CreditsProduction Cinephile Society and Quriosity co-production; Sheldon Candis, director/producer/writer; Qadree Holmes, executive producer; Chelsea Davenport, producer; Phillipp Friesenbichler, DP; Angela Hadnagy, costume design. Editorial Little Farm Kristin Yawata, editor; Anja Boltz, assistant editor. VFX Avocado Toast Denis Astakov, VFX producer. Music The Echo Society Sound Design & Mix Brandon Procter
Director Gia Coppola Teams With Mejuri For “A New York Minute”; 1st Episode Takes Us To The Grocery Store
Mejuri, known for turning fine jewelry into an everyday luxury, has partnered with director Gia Coppola (The Last Show Girl, Palo Alto) and The Directors Bureau in Los Angeles, for the first time reimagining the brand’s story as episodic content. In a series of microfilms, co-created by Coppola and premiering following New York Fashion Week, Mejuri eschewed a typical celebrity campaign and cast us as voyeurs to a group of aspiring young women--real people, not actors--at the crossroads of their adult lives against the backdrop of New York City.
Titled “A New York Minute,” the series features five real-life friends, who include one perfectly imperfect heroine named Emma. The women celebrate ordinary moments and interactions which reveal, sometimes retrospectively, the extraordinary within the mundane. Adjacent to the brand’s own community, the 30-something year old cast includes Laura Love (Emma), Rebecca Ressler, Natalie Vall-Freed and Rozzi Crane. Mejuri’s jewelry makes an appearance as the best supporting actor.
“When I met with Gia and The Directors Bureau team, there was instant creative and personal chemistry and a natural alignment on the desire to push and blur the lines between marketing, storytelling, and the construct of what a ‘campaign’ could be,” said Jacob Jordan, chief brand officer, Mejuri. “Gia was able to push that idea into something that truly feels new and artful, with a realism and relatability that almost feels jarring. Gia was such a perfect collaborator and partner, someone I had complete trust in to be a catalyst for Mejuri’s values of celebrating women as their truest selves. I can’t wait for us to continue to tell the next chapters of this story.”
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