Mejuri, known for turning fine jewelry into an everyday luxury, has partnered with director Gia Coppola (The Last Show Girl, Palo Alto) and The Directors Bureau in Los Angeles, for the first time reimagining the brandโs story as episodic content. In a series of microfilms, co-created by Coppola and premiering following New York Fashion Week, Mejuri eschewed a typical celebrity campaign and cast us as voyeurs to a group of aspiring young women–real people, not actors–at the crossroads of their adult lives against the backdrop of New York City.
Titled โA New York Minute,โ the series features five real-life friends, who include one perfectly imperfect heroine named Emma. The women celebrate ordinary moments and interactions which reveal, sometimes retrospectively, the extraordinary within the mundane. Adjacent to the brandโs own community, the 30-something year old cast includes Laura Love (Emma), Rebecca Ressler, Natalie Vall-Freed and Rozzi Crane. Mejuriโs jewelry makes an appearance as the best supporting actor.
โWhen I met with Gia and The Directors Bureau team, there was instant creative and personal chemistry and a natural alignment on the desire to push and blur the lines between marketing, storytelling, and the construct of what a โcampaignโ could be,โ said Jacob Jordan, chief brand officer, Mejuri. โGia was able to push that idea into something that truly feels new and artful, with a realism and relatability that almost feels jarring. Gia was such a perfect collaborator and partner, someone I had complete trust in to be a catalyst for Mejuriโs values of celebrating women as their truest selves. I canโt wait for us to continue to tell the next chapters of this story.โ
To land the relatable performances, Coppola introduced the characters to situations and scenarios that provide the framework of lifeโs moments which create the scenes. Instead of a script, the stories convey real-life situations, and as with life there is no context or resolution, just a yearning for more. She drew from her grandmotherโs short films for inspiration which were meditations on the ordinary that let the subjects breathe. With cinematography by Jody Lee Lipes (Dead Ringers, Manchester by the Sea), the microfilms were shot on 16 mm to emphasize artful realism.
โIt was a blessing to have such a collaborative experience working with Mejuri and Jacob,โ Coppola said. โWe made something artful and nuanced, therefore challenging the advertising space. I love getting to work with my family and friends, and pay tribute to my grandmotherโs experimental films. This is only the beginning.โ
This piece, โThe Grocery Store,โ is the first episode of the series. It premiered this week on the Mejuri site. โThe Grocery Storeโ depicts a group of five girlfriends doing their shopping before a celebratory weekend getaway. The story represents the peak of a vacation, all promise, zero let down.
The second and third episodes will be released September 23rd and 30th. โTote Bagโ considers that sometimes we hear and see what we need to in the least expected ways. Emma talks on the phone with her therapist and digests her therapy session as she walks through the busy streets of New York. And โWe Need to Talkโ offers an honest portrait of Emma getting ready for too long. She talks to herself in the mirror, rehearses a conversation and re-affirms with herself that itโs time to move on.
CreditsClient Mejuriย ย Creative Concept by Gia Coppola, Duffy Culligan and Natalie Vall-Freed; Written by Natalie Vall-Freed and Duffy Culligan Production The Directors Bureau Gia Coppola, director; Luke Ricci, president/executive producer; Stephanie Bruni, executive producer/producer; Jody Lee Lipes, DP; Sarah Morrison, head of production; Natalie Ziering, production designer; Jacqui Getty, costume designer; Elizabeth Yoon, key make-up; Becky Di Lalio, production supervisor; Rebecca Witzel, assistant production supervisor; Rob Jackson, 1st AD. Postproduction Consulate Holle Singer, editor; James McClintock, assistant editor; Lindsay Bane, post producer; Mike Stoltz, head of VFX; Andi Prastowo, VFX supervisor; Niki Currrent, Keith Regelmann, Flame artists; Todd Whitney Robinson, VFX producer. Color Company 3 Tim Masick, coloris. Audio Post Heard City Phil Loeb, mixer; Oddy Litlabo, Zoltan Monori, Chenoa Tarin, Virginia Wright, assistant mixers. Sound Design Midnight Snack Phil Loeb, sound designer; Gloria Pitagorsky, managing partner; Liana Rosenberg, exec producer; B Munoz, Nick Duvarney, sr. producers; Dylan Stetson, assistant producer.
NHS England, M&C Saatchi UK, Director Tom Tagholm Team On PSA Highlighting The Overlooked Signs Of A Stroke
National Health Service (NHS) England has unveiled a multichannel campaign, โAct FAST,โ to raise awareness of the individual signs of a stroke and get people to call 999 as soon as they suspect they may be experiencing any one symptom. The push, which is part of the ongoing โHelp Us, Help Youโ campaign, was developed in partnership with M&C Saatchi UK.
The campaign depicts everyday situations where everything might seem relatively normal, but where thereโs the sign of someone experiencing a stroke.
A key component of the campaign is this :30--directed by Tom Tagholm of Various Films--which sets up the idea that initially, a stroke might not seem like much, highlighting key symptoms: from struggling to use a paint roller, to not being able to smile when watching TV, to slurring your speech when reading a story to your grandchild. The PSA emphasizes that time is critical, ending with the line: โFace or arm or speech, at the first sign, itโs time to call 999.โ
Jo Bacon, Group CEO, M&C Saatchi UK, said, โWe want to ensure people take action on the first symptom, rather than waiting for more conclusive signs. To help them understand that even when everything seems normal, something serious might be happening.โ
Matt Lee, executive creative director, M&C Saatchi UK, commented: โThis is important work. We wanted to explore that precise moment when your world shifts, quietly yet powerfully, off its axis during a stroke. We highlight how a tiny external moment can actually be seismicโan extraordinary gear change, framed in a really ordinary way.โ
Director Tagholm shared, โMy Dad suffered a stroke a few years ago and was saved from the worst by acting quickly, and by the work of the NHS. So thereโs... Read More