This short film, Above the Waves for Kaiser Permanente, follows Golden State Warriors’ NBA All-Star Klay Thompson on his mental and physical road to recovery from a torn ACL that occurred during the 2019 championship series. Directed by Tool of North America’s Floyd Russ and edited by Cut + Run’s Stacy Peterson for ad agency Translation, the six-minute film is a personal recounting of what it takes to become a champion and the dedication and will it takes to heal.
“Above the Waves has been a labor of love,” said Peterson. “I’ve worked with director Floyd Russ many times, and he always brings a distinct point of view, and an element of surprise to his projects. There is always an idea that catches me off guard in the best possible way. The team from Translation was also a dream to work with and their enthusiasm for the film was contagious. Plus we are all are huge sports fans, which made the edit process one of the most fun experiences I’ve had to date.”
Credits
Client Kaiser Permanente Agency Translation LLC Steve Stoute, CEO & founder; Ann Wool, president; Alex Kaplan, Barry Katz, group creative directors; Dylan Simel, sr. art director; Nickolaus Sugai, sr. copywriter; Matthew Flaherty, executive content producer; Dustin Grant, content producer. Sandy Preston, chief strategy officer; Drew Simel, strategy director; Megan Mundo, strategist. Production Tool of North America Floyd Russ, director; Laura Macauley, exec producer; Andy Coverdale, producer; Jacob Moller, DP; Dean Backer, production designer. Editorial Cut + Run Stacy Peterson, editor; Chris Wronka, assistant editor; Lauren Hertzberg, managing director; Marcia Wigley, head of production; Ellese Shell, exec producer. VFX MPC Alvin Cruz, creative director/VFX supervisor; Tobey Lindback, VFX supervisor, 2D lead; Camila De Biaggi, sr. exec producer; Elissa Norman, sr. producer; Mazyar Sharifian, Renato Carone, Anthony Ricciardi, 2D artists. Finishing Jogger Studios Joey Grosso, Flame artist; Rachel Driver, Flame assistant; Mike Tockman, post producer. Color The Mill NY Mikey Rossiter, colorist. Music, Sound Design & Mix Barking Owl Dan Flosdorf, mixer; Ashley Bento, sr. producer.
FactSet, a global financial digital platform and enterprise solutions provider, has partnered with Chicago-based creative agency VSA Partners to unveil a second round of spots in its “Not Just the Facts” campaign. The campaign originally launched back in April.
The campaign was built on a core strategic insight: While quality data is critical for financial professionals, facts in isolation provide little value. FactSet’s personalization, data connectivity, open and flexible technology, and dedicated service and support provide the context necessary for the investment community to turn facts into valuable insights--and make the most of them.
The new creative picks up where the previous left off. This time it focuses on a particularly boorish office worker, drolly played by character actor Wyndham Maxwell, who ticks off an encyclopedic list of facts and non sequiturs during business meetings and to the bemusement of his colleagues.
The tongue-in-cheek campaign, which plays more like a perfect-pitch comedy series than a typical B2B commercial effort, is a major departure from financial services industry norm--both in its use of humor and in its humanistic approach. Starting this week, FactSet will roll out 16 unique spots—a combination of :30s, :15s, :06s and nine “shorts”—across multiple channels including digital, streaming and CTV.
This :30, “Dinos,” has an office worker’s relevant reference to dinosaurs spark our boorish colleague who proceeds to utter one irrelevant fact after another about the prehistoric creatures.
The Los Angeles–based Docter Twins (Matthew and Jason Docter) directed the original campaign and this new humorous work through their production company, Thinking Machine. The identical twin... Read More
