Seattle-based production studio World Famous has partnered with Make-A-Wish Alaska and Washington to grant an unprecedented wish for six-year-old Alexis, who recently battled acute lymphoblastic leukemia. Alexis wanted to create a cartoon that would tell her own story in a way her friends could understand and bring awareness to pediatric cancer.
The World Famous team rallied together to bring Alexis’s story to life. The resulting three-minute film, Alexis’s Wish, is a powerful yet whimsical fairy tale starring Princess Alexis as herself battling the dragon “Kemia” with the help of her family and friends.
Credits
Client Make-A-Wish Alaska and Washington Production World Famous, Seattle Dan Brown, director; Juan Carlos Arenas, art direction, character design and backgrounds; Alan Nay, executive producer; Shawn Fedorchuk, Thomas Prince, Andy Seaver, editors; Rogelio Salinas, lead animator; Yassir Rasan, lead character animator; Ben Bullock, Cody Cobb, Joe Garber, Chase Hochstatter, Corey Lewis, Alan Llave, John McIntosh, Andy Musser, Carl Nelson, Stieg Retlin, Jake Wegesin, Lawrence Wyatt, animators. (Toolbox: Adobe Illustrator, Photoshop, After Effects, Premiere; Cinema 4D)Music Madrona Music Jason Staczek, composer. Audio Mix/Voice Recording Clatter&Din Eric Johnson, sound design & surround mix; Ben Kersten, sound design. Jamie “Foley Rambo” Hunsdale, Foley artist. Performers Alexis Hwa as herself; Angela Hwa as herself; Jamie Chung, narrator.
Dancer turned director Ezra Hurwitz collaborates with Ailey II artistic director Francesca Harper, featuring movement as museum pieces against the Whitney Museum of American Art’s striking architecture for this short film titled Echoes of Ailey. Commissioned to celebrate “Edges of Ailey” at the Whitney Museum, the film accompanies the first large-scale exhibition on the life and enduring legacy of visionary artist and choreographer Alvin Ailey. “Edges of Ailey” is currently on view at the Whitney until February 9.
Animating iconic images from Alvin Ailey’s 20th-century repertory, the film expands on the exhibition by constructing a visual narrative around his storytelling and influences. Set to Radiohead’s “Everything In Its Right Place,” dancers from the Alvin Ailey American Dance Theater, Ailey II, and The Ailey School capture the emotional core of the company’s history--physically situating Ailey’s masterworks amongst the Whitney’s collection.
“As a child, my grandmother took me to Ailey’s Revelations once a year,” said Hurwitz. “No matter how often I saw it, the work captivated me. There isn’t one specific thing I hope viewers take away from the film--or one way to interpret its images. It’s meant to be an abstract work, like Ailey’s creations.”
Turning to his archive, Hurwitz and Harper illuminate key sequences symbolic of Ailey’s profound legacy, closing on an uninterrupted sequence from "I’ve Been Buked," the opening movement of Ailey’s legendary "Revelations." Carrying a watershed moment back to its own medium, Echoes of Ailey captures the multigenerational impact of Ailey’s work, continued by his organization. The short film first premiered on Nowness.
