Al Roker, “America’s Weatherman,” is featured in this commercial for BMW’s annual Summer Sales Event, part of a campaign from Goodby Silverstein & Partners (GS&P).
Directed by Win Bates via Tool of North America, the “Summer Is All Yours Spot” finds Roker intentionally giving an inaccurate rainy weather forecast on social media. Roker is then seen cruising to the shoreline in his all-electric BMW i4 to enjoy a perfect beach day all to himself.
“Saying Al’s personality is as electric as the BMW cars we are promoting would be a cliché, so I won’t say it. But wait…I think I just did,” said Rich Silverstein, co-chairman and co-founder at GS&P.
“We’re thrilled to collaborate with Al Roker, a true entertainment icon whose passion and trademark charm fit beautifully with the BMW brand,” added GS&P executive creative director Matt Edwards.
Credits
Client BMW North America Agency Goodby Silverstein & Partners Rich Silverstein, co-chairman/partner; Matt Edwards, executive creative director; Kevin Leung, Clemens Zlami, associate creative directors; Guillermo Aliaga Pueyrredon, sr. art director; Belen Russomanno, sr. copywriter; Jim Haight, head of production; Matthew Flaker, executive producer; Jennifer de Leon, producer; Jim King, director of graphic services; Saam Gabbay, photography; Tena Goy, executive interactive producer; Severin Sauliere, sr. interactive producer; Will Hung, director of production arts; Joanna Pham, Maria Leung, production artists; Katie Coane, deputy director of brand strategy; Nik Poon, brand strategy director; Kelly Kikuch, brand strategist; Dong Kim, group communication strategy director; Charlotte Cordova, sr. communication strategist. Production Company Tool of North America Win Bates, director; Mary Church, exec producer; Nancy Hacohen, managing director. Editorial Arcade Edit Dave Anderson, editor; Dean Miyahira, assistant editor; Crissy DeSimone, exec producer; Megan Dahlman, head of production; Wendy Umanzor, producer. VFX/Finishing The Mill Nhat Tran, Jeffery Robins, VFX supervisors; Hillary Thomas, exec producer; Sherilyn Martin, producer; Joelle Amoroso, production coordinator; Nhat Tran, 2D lead artist; Diiwaker S, 2D lead artist (BLR); Sandra Ross, 2D artist; Aasheesh Singh, Akhil A S, Jhoshidh T, Atul Palande, 2D artists comp (BLR); Tushar Suresh Bhat, Appu Gowda, Chaithra H, Kishor Sasane, 2D artists roto (BLR); Gowthaman N, Sailen Khanra, Ankit Panwar, Manoj Kumar, Shubham Pawar, 2D artists paint (BLR); Tushar Sethi, Sandeep Kumar Yadav, asset artist (BLR); Rajkumar Gupta, Puppala Vinod Kumar, tracking (BLR); Itai Muller, matte painting. Mix/Sound Design Sonic Union Mike Marinelli, sound designer/mix engineer; Justine Cortale, sound producer; Carly Morgan, assistant engineer.
Children’s charity Barnardos is releasing this thought-provoking film created by BBH Dublin to highlight the challenges some children in Ireland face.
Barnardos knows that to understand a child’s issues takes time and work. It’s not a quick fix.
That forms the basis of the new film in the “Change Their Story” campaign, which follows a young boy recounting a childhood birthday. It begins with him telling a story of a perfect day, surrounded by friends, family, presents and a huge cake topped with candles.
The story is then retold again and again. With each blow of the candle, more of the facade is chipped away to get to the truth; that his birthdays weren’t very special. The story ends with the boy, now in his teens, opening up about his real childhood experience to a Barnardos keyworker. All laddering up to the enduring line, “Because childhood lasts a lifetime.”
BBH Dublin worked closely with Barnardos to capture the reality of the healing process on film--how it’s an ongoing journey that requires continued support. David Leon directed via production company Iconoclast.
Evonne O’Rourke, production lead, BBH Dublin, added, “We felt a real responsibility to produce a piece of work that had impact and the power to support the brilliant work that Barnardos does. We knew we had a great script on our hands, but it was crucial that the idea was underpinned by craft that protected the authenticity of the story.
“It was a fine balance to strike--the production design, edit, sound design and color grade all had key parts to play in shaping and enhancing the narrative but not in a way that would overpower or become the focal point of the film.”
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