Women in Animation (WIA) has unveiled the fifth annual WIA Diversity Award winners, presented in partnership with the Spark Computer Graphics Society (Spark CG). The recipients of this year’s awards are: creator Rebecca Sugar; All Those Sensations in My Belly by Marko Djeลกka; and the University of Southern California (USC) Annenberg Inclusion Initiative. The awards are being given by WIA president Marge Dean with a taped presentation made available online from the first day of SPARK ANIMATION 2021, which runs virtually from October 28 – November 7 out of Vancouver, Canada.
The WIA Diversity Awards were established to recognize and honor individuals, films and organizations that have made a significant impact in expanding the diversity of voices in the art and industry of animation, either through their own creative work, by fostering the work of others, or by leading diversity initiatives that enrich our industry and society. “WIA Diversity Awards highlight some of the success stories on the journey to creating more balanced representation in the animation industry, in hopes that such courageous and important work inspires others to open doors to more diversity among filmmakers and more authentic storytelling,” said Dean.
Rebecca Sugar
The 2021 WIA Diversity Award for Individual Achievement is being presented to Sugar. A groundbreaking animation creator for years now, Sugar helmed Steven Universe as the first non-male solo show runner at Cartoon Network after several years writing, storyboarding and songwriting for Adventure Time. Sugar has been fighting for LGBTQIA+ content in children’s media since 2010, and for a more inclusive environment both on screen and behind the scenes in the animation industry. “Rebecca Sugar was a champion for gender justice long before that term even existed. She has challenged the binary assumptions of gender in her work, in her communication with the world, and in how she lives her life. She is a uniquely amazing person who moves through the world as a living example of the very best of being human,” said Dean.
Sugar shared, “I’m moved and honored to be recognized by Women in Animation as a non-binary artist. I’m so grateful to everyone working to amplify marginalized voices within the animation industry. Thank you so much for your support.”
Marko Djeลกka’s short film
A juried award given by the Spark Computer Graphics Society, the 2021 WIA Diversity Award for Short Film, is being presented to Marko Djeลกka’s All Those Sensations in My Belly. Djeลกka’s animated documentary film portrays the story of a real trans girl Matia who is transitioning from male gender to female, struggling with finding a sincere intimate relationship. “The SPARK ANIMATION Festival Jury selected Marko Djeลกka’s All Those Sensations in my Belly for its powerful visualization of the struggles of self-discovery and finding one’s place in the world,” explained Festival Director Marina Antunes.
USC Annenberg Inclusion Initiative
In alignment with the adage “what gets measured gets done,” The USC Annenberg Inclusion Initiative (AII) has been at the forefront of academic study and research around representation, characterization and inclusion in the entertainment industry for over a decade. The Initiative is globally recognized for its valuable and sought-after research solutions to advance equality as it examines gender, race/ethnicity, LGBT status, disability, and age on screen and gender and race/ethnicity behind the camera in cinematic and television content as well as barriers and opportunities facing women and people of color in the entertainment industry. In recent years, Dr. Stacy L. Smith, Dr. Katherine Pieper and their team have collaborated with WIA on two groundbreaking and informative studies on the U.S. animation industry and global VFX industry. “After years of great partnership, WIA could not be more thrilled to present the USC Annenberg Inclusion Initiative with the 2021 WIA Diversity Award for Organizational Achievement for their important work in advancing diversity, equity and inclusion and creating accountability measures not only in animation, but for the entertainment industry as a whole,” said WIA secretary Julie Ann Crommett.
“We are grateful to Women in Animation for this award,” said Smith, founder, Annenberg Inclusion Initiative. “Animation has a very important place in the Initiative’s history from our early work on films, and we have found it important to continue that work with Women in Animation through our groundbreaking studies both in 2019 and our upcoming report on VFX. WIA has impacted the industry not only through their advocacy, but because the creative talent of women throughout the animation industry has impacted the lives of so many viewers—including those on our team. We’re honored to be recognized and eager to continue our work together.”
Local school staple “Lost on a Mountain in Maine” from 1939 hits the big screen nationwide
Most Maine schoolchildren know about the boy lost for more than a week in 1939 after climbing the state's tallest mountain. Now the rest of the U.S. is getting in on the story.
Opening in 650 movie theaters on Friday, "Lost on a Mountain in Maine" tells the harrowing tale of 12-year-old Donn Fendler, who spent nine days on Mount Katahdin and the surrounding wilderness before being rescued. The gripping story of survival commanded the nation's attention in the days before World War II and the boy's grit earned an award from the president.
For decades, Fendler and Joseph B. Egan's book, published the same year as the rescue, has been required reading in many Maine classrooms, like third-grade teacher Kimberly Nielsen's.
"I love that the overarching theme is that Donn never gave up. He just never quits. He goes and goes," said Nielsen, a teacher at Crooked River Elementary School in Casco, who also read the book multiple times with her own kids.
Separated from his hiking group in bad weather atop Mount Katahdin, Fendler used techniques learned as a Boy Scout to survive. He made his way through the woods to the east branch of the Penobscot River, where he was found more than 30 miles (48 kilometers) from where he started. Bruised and cut, starved and without pants or shoes, he survived nine days by eating berries and lost 15 pounds (7 kilograms).
The boy's peril sparked a massive search and was the focus of newspaper headlines and nightly radio broadcasts. Hundreds of volunteers streamed into the region to help.
The movie builds on the children's book, as told by Fendler to Egan, by drawing upon additional interviews and archival footage to reinforce the importance of family, faith and community during difficult times,... Read More